Lewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termi... Ler tudoLewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termina com uma volta inesperada do destino.Lewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termina com uma volta inesperada do destino.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 10 indicações no total
- Lewis
- (narração)
- Wilbur
- (narração)
- Mildred
- (narração)
- Lewis
- (narração)
- Michael "Goob" Yagoobian
- (narração)
- Mr. Harrington
- (narração)
- Mrs. Harrington
- (narração)
- …
- Mr. Willerstein
- (narração)
- Lucille Krunklehorn
- (narração)
- Stanley
- (narração)
- Lizzy
- (narração)
- Young Franny
- (narração)
- (as Jessie Flower)
- Bowler Hat Guy
- (narração)
- (as Stephen John Anderson)
- …
- Doris
- (narração)
- …
- Carl
- (narração)
- Lefty
- (narração)
- Aunt Billie
- (narração)
- (as Kellie M. Hoover)
Avaliações em destaque
Being a huge fan of Disney's work, but seeing their young target audience erode to the digital-only studios, I was hoping they'd come back to strong story lines.
Well, Meet the Robinsons was a surprise to me. Had a great story line, extremely visually appealing, awesome voicing (I do professional voice work so have a different appreciation for this), and an all-round great movie.
The only negative thing I must say (without spoiling the movie) is that when it came down to the part of the movie where it changes and you see much more of the hat in the future (again, don't worry.. no spoiler in this info) both of my daughters were pretty frightened and jumped to my lap. The visuals and content during this part of the movie really took on a different edge (color/music changes, etc.) As far as making it to frightening, I would hate in retrospect to see it changed to be a little more "small kid friendly". I would say that it might be a much better movie for children over 7 or 8 to see. I have to say again that as an adult, I thought it was really great.
One of the features of this movie I thought was clearly outstanding was the musical composition (and songs) that Danny Elfman (Nightmare, Corpse Bride, Simpsons, and a million other compositions) did. One particular song is such an awesome, up-beat, fun song that I really hope Disney puts a push behind it to give it radio airplay. (I'm also a former radio jock in Dover, Athens, Akron, Cleveland, Denver, Fort Collins, and Madrid-Spain) Certainly Elfman has written some great and memorable music ("What's This? - Nightmare Before Christmas), but I'd have to say the music in Robinsons is some of his finest.
I'd sum this all up in saying that, like the Disney tradition, this is story with great writing, great music, a lesson to be learned, and fun in general. It might be a little too much for the very little kids (even Beauty & The Beast or Aladdin had parts that could be frightening to very little kids though). I get (and hope) that Disney stays on the course they've moved with Robinsons. It's nice to see Disney getting back to their roots for story telling, yet moving forward (Shrek-like) with their animation and modern feel.
On a side-note: Ironically, the new opening cartoon (Mikey, Donald & Goofy build a boat cartoon) was made to feel very old by Disney. Audio was clearly intentionally "warbled" (for old-time 1920's/1930's affect). It was shot in 4x4 ration (not TV's 4x3 or Cinemascope) And drawn images were full of dirt-type flaws (specs that were on their drawings and not on the lens of the camera or projector and they "jumped" throughout the short cartoon). Very tradition cartoon which traces back to the Walt Disney roots. Wondered if it hadn't been placed to really show the contrast of the original Disney and the new Disney.
They come from the future, filled with colourful buildings, flying jets, travelling tubes that would remind you of the Jetsons. Everyone is strange in their own way, from Frannie who conducts frog band, Grandpa who wears his clothes backward and twins Dimitri and Spike who stay in flower pots. Plus a talking robot like C-3PO.
In Back to the Future style, 13th year old Wilbur Robinson brings a smart nerd Lewis to 2037 to recover his invention. Are you lost yet? Now, all these eccentric characters and story can be quite hard to understand. Everything happens so fast, so don't lose your attention.
Once you get past the initial stage, everything falls nicely into place like a jigsaw in this intricate story. Although there isn't one main character who will appeal to you like The Incredibles, the whole Robinsons family will charm you the same.
Some critics may say: Too many characters. Too much dialogue. Too confusing. Too many things happening at the same time. Indeed, there were points where young children may go "huh?". Nevertheless, the singing frogs, big-headed dinosaur, colourful setting and music from Danny Elfman makes it all quite likable.
With a strong "keep moving forward" educational message and a touching ending, this animation is recommended to families who will continue to enjoy this work from Disney.
(As a bonus, audience will also be brought back in time with a nostalgic cartoon featuring Mickey, Donald and Goofy)
http://themovieclub.blogspot.com
Despite having a pacing problem I wil not consider Meet The Robinsons a bad movie, because it's definitely more good-natured that aforementioned Chicken Little. The message is about believing in yourself and keeping your head up even when things seem hopeless. Its message isn't sugar coated or hammered in so credits to the writers for getting that right.
But yeah, as well intentioned as it might be, the pacing problem takes away the final punch that could make the movie a forgotten gem, but we get so many characters and jokes thrown at us from time to time that we don't get to know the side characters fully.
But overall a good expirience. Underrated? Yes. Masterpiece? No. But it has its moments which makes it worth your time.
Você sabia?
- CuriosidadesThe parts of Lewis and Wilbur had to be recast when the original actors' voices broke.
- Erros de gravaçãoWhen the Bowler Hat Guy is trying to pass off the memory scanner as his own, he is seen carrying the memory scanner in the box right side up, and then after the introduction is seen taking the box off the top, but in order to do that, either the box would have had to have been turned upside down, or the bottom would have had to been loose, in which case the memory scanner would have fallen out.
- Citações
Title Card: Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths. - Walt Disney
- Cenas durante ou pós-créditosIn the 3D version, most of the closing credits are in 2D; however, the credits for the people who created the 3D version are in 3D.
- Versões alternativasIn the U.S. version, Wilbur tells Lewis that his father, Cornelius, looks like Tom Selleck, who happens to be the voice-actor. In the German version, Wilbur says his father looks like Thomas Gottschalk, who happens to be the voice-actor in this version. In the Latin American version, Wilbur says his father looks like José Luis Rodríguez "El Puma". In the Italian version, Wilbur says his father looks like Giovanni Muciaccia, the Italian Art Attack presenter, who is his voice-actor in this version. In the Spanish version, Wilbur says his father looks like Raphael. In the Japanese version, Wilbur says his father looks like Kazuhiko Inoue .
- ConexõesEdited into Curtas Animados Zen: Cityscapes (2020)
- Trilhas sonorasAnother Believer
Music by Rufus Wainwright and Marius De Vries
Lyrics by Rufus Wainwright
Performed by Rufus Wainwright
Produced by Marius De Vries
Orchestra Arranged by Marius De Vries
Additional Orchestration by Jennifer Hammond
Recorded by James T. Hill, Jason Boshoff, and John Brough
Mixed by Andy Bradfield
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La familia del futuro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 97.822.171
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.123.781
- 1 de abr. de 2007
- Faturamento bruto mundial
- US$ 169.333.034
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som