Garotas Malvadas

Greetings again from the darkness. This one just defies all labels, categories and genres. Definitely not a teen comedy, but it is part Black Comedy, Social Commentary and is written like a spoof ... but it is not a spoof of anything in particular.

The first feature film from director Marcos Siega is off beat as both a comedy and drama. The viewer finds himself in situations of uncomfortable, guilty laughter while at the same time mesmerized by the social topics and excellent acting. The cadence of the dialogue is beyond description and is perfectly displayed at the dinner table with Evan Rachel Woods, her dad played by an over the top James Woods and her new step mom. The family dog plays a big part in the "conversation".

The heart of the story is the devilishly orchestrated false (or are they?) accusations of sexual harassment against drama teacher Ron Livingston (so great in "Office Space"). With so many different agendas at play, we can't help but be drawn into to this story on many levels. Jane Krakowski ("Ally McBeal") shows a real Priscilla Presley side as the lesbian, glory-hound reporter. Selma Blair (Reece Witherspoon's nemesis in "Legally Blonde") is terrific as Livingston's semi-supportive wife.

Make no mistake, the real star of the film, and the reason it works is the extraordinary talents of Evan Rachel Wood (just plain brilliant in "Thirteen"). Wood takes teen ego and self-centeredness and revenge to a whole new level. As one of the male teacher's states, her character is the devil. Watching how she manipulates her friends, teachers, boys and adults is quite the guilty pleasure. Very few actresses her age could pull off the role of this complex character.

The music of the film is very interesting. It is almost as if each character has their own theme song - you can really sense the focal point of the scene by the music. Not sure who to recommend this to as it is impossible to categorize. If you are up for a strange, outside the box story that is well acted, simply filmed and full of uncertain laughter, then this is the one for you!

I kinda liked this film for almost all the wrong reasons. It's politically incorrect and doesn't make any apologies for doing so, but yet demonstrates a notion that we can be bigots, and yet not be consciously aware of it. After all, it's what has already been internalized, but it becomes exposed quite naturally through our actions and dialogue.

Evan Rachel Wood is the star of the movie. As Kimberly Joyce, she's the high school frat girl like Alicia Silverstone's Cher in Clueless, but in terms of character, she's on the other side of the spectrum. Way on the other side. She's looking for fame, and would do absolutely anything to obtain her 15 minutes worth. She's a temptress, a seductress, highly intelligent, and so manipulative, she can stab you in the back while smiling in front of you, with you none the wiser and probably still worshipping the ground she treads on.

Which brings us back to the title, and makes you wonder if beautiful people can get away with almost anything. I guess it's probably almost human nature to be enchanted by the pretties, and anyone would most likely be lapping up at anything they say. It doesn't take much for a beautiful bitch to realize the power she wields on men who are drunk in her aura, and then to exploit this weakness of people around her.

There are two more key reasons why I enjoyed the movie, besides being enchanted myself by the Kimberly character. The first is the dialogue in the movie - there's so much wit, and it's fast and laced with plenty of double entrées and satire, delivered in a deadpan manner by Rachel Wood no less, you would likely need to re-watch it again to grasp them all. The second is having Kimberly chaperon a newbie in school, an Arab girl called Randa (Adi Schnall), raising some eyebrows as the religious girl gets exposed to pop culture and blatant insensitive racists remarks, and inevitably too becomes a pawn in the whole scheme of things, as does Kimberly's best friend Brittany (Elisabeth Harnois) discover that it's not always fine and dandy being the hunter, as there is always something or someone else higher above in the food chain.

The host of supporting characters raised the movie to another notch. James Woods shines as the foul mouthed father of Kimberly, who sprouts words of wisdom peppered with colourful vulgar, racist remarks. Jamie King completes the household as the long suffering trophy wife/stepmother in the Joyce household, constantly bearing the brunt of insults hurled at her by Kimberly. At school, we have Ron Livingston as Percy Anderson, as the meek and mild mannered school teacher who indulges in role-playing games with the wife at home (Selma Blair), and inadvertently becomes the target and public enemy #1 of Kimberly and friends. And Jane Krakowski in a bimbotic role, stars as a news reporter who finds it increasingly difficult to stay objective when covering possibly the juiciest scandal to hit town.

There's a sub theme running that touches on "saving face", which is an issue to the successful in ensuring that their reputation does not get tarnished in the face of scandals, and is a trait that most Asians are familiar with. It's important that face is not ruined easily by careless actions, as face is something that is most difficult to build in an environment of shame. Having lost face and losing the faith to rebuild it, can lead people to an untimely sad demise.

So if you're up for some scheming betrayal, and plenty of slimy tactics, if you want to observe how seemingly good intentions are actually poisoned barbs that kill slowly, then I hope I've already persuaded you enough to watch this flick.

"Pretty Persuasion" crosses "Mean Girls" with an updated slant on Lillian Hellman's "The Children's Hour," but its social and political satire feels in too many scenes like an extended "Saturday Night Live" sketch.

The film is heavy-handedly based on the sociological findings that instead of doing Columbine-like violence, teen age girls lash out with spiteful aggression in social situations. The film makes the extended case that teen girls are more like Machiavelli than "Carrie" or as in "Heathers." The male debut writer and director can't resist adding in dollops of male fantasy about girls and women. Even under the guise of examining how ambiguous male-driven media messages from Britney Spears to Lolita to TV shows, etc. create confusing role models of appropriate behavior for girls in their real lives, males are seen as clueless pawns of younger females.

One effective touch is to replay scenes in flashbacks from different angles to show how miscommunications and misunderstandings can occur and be manipulated.

Individual scenes and caricatures are very funny, particularly James Wood doing a comic take on his "Ghosts of Mississippi" role. Adi Schnall is touching as a naive Muslim student thrown in with the sharks of the American Dream. Jane Krakowski enjoys making fun of the ambitious bombshell roles she usually plays. Elisabeth Harnois is the most affecting as the best friend, but she is so natural she almost seems to be in a different movie. Selma Blair has a brief funny scene as a wife mocking her husband's fantasies, though a notable episode of TV's "Angel" did the exact same scene with more dark bite, as well as the general theme taken up more effectively by Joss Whedon's "Buffy the Vampire Slayer" and Ryan Murphy in "Popular."

But most of the rest of the broad, scatter shot attacks on ethnic, racial and sexual PC clichés end up just wooden and go on repetitively for too long. Individual lines like "I can sympathize with the immigrant experience because I'm Canadian." are amusing, as are ongoing jokes about putting on the story of Anne Frank as the high school play, but pile up in dialog that even the commanding Evan Rachel Wood has trouble making seem real.

The closing montage ties all the disparate themes together in a sudden shift of tone, but it was a long time getting there, in moving from the obvious to the touching to twists in using high school as the usual metaphor for the world at large.

The cinematography is all appropriate bright pink. The set design is full of visual jokes, more than the can be picked up quickly.

For a film set in the world of teenagers, there are few songs on the sound track, perhaps due to budget limitations, but more music might have helped the pacing.

OK, that was a lame joke, but it's exactly what I thought of when I finished watching Pretty Persuasion. After touring Hollywood Video going around in circles a million times, a cute guy that I just had to flirt with recommended Pretty Persuasion and said that it was a huge recommendation. Well, I had to look cute and like I was interested, so I rented it, I watched it this morning just expecting a good movie, but I have to say that this was a good recommendation, because it was a great movie. I just love dark comedies, even if they push the edge, this was just a meaner version of Mean Girls, in my opinion it's a mixed version of Mean Girls and Cruel Intentions to sum it up. Pretty Persuasion is a great film with good acting, a twisted story, and has some of the funniest dark scenes I have seen in a while, James Woods was the show stealer for me, but the whole cast did a fantastic job pulling the story together well.

Kimberly Joyce is a student at high class Beverly Hills High School, she has two friends, pretty and popular Britney, and a new Arab student, Randa. Kimberly and Britney want to be actresses and just live the high life. Kimberly's family life isn't all glam though with her gold digging step mother and neglectful, racist, alcoholic father who is all about image. But the girls take a giant leap in accusing their English teacher of sexual harassment to get famous. Or at least that's the motive that Kimberly has led the girls to believe.

Pretty Persuasion is a great dark comedy, I don't think it's for everyone though, it is flawed in some ways. Some of the messages are sent the wrong way and the direction was just alright, but I thought it ended brilliantly and for some sick reason I really liked Kimberly's sadistic side, her way of stabbing people with a smile on her face, she was wicked, but so cool in the way she did everything. The best performance besides Wood was James Woods, he was just dead on with his character and as much of a jerk as his character was, he was in some sick way still likable. I don't know why, I knew I was supposed to hate a lot of these characters, but I found them to be so human a the bored rich people who have nothing better to do than complain. I would recommend Pretty Persuasion, if you like dark comedies, this is right up your alley.

8/10

In Beverly Hills, the fifteen years old evil manipulative aspirant actress student Kimberly Joyce (Evan Rachel Wood) convinces her friends Randa (Adi Schnall) and Brittany (Elisabeth Harnois) to falsely accuse their Literature and Arts teacher of sexual harassment. She manipulates also the lesbian journalist Emily Klein (Jane Krakowski), who is covering the case, to support their cause in the trial, which leads the group to a tragic and surprising conclusion.

This dark "Pretty Persuasion" is a Machiavellian and mean tale of manipulation. With another impressive performance of the gifted Evan Rachel Wood and the stunning James Wood, this dramatic dark comedy may shock with the crude sex scenes, the deranged family of Kimberly or the outrageous perjuries of the girls; or make the viewer laugh with the permanent black humor or the scenes of the racist Hank Joyce; or feel sorry for the poor teacher Percy Anderson. But certainly this movie shows an important message, how people may be easily manipulated by an intelligent person. My vote is seven.

Title (Brazil): "Garotas Malvadas" ("Bad Girls")