AVALIAÇÃO DA IMDb
5,9/10
91 mil
SUA AVALIAÇÃO
Quando um viúvo tenta reconstruir sua vida após o suicídio de sua esposa, sua filha encontra conforto em sua amiga imaginária, que tem más intenções.Quando um viúvo tenta reconstruir sua vida após o suicídio de sua esposa, sua filha encontra conforto em sua amiga imaginária, que tem más intenções.Quando um viúvo tenta reconstruir sua vida após o suicídio de sua esposa, sua filha encontra conforto em sua amiga imaginária, que tem más intenções.
- Prêmios
- 1 vitória e 5 indicações no total
Josh Flitter
- Little Boy
- (não creditado)
Alicia Harding
- Waitress
- (não creditado)
James McCaffrey
- Charlie
- (não creditado)
Rose Pasquale
- Gas Customer
- (não creditado)
Brendan Sexton III
- Store Clerk
- (não creditado)
Avaliações em destaque
After the suicide of his wife (Amy Irving), David Callaway (Robert De Niro) takes his mentally disturbed 9-year-old daughter, Emily (Dakota Fanning) to a new home in the country in upstate New York. Instead of getting better, Emily begins to withdraw further, and she announces to her father that she has a new imaginary friend named "Charlie." At first, her father sees Charlie as a way for Emily to express her feelings. Then a series of vicious acts such as menacing writings appearing on the bathroom walls, and other mysterious occurrences start happening around the house. David blames Emily for doing them, but Emily says that Charlie did it. But is Charlie imaginary? You'd have to ask Emily, who is the only one who can see Charlie. Charlie may actually be both real and very dangerous. The movie is well crafted and suspenseful with a great cast. For a thriller, I did jump a few times. The ending was a little disappointing, but not unpredictable. (20th Century Fox, Run time 1:40, Rated R)(8/10)
As a psychological thriller, or a horror film, "Hide and Seek" doesn't break new ground. In fact, once it's over, the viewer feels somehow manipulated by what we have just witnessed. There are, supposedly, four different alternative endings for the movie, but unfortunately, the one being shown, doesn't add anything to what we have already seen.
Although the film has some interesting moments, director John Polson has gone for the Grand Guignol effect. Ari Schlosberg's screen play gives us hints about what to expect, yet, when we realize the mystery at the center of the story, we keep scratching our heads.
Suffice it to say, this film doesn't add anything to Robert DeNiro's brilliant career. Mr. DeNiro's last choices in films puzzle us, as well as his fans because we know he is capable of doing much better. Yet, as shown with this film and "Meet the Parents", and its sequel, "Meet the Fockers", "Analize This", and "Analize That", the actor keeps us wondering about his choices.
Dakota Fanning is a young actress who shows an uncanny sense of how to upstage Mr. DeNiro in most of their scenes together. As Emily, in this film, this girl shows an enormous range in what she is capable of doing. One can see Ms. Fanning growing to be another Jody Foster in later years.
The rest of the cast is completely underused. Amy Irving is only seen in flashbacks, which is a shame since she is a valuable actress. Famke Janssen has a few key scenes. The same goes for Melissa Leo, Elisabeth Shue and Robert John Burke.
The only consolation was it was shown on cable and we felt lucky not having spent the price of admission.
Although the film has some interesting moments, director John Polson has gone for the Grand Guignol effect. Ari Schlosberg's screen play gives us hints about what to expect, yet, when we realize the mystery at the center of the story, we keep scratching our heads.
Suffice it to say, this film doesn't add anything to Robert DeNiro's brilliant career. Mr. DeNiro's last choices in films puzzle us, as well as his fans because we know he is capable of doing much better. Yet, as shown with this film and "Meet the Parents", and its sequel, "Meet the Fockers", "Analize This", and "Analize That", the actor keeps us wondering about his choices.
Dakota Fanning is a young actress who shows an uncanny sense of how to upstage Mr. DeNiro in most of their scenes together. As Emily, in this film, this girl shows an enormous range in what she is capable of doing. One can see Ms. Fanning growing to be another Jody Foster in later years.
The rest of the cast is completely underused. Amy Irving is only seen in flashbacks, which is a shame since she is a valuable actress. Famke Janssen has a few key scenes. The same goes for Melissa Leo, Elisabeth Shue and Robert John Burke.
The only consolation was it was shown on cable and we felt lucky not having spent the price of admission.
Widower David and his daughter Emily leave the big city for the country after the tragic death of the Misses. Due to the fate of her mother Emily is going through a tough patch, one might say she has some issues when weird things like mutilated dolls and dead animals appear. But the clincher is her new found "imaginary" friend Charlie. As Charlie asserts himself more and more, darker things start to happen and we all know what that means.
Not a horrible film but the script is horribly clichéd. I enjoyed myself but not quite the way the filmmakers had in mind. My friend and I traded quips back in forth as if we were at our own MST3K party or something. I noticed many others in the audience doing the same so we weren't alone. DeNiro was solid if a bit restrained. Fanning is a pretty good actress for a ten year old. She held her ground with DeNiro and even bested him several times. Hell she barely blinked for the first 45 minutes of the film. The direction wasn't spectacular, not overly flashy but didn't need to be. The script ahh the script is where the film skids into a tailspin. A veritable Frankenstein's Monster of plots, devices and red herrings that served other films well but became a tepid pool here.
Disappointing but not a total waste of time if you can forgive its shortcomings.
Not a horrible film but the script is horribly clichéd. I enjoyed myself but not quite the way the filmmakers had in mind. My friend and I traded quips back in forth as if we were at our own MST3K party or something. I noticed many others in the audience doing the same so we weren't alone. DeNiro was solid if a bit restrained. Fanning is a pretty good actress for a ten year old. She held her ground with DeNiro and even bested him several times. Hell she barely blinked for the first 45 minutes of the film. The direction wasn't spectacular, not overly flashy but didn't need to be. The script ahh the script is where the film skids into a tailspin. A veritable Frankenstein's Monster of plots, devices and red herrings that served other films well but became a tepid pool here.
Disappointing but not a total waste of time if you can forgive its shortcomings.
I'm not the greatest figurer out of plot twists, and I didn't figure this one out. If you did, then I can see that there would have been an air of disappointment over that aspect of the film. I didn't so, plot-wise, I had no problem with enjoying the movie.
I thought the ending was fine.
And, as usual, I thought Dakota Fanning was quite remarkable, holding the screen with an assurance well beyond her years (although I find her manner in the "Making of.." documentaries worryingly un-childlike).
I did have some other problems, though.
De Niro's character must have been the worst psychologist in the world, given his complete inability to apply any of his knowledge to dealing with his daughter's problem in any constructive way (and, yes, I know "That's because blah blah blah", but it's still a distraction when you're sitting there watching him to fail utterly to exercise a shred of competence.
I failed to understand some of the child's motivation for her actions and attitudes vis-a-vis Charlie and Dad, especially given the nature of the twist.
Elisabeth Shue and Famke Janssen - nice to see them, even if only briefly.
And De Niro - not your finest hour, Bob. Carry on like this, and Norton and Depp will be fighting over the "Greatest Living Screen Actor" crown, while you watch from the wings.
My score of 7 is a point or two higher than it would otherwise have been, solely on the strength of Dakota Fanning's performance.
I thought the ending was fine.
And, as usual, I thought Dakota Fanning was quite remarkable, holding the screen with an assurance well beyond her years (although I find her manner in the "Making of.." documentaries worryingly un-childlike).
I did have some other problems, though.
De Niro's character must have been the worst psychologist in the world, given his complete inability to apply any of his knowledge to dealing with his daughter's problem in any constructive way (and, yes, I know "That's because blah blah blah", but it's still a distraction when you're sitting there watching him to fail utterly to exercise a shred of competence.
I failed to understand some of the child's motivation for her actions and attitudes vis-a-vis Charlie and Dad, especially given the nature of the twist.
Elisabeth Shue and Famke Janssen - nice to see them, even if only briefly.
And De Niro - not your finest hour, Bob. Carry on like this, and Norton and Depp will be fighting over the "Greatest Living Screen Actor" crown, while you watch from the wings.
My score of 7 is a point or two higher than it would otherwise have been, solely on the strength of Dakota Fanning's performance.
Movie Buffs (snobs) will not be surprised by the stereotypical Hollywood ending, but the movie is not too bad throughout. Dakota Fanning puts on the typical scary little girl show to a above average level, and the cinematic action will make you squirm in your seat a few times. Therefore this movie isn't one that I would say you definitely need to see, but if you have some time to waste its a pretty good time. Also it gets bonus points for being a good date movie. The absolute worst thing about this movie is its lack of humor, though the dark overtones are necessary for a true horror movie there needs to be an element of humor(saving The Exorcist), even the Ring had its moments at the beginning with the two girls in the bedroom, this movie has no humor which makes us feel very little for the characters. This is the major downfall, but its still worth a viewing.
Você sabia?
- CuriosidadesFor the first time in seventy years, 20th Century Fox shipped prints of this movie without the final reel, which was shipped separately. This was done as a security measure as so people wouldn't be able to reveal the ending. To further ensure the safety of protecting the film's ending, security guards would hand-deliver the reel to theaters showing the film. Fox had individually numbered each reel, as well as a final security measure. Fox Executive Vice President and Sales Manager Richard Myerson stated it was "to ensure everyone's enjoyment of the film and to prevent 'spoilers', we've instituted extraordinary measures. We think it's worth the effort."
- Erros de gravaçãoWhen Emily is laying on her bedroom floor, she draws a picture of her and Charlie at the window, but she draws herself with blonde hair, the actress's natural hair color.
- Versões alternativasThe DVD includes four alternate endings. The DVD also has a branching system which includes four different versions of the film.
- Trilhas sonorasHush Little Baby
Courtesy of Sankyo Seiki Manufacturing Co., Ltd.
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Mente siniestra
- Locações de filme
- Haworth, Nova Jersey, EUA(House)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.100.486
- Fim de semana de estreia nos EUA e Canadá
- US$ 21.959.233
- 30 de jan. de 2005
- Faturamento bruto mundial
- US$ 127.369.981
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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