AVALIAÇÃO DA IMDb
3,0/10
38 mil
SUA AVALIAÇÃO
No século XVIII, uma vampira escapa do show de aberrações, do qual ela participou. Ela se junta a um grupo de caçadores de vampiros para matar o homem que estuprou sua mãe.No século XVIII, uma vampira escapa do show de aberrações, do qual ela participou. Ela se junta a um grupo de caçadores de vampiros para matar o homem que estuprou sua mãe.No século XVIII, uma vampira escapa do show de aberrações, do qual ela participou. Ela se junta a um grupo de caçadores de vampiros para matar o homem que estuprou sua mãe.
- Prêmios
- 4 vitórias e 11 indicações no total
Matthew Davis
- Sebastian
- (as Matt Davis)
Avaliações em destaque
I've never seen the computer game on which this movie is based, so the reported discrepancies between the film's storyline and the game's original mythos (which fans of the game have been very vocal about) didn't bother me, and instead I just viewed the movie as a separate entity. While I can't honestly say that Bloodrayne is anything special, it's certainly not the complete disaster that it's supposed to be. There's no denying that several of the main actors are woefully miscast - Michael Madsen being the prime example - and there are some bizarre and distracting cameos from Michael Pare (whom I swear hasn't aged a day in the twenty five years since Streets of Fire), Billy Zane and Meat Loaf. But I still found Bloodrayne to be considerably more entertaining than Van Helsing (2004), the film it most resembles. In fact it's only slightly inferior to the similarly themed Underworld movies.
This is singularly one of the worst films I've ever seen. After seeing a wide selection of decent horror at Fantastic Fest a few weeks ago, I expected this to have some substance because it was picked to screen at the Austin Film Festival. All I can think of is that someone must have blackmailed the programmers because it's terrible.
The dailogue is either very cliché, or very stilted (and often both). There are serious continuity issues. The gratuitous sex scene was so completely sudden it seemed like an excerpt from a porn movie. The wigs are terrible, and the costuming as bad. There is no character development, and the motivations shown on screen seem more like red herrings than anything else.
I can't think of anything redeeming about this film other than I didn't pay money just to see it.
The dailogue is either very cliché, or very stilted (and often both). There are serious continuity issues. The gratuitous sex scene was so completely sudden it seemed like an excerpt from a porn movie. The wigs are terrible, and the costuming as bad. There is no character development, and the motivations shown on screen seem more like red herrings than anything else.
I can't think of anything redeeming about this film other than I didn't pay money just to see it.
I almost forgot that I had seen this a month ago. I remember being excited more for the fact that Uwe Boll was in attendance so I could hear what he had to say about film-making.
Well, let's say his comments before and after the movie are revelations as to why he makes such crappy films. First off, he can't grasp why people savage his movies so much. He feels that the internet community gives him a hard time because he's German and he makes his movies with Nazi money (his quote, not mine. Of course, he was joking, right?) Secondly, he couldn't care less if the actors he has are right for the roles. In fact, finding actors is his last thing he does to secure financing for his films. Apparently, he thinks the story is strong enough to carry the film. So, this is why we end up with actors like Ben Kinglsey working alongside Michael Madsen. Really, the only thing they had was the time to do the movie and the earning of a paycheck. So, if this doesn't strike you as soulless film-making, I don't know what does. In essence, by waiting until the last possible moment to hire actors, he can make his movies with a secured budget.
Th reason why I write this is because I heard his new "epic" In the Name of the King will be a four hour film split in half like Kill Bill. This depressed me to no end. Uwe Boll really is the next Ed Wood, even though Ed Wood cared about his actors and films.
Well, let's say his comments before and after the movie are revelations as to why he makes such crappy films. First off, he can't grasp why people savage his movies so much. He feels that the internet community gives him a hard time because he's German and he makes his movies with Nazi money (his quote, not mine. Of course, he was joking, right?) Secondly, he couldn't care less if the actors he has are right for the roles. In fact, finding actors is his last thing he does to secure financing for his films. Apparently, he thinks the story is strong enough to carry the film. So, this is why we end up with actors like Ben Kinglsey working alongside Michael Madsen. Really, the only thing they had was the time to do the movie and the earning of a paycheck. So, if this doesn't strike you as soulless film-making, I don't know what does. In essence, by waiting until the last possible moment to hire actors, he can make his movies with a secured budget.
Th reason why I write this is because I heard his new "epic" In the Name of the King will be a four hour film split in half like Kill Bill. This depressed me to no end. Uwe Boll really is the next Ed Wood, even though Ed Wood cared about his actors and films.
This was, without a doubt, one of the worst movies I have ever seen. I knew a little bit about the video game this is based upon going in, and while I can't say I was a fan or knew all that much about the story, I figured I was going to get a kinda Buffy/Medieval Times kinda feel. I was SO wrong. The acting quality that I had expected was not there at all. In fact, even Ben Kingsley, who I thought would be good (I've liked other things of his) was awful. Kristinna Locken was so emotionless that you wanted to cry from frustration. Michelle Rodiguez was the only one with some convincing effort, but even then, she couldn't pull her character out of one-dimension. Although, the actors didn't have much to go on to begin with. The dialouge was laughably cliché in parts and simply pathetic in others. It did NOTHING to help convey the characters emotions or thoughts, nor did it do well with explaining the story, trying for flashy and confusing explanations when simplicity was needed and other times being far too simple. All in all, this movie was horrible.
Just kidding...just kidding!! Why, after wasting nearly 2 hours of my life watching this trash, should I waste another hour or so dissing this movie, when everything about it has already been killed stone dead by previous reviewers? Because, dear friends, I am so excited I just had to share with you my delight at finding the "worst cameo of all time", so magnificent in its awfulness that it could (with sheer effort of will) only be equalled, but never beaten.
It was Sunday. Raining. What the hell, "Bloodrayne" sounded good. Hmmm, Masden, Kingsley, Zane...can't be so bad.
After around 20 minutes or so of this "crowning turd" of a movie my "intellectual defence mechanism" automatically kicked-in and took my mind away to my next vacation, what to have for dinner, and the contents of my Partner's trousers. Sailing away on a sea of serenity(did I actually fall asleep?)I thought myself immune and totally protected from the train wreck of a movie unfolding on the other side of my eyelids. But then....wait! What's this? Snippets of dialogue totally unconnected with the Tequilla Sunrise I was drinking began to pervade my mind. Slowly at first, but growing in intensity. Warily, fearful that I may inadvertently catch another glimpse of Ben Kingsley's excruciating acting/staring, I opened one eye. Was I seeing/hearing things? I pulled myself up in the chair and opened the other eye (after assuring myself that Kingsley was nowhere to be seen). There, in front of me...what can never be described by a thousand monkeys on a thousand typewriters for a thousand years. The root canal work of movie making, the Xanadu of awfulness....Meatloaf trying to character-act.
I checked out the other movie-goers...hmmm, not many left....and they were all, very much like myself, staring wide eyed and open mouthed at witnessing the birth of a legend. Seriously, it was like watching the first moon landing all over again. This is one piece of crap for man...a whole turd for mankind.
I am sorry that I go on a little, but I cannot find words to describe the cameo piece by Meatloaf, in fact probably such words do not exist - they must be invented - "discrapungent" - try that one. I can only try to capture the magnificent awfulness by describing the effect that it had on myself and, I suspect, the other viewers.
If you haven't seen it (and I beg you all to do so) cut along to any cinema brave enough to show it and set your alarm clock for around 50 minutes. If you have trouble sleeping at the beginning, don't worry, Ben Kingsley will stare you into blessed catatonia....trust me.
It was Sunday. Raining. What the hell, "Bloodrayne" sounded good. Hmmm, Masden, Kingsley, Zane...can't be so bad.
After around 20 minutes or so of this "crowning turd" of a movie my "intellectual defence mechanism" automatically kicked-in and took my mind away to my next vacation, what to have for dinner, and the contents of my Partner's trousers. Sailing away on a sea of serenity(did I actually fall asleep?)I thought myself immune and totally protected from the train wreck of a movie unfolding on the other side of my eyelids. But then....wait! What's this? Snippets of dialogue totally unconnected with the Tequilla Sunrise I was drinking began to pervade my mind. Slowly at first, but growing in intensity. Warily, fearful that I may inadvertently catch another glimpse of Ben Kingsley's excruciating acting/staring, I opened one eye. Was I seeing/hearing things? I pulled myself up in the chair and opened the other eye (after assuring myself that Kingsley was nowhere to be seen). There, in front of me...what can never be described by a thousand monkeys on a thousand typewriters for a thousand years. The root canal work of movie making, the Xanadu of awfulness....Meatloaf trying to character-act.
I checked out the other movie-goers...hmmm, not many left....and they were all, very much like myself, staring wide eyed and open mouthed at witnessing the birth of a legend. Seriously, it was like watching the first moon landing all over again. This is one piece of crap for man...a whole turd for mankind.
I am sorry that I go on a little, but I cannot find words to describe the cameo piece by Meatloaf, in fact probably such words do not exist - they must be invented - "discrapungent" - try that one. I can only try to capture the magnificent awfulness by describing the effect that it had on myself and, I suspect, the other viewers.
If you haven't seen it (and I beg you all to do so) cut along to any cinema brave enough to show it and set your alarm clock for around 50 minutes. If you have trouble sleeping at the beginning, don't worry, Ben Kingsley will stare you into blessed catatonia....trust me.
Você sabia?
- CuriosidadesAccording to screenwriter Guinevere Turner, while she was writing the first draft of the script, she received an angry phone-call from Director Uwe Boll, who swore at her and demanded she hand in a draft of the script. About a week later, after she sent in the rough first draft of the script, she was shocked to learn that production was going to commence immediately with the draft. (Even though traditionally the first draft is always a "rough" draft that is improved upon in subsequent drafts.) Later on, she was informed that Boll and the actors and actresses had subsequently re-written much of her script while shooting, and that the finished movie barely resembled her script.
- Erros de gravaçãoFor a creature that was until recently burned by water Rayne suddenly learns to swim to collect the heart.
- Citações
Darius the Kid: Can I see your teeth?
- Versões alternativasThe aspect ratio was changed from 2,35:1 to 1,78:1 for the video/DVD release.
- ConexõesFeatured in Bloodsucking Cinema (2007)
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- BloodRayne - Venganza de sangre
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.405.420
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.550.000
- 8 de jan. de 2006
- Faturamento bruto mundial
- US$ 3.650.275
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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