Lady Street Fighter

This movie is so reminiscent of The Room; but it makes The Room look like a slick Hollywood production. Female hero has unplaceable accent. Pointless senseless romance. Pointless senseless plot. Not only gratuitous nudity, violence, and car chases; in fact, every single scene seems gratuitous.

The main character "Linda" is out for revenge after her sister is Murdered. If what followed was pure non stop action (even on a low budget) with decent fight choreography.. then we might have a pretty good trash cinema movie, but when the movie slows down to dialogue it's extremely noticeable how bad most of the actors are, including the star, who has a heavy accent and talks like she is coldly reading instructions off a paper. The insanity will keep you watching just to see how ludicrous the film is. The fight scenes are hilarious, no one knows how to throw a punch or block it especially Linda. I recommend you play this movie on mute while you listen to music and it will Be more captivating.

At one point, the main character says 'what's going on? I don't understand.' All the audience can say to that is 'me too gurl, me too.' Poorly scripted, poorly acted, poorly edited, poorly choreographed fight scenes.

Apparently this movie was lost for a long time until being recently rediscovered. After watching it, it's clear why apparently nobody was keeping a close eye on it. While it isn't the worst movie I have seen, it is all the same a really amateurish effort in every department you can think of. The story makes absolutely no sense, almost as if it was being made up as the shoot was going on. The production values are rock bottom. The acting is pretty pitiful as well. Still, I will admit that there are a few small pleasures to be found here. A few action sequences, as crude as they are directed, do contain a little zip. And there are some touches of unintentional humor that are genuinely hilarious, from some really dopey dialogue to music that rips off Ennio Morricone's music for the movie "The Good, the Bad, and the Ugly". But most of the movie is a really confusing slog to sit through, so I don't think it's worth watching the whole package just to get a few tiny nuggets of entertaining material. Why Turner Classic Movies thought this crudely made obscurity was worth broadcasting on their network, I cannot say.

Long after his movie career had dried up, Jody McCrea appeared in thsi direct-to-video opus, directed by James Bryan. The plot is a little obscure, but it seems to involve Renee Harmon (who also appeared in several Al Adamson movies) running around Brutalist architecture in Los Angeles, sucking on celery stalks, shooting at and being shot at by members of an assassin's organization which, as one character explains to another who already knows, has tens of thousands of members.

It seems to have been shot around 1975 and is a fine example of utter ineptness, given that the uncredited director of photography didn't bother to match light levels in the same scene even approximately, and the uncredited writer of the score seems to have used Morricone's theme for THE GOOD THE BAD AND THE UGLY, but played it on a synthesizer. Except for one Black woman, none of the performers seem to be able to give a line reading that makes sense.

On the plus side, Miss Harmon does show that it isn't easy to run in heels and there are several topless women.

A few movies are poor enough to be entertaining in their awfulness. This one doesn't even achieve that. the credits show that Miss Harmon is the producer. I guess she thought she was ready for the spotlight and willing to spend someone's money to prove it. She was wrong.