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7,5/10
3,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe story of a blind dervish Bab'Aziz and his spirited granddaughter, Ishtar, together they wander the desert in search of a great reunion of dervishes that takes place just once every thirt... Ler tudoThe story of a blind dervish Bab'Aziz and his spirited granddaughter, Ishtar, together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years.The story of a blind dervish Bab'Aziz and his spirited granddaughter, Ishtar, together they wander the desert in search of a great reunion of dervishes that takes place just once every thirty years.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Jahansooz Fooladi
- Old Prince Dervish
- (as Jahan Souz Fouladi)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Bab'Aziz: The Prince Who Contemplated His Soul" is a magical retelling of a Sufi mysticism; the mystical side of Islam, the time-honored concept of oneness with God, the peace and harmony with the universe. Bab'Aziz (Parviz Shahinkhou)is a very old blind dervish who hit the desert for a dervish reunion that is held once in every thirty years. A sort of a Sufi congregation where dancing ,singing, reciting poetry are all performed in a dhikr-like meditation and ecstasy to realize a sense of oneness with God, to reach the Creator. Ostensibly, his only accompanier is his high-spirited but patient granddaughter Ishtar(Maryam Hamid) who enjoys the mystic tales of the dervishes which somehow intersect with the tales of those who are on the desert for the same reunion.Bab'Aziz tells the story of a titular prince who goes missing one day.The fastidious prince who enjoys himself with the worldly-deeds follow a little gazelle that happens to be near his palatial tent. After he is gone missing, his loyal subjects look for him only to find him to be enraptured by apparently his own reflection in the pool but his loyal server knows that there is more to it than meets the eye. En route to the congregation they meet others whose stories are mystically interwoven with the tale of the old dervish. A young man who is on the desert to avenge a brother who was killed by a red-haired dervish(Hossein Panahi)whose only concern is to 'sweep with his soul, before his beloved's door', Osman(Mohamed Graïaa) who years for the beautiful Zahra who mystically meets in a palatial well, Zaid(Nessim Khaloul)who looks for the enchanting woman (Golshifteh Farahani) who is bewitched by his poems at a poetry contest but fled away from him to find her long-lost dervish father...
Dedicated to the father of the director Nacer Khemir, the movie is a subtle on-portrayal of Muslims in a hostile,gradually increasing Islamophobic world. In an interview in Al-Ahram Weekly,Nacer Khemir says "Suppose you were walking with your father on the street and he fell and got mud on his face. What do you do then? You help him up and wipe the mud off his face." The mud--the wrongly attained image of Islam due to those guys who take wows of violence with their guns is trying to be clarified by a man who could say "When I became an orphan I understood that I was at the center of a whirlpool, that I would never know comfort. I felt it was necessary to start expressing that..."
Teemed with vivid desert imagery, thought-provoking and enchanting remarks by self-less dervishes,Bab'Aziz is definitely not a movie for a layman. If you don't like a journey which will take you literally nowhere but mystically everywhere the movie won't be making much sense for you. If you have never read anything about sufi poets like Rumi let alone the possibility that you may never heard of him, then this movie won't be an easy one for you to relate to, because Sufism,in a way, is ripped away from rationality. I mean what would you say to a granddaughter who says "we've lost the way" on the desert. Bab'aziz says "He who has faith will never get lost, my little angel.He who is at peace won't lose his way." That's I mean about the "rationality" in Sufism.So if you really want to watch this movie get ready for the mystical journey that will become obscure if you lose your faith,concentration and attention!
Dedicated to the father of the director Nacer Khemir, the movie is a subtle on-portrayal of Muslims in a hostile,gradually increasing Islamophobic world. In an interview in Al-Ahram Weekly,Nacer Khemir says "Suppose you were walking with your father on the street and he fell and got mud on his face. What do you do then? You help him up and wipe the mud off his face." The mud--the wrongly attained image of Islam due to those guys who take wows of violence with their guns is trying to be clarified by a man who could say "When I became an orphan I understood that I was at the center of a whirlpool, that I would never know comfort. I felt it was necessary to start expressing that..."
Teemed with vivid desert imagery, thought-provoking and enchanting remarks by self-less dervishes,Bab'Aziz is definitely not a movie for a layman. If you don't like a journey which will take you literally nowhere but mystically everywhere the movie won't be making much sense for you. If you have never read anything about sufi poets like Rumi let alone the possibility that you may never heard of him, then this movie won't be an easy one for you to relate to, because Sufism,in a way, is ripped away from rationality. I mean what would you say to a granddaughter who says "we've lost the way" on the desert. Bab'aziz says "He who has faith will never get lost, my little angel.He who is at peace won't lose his way." That's I mean about the "rationality" in Sufism.So if you really want to watch this movie get ready for the mystical journey that will become obscure if you lose your faith,concentration and attention!
10teerth
I came across this wonderful movie in a DVD shop in Basel and was attracted by the well designed DVD cover. I ordered the DVD from net and the Movie turned out one of the best movies I have ever seen where the visible indicates towards the even bigger invisible world.. and the outer images turn you joyfully inward. Sufism is a hidden mystic tradition and its secrets are well hidden. But in this movie if you are alert will be introduced to some of most beautiful dances and recitals. The music is uplifting and the photography simply beautiful.I congratulate the director of the movie for his courage and sense of beauty. In addition the movie is full of paraables and portrayal of desert which is ever so associated with Sufis. The temple in the sand and the Zikhr cereomony left me asking for more..
10mcosteag
As others have said, this movie can qualify as a "best movie of my life". The person that commented about the movie not focusing exclusively on the pure/ascetic aspects of Sufi has a valid point, but it is on purpose that this is the case.
I strongly recommend watching the other two movies of the "dessert trilogy" where the very same path towards illumination, is seen from the outside (first movie), then from the point of view of the one drawn into joining in (second movie) and with Bab'aziz comes the end of the cycle.
Behind the movie and the trilogy itself, the Director (Nacer Khemir) is of course the conduit that guides to the viewers the source of the light. To dedicate all your artistic career to a single trilogy over so many years, puts Mr. Khemir in the line of the Muslim craftsmen that adorned so beautifully the buildings we see throughout the movies... He succeeded in turning a medium (cinematography) mostly used by anti-traditional messages in a veritable page of a scripture. The movie is able to lead people to "search more" and provides them a valid direction as well.
Some of Nacer's interviews one can find on the net are worth watching too...
I strongly recommend watching the other two movies of the "dessert trilogy" where the very same path towards illumination, is seen from the outside (first movie), then from the point of view of the one drawn into joining in (second movie) and with Bab'aziz comes the end of the cycle.
Behind the movie and the trilogy itself, the Director (Nacer Khemir) is of course the conduit that guides to the viewers the source of the light. To dedicate all your artistic career to a single trilogy over so many years, puts Mr. Khemir in the line of the Muslim craftsmen that adorned so beautifully the buildings we see throughout the movies... He succeeded in turning a medium (cinematography) mostly used by anti-traditional messages in a veritable page of a scripture. The movie is able to lead people to "search more" and provides them a valid direction as well.
Some of Nacer's interviews one can find on the net are worth watching too...
I went today on a film festival in Izola, Slovenia and this was the first movie I saw. I'm in a youth jury.
I have to say that this is one of the best movies I have ever seen. Everything is going on in a desert and you completely feel like your a part of this story. Movie photography is amazing. There are four stories that all tell one message. Maybe it's a little hard to follow all the stories, but in the end everything makes sense. I loved the message, but I can't tell you what it is, I want you to see the movie.
The music was also amazing. Arabic music makes you feel like your there, in the movie, but sometimes it's a little bit to loud...you can't hear the desert. But maybe that's what the director wanted. I recommend it to everyone!
I have to say that this is one of the best movies I have ever seen. Everything is going on in a desert and you completely feel like your a part of this story. Movie photography is amazing. There are four stories that all tell one message. Maybe it's a little hard to follow all the stories, but in the end everything makes sense. I loved the message, but I can't tell you what it is, I want you to see the movie.
The music was also amazing. Arabic music makes you feel like your there, in the movie, but sometimes it's a little bit to loud...you can't hear the desert. But maybe that's what the director wanted. I recommend it to everyone!
This is more than a film. It is a cinematic teaching tale. It can function on the level of that sort of Sufi contemplation device in which direct experience--through contemplation of a parable--is more important than preaching and didacticism. It is designed with careful artistry so that it is comprehended by the faculty of consciousness mystics call "the heart" rather then by the intellect. The Sufi (and Islamic)traditional saying "Die before you die" has never been so well conveyed. The central figures of Baba and Ishtar embodied by the actors are compelling to the point of beauty, with enough mystery and paradox that you will never be able to put your finger on precisely why, and in what way, you have been moved. But many, many people will be: what ever faith they practice, and even if they do not have one. This film will leave you with the powerful sense that the realm of spirit is the greater reality. -- Joe Martin
Você sabia?
- CuriosidadesIt was filmed in Iran and Tunisia.
- Citações
Red dervish: Sweep with your soul, before your beloved's door. Only then will you become her lover.
- ConexõesFollows Andarilho do Deserto (1984)
- Trilhas sonorasMaryam
Words By: Souras From The Koran Chapter 3 (33 to 37)
Vocals by Hamza Shakkur
Ney: Haroun Teboul
Violin: Gaël Derdeyn
Zarb: Keyvan Chemirani (as Kevan Chemirani)
© 2013 Quad
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Detalhes
- Data de lançamento
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- Idiomas
- Também conhecido como
- Bab'Aziz - O príncipe que contemplava a sua alma
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 89.672
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.286
- 10 de fev. de 2008
- Faturamento bruto mundial
- US$ 353.119
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