Lewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termi... Ler tudoLewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termina com uma volta inesperada do destino.Lewis é um inventor brilhante que conhece um estranho chamado Wilbur Robinson, que leva Lewis em uma máquina do tempo e juntos se unem para localizar Bowler Hat Guy em um confronto que termina com uma volta inesperada do destino.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 10 indicações no total
- Lewis
- (narração)
- Wilbur
- (narração)
- Mildred
- (narração)
- Lewis
- (narração)
- Michael "Goob" Yagoobian
- (narração)
- Mr. Harrington
- (narração)
- Mrs. Harrington
- (narração)
- …
- Mr. Willerstein
- (narração)
- Lucille Krunklehorn
- (narração)
- Stanley
- (narração)
- Lizzy
- (narração)
- Young Franny
- (narração)
- (as Jessie Flower)
- Bowler Hat Guy
- (narração)
- (as Stephen John Anderson)
- …
- Doris
- (narração)
- …
- Carl
- (narração)
- Lefty
- (narração)
- Aunt Billie
- (narração)
- (as Kellie M. Hoover)
Avaliações em destaque
This is a horribly underrated film. The characters are actually enjoyable, especially the members of Wilbur's family, from Uncle Art, the galactic pizza delivery guy voiced by the late Adam West, to Tiny The T-Rex, each character has an unique personality and talent. Also, the film is beautifully animated and teaches a lesson: keep going forward, despite your failures. This is worth checking out.
Being a huge fan of Disney's work, but seeing their young target audience erode to the digital-only studios, I was hoping they'd come back to strong story lines.
Well, Meet the Robinsons was a surprise to me. Had a great story line, extremely visually appealing, awesome voicing (I do professional voice work so have a different appreciation for this), and an all-round great movie.
The only negative thing I must say (without spoiling the movie) is that when it came down to the part of the movie where it changes and you see much more of the hat in the future (again, don't worry.. no spoiler in this info) both of my daughters were pretty frightened and jumped to my lap. The visuals and content during this part of the movie really took on a different edge (color/music changes, etc.) As far as making it to frightening, I would hate in retrospect to see it changed to be a little more "small kid friendly". I would say that it might be a much better movie for children over 7 or 8 to see. I have to say again that as an adult, I thought it was really great.
One of the features of this movie I thought was clearly outstanding was the musical composition (and songs) that Danny Elfman (Nightmare, Corpse Bride, Simpsons, and a million other compositions) did. One particular song is such an awesome, up-beat, fun song that I really hope Disney puts a push behind it to give it radio airplay. (I'm also a former radio jock in Dover, Athens, Akron, Cleveland, Denver, Fort Collins, and Madrid-Spain) Certainly Elfman has written some great and memorable music ("What's This? - Nightmare Before Christmas), but I'd have to say the music in Robinsons is some of his finest.
I'd sum this all up in saying that, like the Disney tradition, this is story with great writing, great music, a lesson to be learned, and fun in general. It might be a little too much for the very little kids (even Beauty & The Beast or Aladdin had parts that could be frightening to very little kids though). I get (and hope) that Disney stays on the course they've moved with Robinsons. It's nice to see Disney getting back to their roots for story telling, yet moving forward (Shrek-like) with their animation and modern feel.
On a side-note: Ironically, the new opening cartoon (Mikey, Donald & Goofy build a boat cartoon) was made to feel very old by Disney. Audio was clearly intentionally "warbled" (for old-time 1920's/1930's affect). It was shot in 4x4 ration (not TV's 4x3 or Cinemascope) And drawn images were full of dirt-type flaws (specs that were on their drawings and not on the lens of the camera or projector and they "jumped" throughout the short cartoon). Very tradition cartoon which traces back to the Walt Disney roots. Wondered if it hadn't been placed to really show the contrast of the original Disney and the new Disney.
One aspect of the movie that works particularly well is the design. The buildings, machines and landscapes of the future really look totally cool and have a very own look that is inspired by Joyce's illustrations and various visions of the future from the 50ies and 60ies. They're beautifully rendered, too. Furthermore, the animation is pretty awesome. The movements of the quirky characters are very fast but funny and cleverly stylized. The best example for this is the Bowler Hat Guy who moves in a unique style that makes him look like a giant Spider. This really is a welcome change from the hyper-realistic motion capturing stuff we've been seeing in a lot of movies lately. The character design isn't so bad either. However, the humans don't look quite as good as the ones in The Incredibles, the stylization of some characters makes them look a little too artificial for my taste. The voice-acting, which relies on solid voice actors and luckily doesn't involve any fancy stunt casting, leaves nothing to be desired. Danny Elfman's score is pretty fine, too. I could have done without the cheesy pop songs that were played at some parts of the film, though.
Altogether, I highly recommend seeing this warmhearted family film to any animation fan. It might not be as good as my Pixar favorites The Incredibles and Finding Nemo, but it sure is a lot better than most of the other studios' wisecracking-and-farting-animal flicks. With Pixar's John Lasseter pulling the strings at Disney's animation unit now, they finally seem to be getting back on the right track and I'm looking forward to their next projects, especially the traditionally animated The Frog Princess.
One last thing: as some of you might have heard, Disney wants to start putting original animated shorts in front of their feature films again. Meet the Robinsons kind of makes a start by showing the old Mickey, Donald & Goofy short Boat Builders in the beginning. It's a great experience to see one of those on the big screen again and the kids in the audience apparently loved it.
An intriguing storyline revolves around orphan Lewis who, as a 12-year old, is an up-and-coming inventor, and dreams of building a time machine to find out who his mother was. He meets a mysterious boy Wilbur Robinson who tries to save him from the equally mysterious man with the bowler hat. We are then drawn into a time travel story that, while having as many paradoxes as Back To The Future, ends with some interesting plot twists.
We saw the movie in 3D - and while there were a few "especially for 3D" visual effects, such as flying food - the 3D was not overdone and did not detract from the story.
Você sabia?
- CuriosidadesThe parts of Lewis and Wilbur had to be recast when the original actors' voices broke.
- Erros de gravaçãoWhen the Bowler Hat Guy is trying to pass off the memory scanner as his own, he is seen carrying the memory scanner in the box right side up, and then after the introduction is seen taking the box off the top, but in order to do that, either the box would have had to have been turned upside down, or the bottom would have had to been loose, in which case the memory scanner would have fallen out.
- Citações
Title Card: Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths. - Walt Disney
- Cenas durante ou pós-créditosIn the 3D version, most of the closing credits are in 2D; however, the credits for the people who created the 3D version are in 3D.
- Versões alternativasIn the U.S. version, Wilbur tells Lewis that his father, Cornelius, looks like Tom Selleck, who happens to be the voice-actor. In the German version, Wilbur says his father looks like Thomas Gottschalk, who happens to be the voice-actor in this version. In the Latin American version, Wilbur says his father looks like José Luis Rodríguez "El Puma". In the Italian version, Wilbur says his father looks like Giovanni Muciaccia, the Italian Art Attack presenter, who is his voice-actor in this version. In the Spanish version, Wilbur says his father looks like Raphael. In the Japanese version, Wilbur says his father looks like Kazuhiko Inoue .
- ConexõesEdited into Curtas Animados Zen: Cityscapes (2020)
- Trilhas sonorasAnother Believer
Music by Rufus Wainwright and Marius De Vries
Lyrics by Rufus Wainwright
Performed by Rufus Wainwright
Produced by Marius De Vries
Orchestra Arranged by Marius De Vries
Additional Orchestration by Jennifer Hammond
Recorded by James T. Hill, Jason Boshoff, and John Brough
Mixed by Andy Bradfield
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- La familia del futuro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 97.822.171
- Fim de semana de estreia nos EUA e Canadá
- US$ 25.123.781
- 1 de abr. de 2007
- Faturamento bruto mundial
- US$ 169.333.034
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som