Adicionar um enredo no seu idiomaThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Som... Ler tudoThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Someone has stolen the magic stone called Dalamite without which this world is doomed. Two Ga... Ler tudoThe beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Someone has stolen the magic stone called Dalamite without which this world is doomed. Two Gayans named Boo and Zino embark on a dangerous mission to track down and recover the stone.... Ler tudo
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Albert Drollinger
- (English version)
- (narração)
- Alanta
- (English version)
- (narração)
- Zino
- (English version)
- (narração)
- Boo
- (English version)
- (narração)
- Female Gayan
- (English version)
- (narração)
- …
- Female Gayan
- (English version)
- (narração)
- …
- Galger
- (English version)
- (narração)
- Bramph
- (English version)
- (narração)
- (as Red Pepper)
- Zeck
- (English version)
- (narração)
- Professor N. Icely
- (English version)
- (narração)
- E.N.I.A.C.
- (English version)
- (narração)
- Billy
- (English version)
- (narração)
- Fred
- (English version)
- (narração)
- …
- Boo
- (German version)
- (narração)
- Alanta
- (German version)
- (narração)
- Zeck
- (German version)
- (narração)
- Zino
- (German version)
- (narração)
- (as Torsten Münchow)
Avaliações em destaque
I was positively impressed by the global level of detail of scene backgrounds. Where in other CGI movies you get to see, say, a row of buildings with carefully modelled details near the camera, then a lot of empty space behind those, and finally a matte painting of the 'horizon', Back to Gaya shows you whole blocks of buildings, with the next streets showing through the gaps, all in credibly full detail, but without any obvious repetition of similar structures. To me these shots had a sense of realism that I had not seen before in CGI movies.
Along the same vein, when there are open air views, the distant landscape is never a simple background painting, but a detailed model. As far as I can tell, even the clouds in the sky were actual 3D entities instead of the usual flat background painting. This gives the camera a lot more freedom to move large distances and freely look around the scenery. The filmmakers probably overused this freedom somewhat, though, making some scenes hard to follow.
The outstanding level of detail extends to things like vegetation interacting with buildings, like plants growing inbetween and around fenceposts, for example. What I also liked was the general worn and aged look of things, a refreshing change from the polished featureless surfaces that are all too common on CGI movies' background objects.
The character animation in comparison is two classes below that, as the other comments mention. One thing I like about the characters, though, is the courage of the designers to go for the outright bizarre with the 'human' roles. It was interesting to see character design exploring a different direction than the usual either hyperrealistic or more classical comic style.
So, despite its weaknesses, Back to Gaya actually manages to advance the state of the CGI art on a few fronts. I do hope that it will be commercially successful enough that the makers get another chance to apply their talents to a better story.
Maybe it was the difficulty of working with CGI characters. Its possible that because the film was made in German and then English audio was dubbed that caused the audio track to be off throughout the film. I never realized how spoiled we've become with films like Toy Story, Shrek, Nemo, Antz, and so on. This film had several sweeping scenes that I thought could have been right out of any of those films, but then cut to action that could not have been in a storyboard for one of those films.
Beautiful scenes, but lacks the wittiness and pacing that would allow an adult to enjoy this movie.
OK. But in 2004 you have to reach certain technical standards. And the makers of "Gaya" didn't. The kinematics is wooden, the camera movements make you dizzy and the lip-sync is disastrous. I mean -- this is a German CGI movie, so why are the German voices out of sync? Even movies like "Shrek" or "Ice Age" have been dubbed with German voices without visible glitches like that.
Aside from the technique: It's a nice animation film, but the plot is a bit thin and the characters are a bit weak. "Back to Gaya" is OK, but it's not more than that.
The main positive aspect of the movie is that the makers did not apply the usual scheme of black and white. All the characters have certain strengths and weaknesses which add some shades of grey. The hero is bold but incredibly stupid. His companion is more of a shy guy yet he is quite resourceful.
Especially the introduction of the black haired Gayans teaches the kids that prejudices and discrimination because of certain bodily features are wrong and unfair.
BtG offers colourful family entertainment. It's funny, exciting and it even conveys certain moral values to the viewer.
7 out of 10
Você sabia?
- CuriosidadesThis was Michael Kamen's last score. He died before he could complete it, and his orchestrators filled out the unfinished sketches.
- Cenas durante ou pós-créditosIn a scene during the credits, Galger calls Albert from a cellphone, to give him new ideas for writing further episodes for 'Zeck and Boo'.
- ConexõesFeatured in Jambareeqi Reviews: Boo, Zino and the Snurks (2013)
- Trilhas sonorasNo Small Wonder
Words by Don Black
Music by Michael Kamen
Performed by Katy Krykant "Lady K", Andy Lewis, Bobby Harrison and Stefan Redtenbacher
Produced, Mixed, and Arranged by Rupert Christie
K-MAN CORP/SONY/ATV MUSIC PUBLISHING LLC (BMI)-50%
Principais escolhas
- How long is Boo, Zino & the Snurks?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Boo, Zino & the Snurks
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.844.511
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1