Paixão de Aluguel

OK. I'm a Caucasian male in my 30's, there is no reason this film should appeal to me. So, I had the opportunity to see it last night. It has been a long time since I've been so pleasantly surprised in a movie theater. Firstly, the performances were great- Duff and Locklear (I never liked her before, but she's funny and beautiful and delivers... crazy) were dynamic and interesting. Noth is kind of irritating, but I guess some people find him sexy. Anyway, what on the face is a silly small tale is in fact a movie of surprising depth about relationships, the fear of solitude, and familial interaction. Who the hell knew a director of pulpy TV stuff had this in him? I'm considering that perhaps I was emotionally available or vulnerable, but objectively, the film-making is consummate. It looks great- like a big 80's comedy, nice and vivid and bright. So, don't fight if you are taken by a wife/daughter... you will be nicely surprised.

The Perfect Man Holly Hamilton(Duff) is sick and tired of "going on adventures", as her mom Jean(Locklear) calls it, when Jean gets rejected by yet another man. Their latest move, to New York, really upsets Holly, because she was just starting to make friends in the town. But, she stays positive about the situation, and hopes her mother's love life improves in New York.

Well, it doesn't. So Holly, with the help of her friend(Langies) and her Uncle Ben(Noth), create a secret admirer for her mother, hoping her mother will finally be convinced that the "Perfect Man" is out there, and you just need to look for it...

'The Perfect Man' is Duff's strongest performance yet.

I think Hilary Duff has found a persona that works for her: the cool, loyal, loving and somewhat confused teenager. All she wants is to have a place she can truly call "home" and her intentions in the film are good. Locklear gives a little oomph to the screen, as does Chris Noth, the "perfect man" in the movie. The film is a bit flat in some scenes, but overall, it flows with a soothing, sweet message. Sure, there are better movies, but not many movies these days have messages as good as this.

Many complain that Duff's acting is dry, flat and bland. Her main competition, Lindsay Lohan, yes, is a better actress, but who's movies have a better message... Hilary Duff's. Sometimes, Lohan's movies are welcome, but sometimes, we need a film that has a message. And so far, none of Lohan's films have had a message yet, except for several scenes in 'Freaky Friday'. Point Made.

Overall: Sure, it's not the best film, but it works as a sweet, soothing and more mature role for Ms. Duff with a message that works. 3 from 4 PG: sensual content.

THE PERFECT MAN is another one of those fluff romantic comedies that just keep recycling - single mom and pseudorebellious daughter make everything work after plotted plans go astray. This is one of those films that you rent because the video store is closing and you need a somnolent-inducing DVD. But in the case of THE PERFECT MAN there are some nice surprises!

Jean Hamilton (Heather Locklear) is a 40ish single mom who bakes specialty cakes and can't land a man. Whenever she gets close to a commitment or when she is passed by, she runs, family in tow, to a new city, new friends, new opportunities to find a man before she is too old. Her daughters Holly (Hilary Duff) age 16 and little Zoe (Aria Wallace) go along with the transplanting moves, understanding and supportive of their mother but yearning for some permanence. The newest move is to Brooklyn: Jean is welcomed back to a bakery of friends, Holly finds reasons to like her new school (friends female and male) and Zoe starts on a run toward a spelling bee. Since Jean is so desperate for a man, she is swept off her feet by a fellow baker who is sweet but otherwise fairly low on the food chain. Holly and her new friend Amber (Michelle Nolden) plan a way to capture Jean's attention from a created secret lover, their information comes from Amber's restaurateur Uncle Ben (Chris Noth) who tells them the secrets to winning a woman's heart.

Let the games begin: first flowers, then gifts, then letters, then email, then I'm, and Jean feels as though there really is someone special out there who loves her. But as all games go, this one has its successes and major failures and as Holly grows to understand her mother's dilemma, she finds her own in her reluctance to accept the fact that her friend Adam (Ben Feldman) has fallen for her and wants her around. From that point it is a comedy of errors until the final frames where, as expected, all works out for the best for everyone.

Shallow, yes. Been there, done that, yes. But the surprise is the growth of Heather Locklear as an actress! She has come along ways from her 'Dynasty'/'Melrose Place' days as basically set decor and has accepted her age gracefully, coupling that with a nuanced acting ability that makes her a welcome 'newcomer' to the screen. She is worth sitting through this little yawner, making it come alive every time she is on screen. Grady Harp

Hilary Duff once again steps into her comfortable role as the good girl next door, this time as Heather Locklear's daughter. Tired of her mom having a breakdown and moving every time she gets dumped by another third rate guy. To prevent going on another "adventure", and to save her mother's self esteem, Holly concocts a plot for the imaginary perfect man for her mother.

The film is charming. Although it's no Oscar contender, this film exists to entertain and make audiences laugh. There are some cheesy moments and lines, but it doesn't hurt the film. Hilary Duff has improved her acting even more since 2004's "Raise Your Voice" and Heather Locklear adds a certain flair to the story not always seen in a Hilary Duff movie. The sub romantic plot between Holly and Ben is sweet, and you get some scenic views of New York, all of which helps to make a pleasurable movie that should've been a hit but instead got swallowed up by blockbusters at the box office.

I don't know why in the first place I'm so obsessed to find an original copy for this movie. Seeing the trailer was a means of breakdown, a failure to my expectations. I was excited to watch the movie to consider Heather Locklear and Hilary Duff would be working in the same film, but the plot was quite unconvincing, however for some reason I could not totally hate it. The setting of the story was cute, fine and atmospheric, but the its feeble plot remind me of knocking my prospects once again instead of knocking my socks off. Nothing interesting so far, but a simple movie with half-wits, half drama and half phase turning enigmas.

If you're in the mood this may spoil your disposition or maybe freeze your temper.