Uma menina de 15 anos incita o caos entre seus amigos e o frenesi da mídia ao acusar seu professor de teatro de assédio sexual.Uma menina de 15 anos incita o caos entre seus amigos e o frenesi da mídia ao acusar seu professor de teatro de assédio sexual.Uma menina de 15 anos incita o caos entre seus amigos e o frenesi da mídia ao acusar seu professor de teatro de assédio sexual.
- Prêmios
- 1 vitória e 2 indicações no total
- Morgan
- (as David T. Wagner)
- Martin Stivers
- (as Ira Wood)
Avaliações em destaque
This dark "Pretty Persuasion" is a Machiavellian and mean tale of manipulation. With another impressive performance of the gifted Evan Rachel Wood and the stunning James Wood, this dramatic dark comedy may shock with the crude sex scenes, the deranged family of Kimberly or the outrageous perjuries of the girls; or make the viewer laugh with the permanent black humor or the scenes of the racist Hank Joyce; or feel sorry for the poor teacher Percy Anderson. But certainly this movie shows an important message, how people may be easily manipulated by an intelligent person. My vote is seven.
Title (Brazil): "Garotas Malvadas" ("Bad Girls")
The film is heavy-handedly based on the sociological findings that instead of doing Columbine-like violence, teen age girls lash out with spiteful aggression in social situations. The film makes the extended case that teen girls are more like Machiavelli than "Carrie" or as in "Heathers." The male debut writer and director can't resist adding in dollops of male fantasy about girls and women. Even under the guise of examining how ambiguous male-driven media messages from Britney Spears to Lolita to TV shows, etc. create confusing role models of appropriate behavior for girls in their real lives, males are seen as clueless pawns of younger females.
One effective touch is to replay scenes in flashbacks from different angles to show how miscommunications and misunderstandings can occur and be manipulated.
Individual scenes and caricatures are very funny, particularly James Wood doing a comic take on his "Ghosts of Mississippi" role. Adi Schnall is touching as a naive Muslim student thrown in with the sharks of the American Dream. Jane Krakowski enjoys making fun of the ambitious bombshell roles she usually plays. Elisabeth Harnois is the most affecting as the best friend, but she is so natural she almost seems to be in a different movie. Selma Blair has a brief funny scene as a wife mocking her husband's fantasies, though a notable episode of TV's "Angel" did the exact same scene with more dark bite, as well as the general theme taken up more effectively by Joss Whedon's "Buffy the Vampire Slayer" and Ryan Murphy in "Popular."
But most of the rest of the broad, scatter shot attacks on ethnic, racial and sexual PC clichés end up just wooden and go on repetitively for too long. Individual lines like "I can sympathize with the immigrant experience because I'm Canadian." are amusing, as are ongoing jokes about putting on the story of Anne Frank as the high school play, but pile up in dialog that even the commanding Evan Rachel Wood has trouble making seem real.
The closing montage ties all the disparate themes together in a sudden shift of tone, but it was a long time getting there, in moving from the obvious to the touching to twists in using high school as the usual metaphor for the world at large.
The cinematography is all appropriate bright pink. The set design is full of visual jokes, more than the can be picked up quickly.
For a film set in the world of teenagers, there are few songs on the sound track, perhaps due to budget limitations, but more music might have helped the pacing.
The people who will definitely get their money's worth out of this film are the easily offended; for them there is something to offend every couple of minutes.
A number of critics felt the film "...hovered uncomfortably between comedy and satire..." but who cares about genre when it's this funny.
I loved it.
Despite the high school setting - elite Roxbury Academy in Beverly Hills - it's not another "Clueless" or "Mean Girls". It possesses more the anarchic spirit of "God Bless America".
The script is clever; perception is a key motif throughout, and the way the film revisits earlier scenes to show what really happened is inspired.
Although Evan Rachel Wood's character, Kimberly Joyce, seems interested in the well-being of others, she really has no filter; manipulation and passive aggressiveness are built into her DNA. Although she blatantly parades her hypocrisy, she also exposes it in just about everyone around her - often hilariously. In the end though, vulnerabilities are exposed.
When she befriends a quiet, Middle Eastern student, Kimberly's cynical views on migrants, race, religion, sex and just about everything else come to the fore - nothing is sacred. However one commentator nailed it when he said that Kimberly does all this with such obvious pleasure in naughtiness that she's impossible to hate.
The film has an original score by Gilad Benamram. It's light and chilled, and acts as a dispassionate commentator as events unfold.
Evan Rachel Wood's performance is mesmerizing, However, I have one criticism, as others have noted, she slurs her words and speaks so fast it's sometimes hard to understand her. I found myself straining to catch the dialogue, but I didn't want to miss a word because I was enjoying it so much.
"Pretty Persuasion" is fifteen years old now, but has lost none of its bite. Forget the negative comments. This one will have you on the edge of your seat waiting for Kimberly to reveal the next nugget of political incorrectness.
Kimberly Joyce is a student at high class Beverly Hills High School, she has two friends, pretty and popular Britney, and a new Arab student, Randa. Kimberly and Britney want to be actresses and just live the high life. Kimberly's family life isn't all glam though with her gold digging step mother and neglectful, racist, alcoholic father who is all about image. But the girls take a giant leap in accusing their English teacher of sexual harassment to get famous. Or at least that's the motive that Kimberly has led the girls to believe.
Pretty Persuasion is a great dark comedy, I don't think it's for everyone though, it is flawed in some ways. Some of the messages are sent the wrong way and the direction was just alright, but I thought it ended brilliantly and for some sick reason I really liked Kimberly's sadistic side, her way of stabbing people with a smile on her face, she was wicked, but so cool in the way she did everything. The best performance besides Wood was James Woods, he was just dead on with his character and as much of a jerk as his character was, he was in some sick way still likable. I don't know why, I knew I was supposed to hate a lot of these characters, but I found them to be so human a the bored rich people who have nothing better to do than complain. I would recommend Pretty Persuasion, if you like dark comedies, this is right up your alley.
8/10
Você sabia?
- CuriosidadesWhen Jane Krakowski did her bra and panties scenes she asked that all crew that worked the shot be without a shirt.
- Erros de gravaçãoIn the courtroom scenes, the girls wouldn't have been allowed to be in the courtroom while the others were testifying.
- Citações
Kimberly Joyce: I have respect for all races, but I'm very glad that I was born white. As a woman, it's the best race to be. Especially if you want to become an actress, like I do.
[pause]
Kimberly Joyce: If I wasn't white, then the next thing I would wanna be is Asian because a lot of men like Asian girls because they think they're docile and subservient and sweet which I don't really think is true because I once met this Asian girl at summer camp one time and she was a real bitch.
[pause]
Kimberly Joyce: If I couldn't be white and I also couldn't be Asian, then my third choice would be African-American because I've always wanted to be a gospel singer and also, black men are more forgiving if your butt gets big. Except I'd definitely want light skin and Caucasian features like... Vanessa Williams or Halle Berry. And finally, you know, no offense or anything Randa, but my very last choice would be Arab. I mean, truth be told you're not in a very enviable position. There's a lot of resentment in this country toward the Middle East and there's a lot of stereotypes floating around which I don't think are true because in the short amount of time I've known you, you haven't tried to bomb anybody and you currently smell okay to me.
- Versões alternativasThere are apparently at least three different versions: 1 hr 50 min (110 min), 1 hr 44 min (104 min) (USA), 1 hr 47 min (107 min) (Argentina).
- ConexõesFeatures South Park: Maior, Melhor e Sem Cortes (1999)
- Trilhas sonorasGare a Toi Jeune Amant
Written by Gilad Benamram (ASCAP), Ran Pink (BMI) & Flora Benamram (ACUM)
Performed by The Marionette Sextet
Recorded and Mixed by Clint Bennett
Published by EverBliss Music, Inc. (ASCAP), Ran Pink Publishing (BMI)
Principais escolhas
- How long is Pretty Persuasion?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Pretty Persuasion
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 305.800
- Fim de semana de estreia nos EUA e Canadá
- US$ 58.570
- 14 de ago. de 2005
- Faturamento bruto mundial
- US$ 537.126
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1