Um Olhar do Paraíso

Slow & confusing in the beginning, different. Stuck with it. Other characters were well done!!

I have read the book. I loved it, I thought it was both chilling and heartbreaking with a fine story and credible characters. I do think it is much better than the film, which was solid enough but lacking a strong emotional core.

I will start with the film's faults. The story is a very intriguing one, but it is quite slow complete with holes and any parts that strived to be heartbreaking came across as mawkish. The script is quite weak often, particularly with Susan Sarandon's character in the sense that it is never quite sure which direction it wants to go. But what hurt the film most was some aspects of Peter Jackson's direction. Jackson is a good director don't get me wrong, but he does make some decisions that detract from the impact of the story rather than enhance it. Especially with the CGI, not that it was bad CGI in fact it looked quite good, what I mean was that there was a complete overload of it and I think some of it was unnecessary.

However, the film does look absolutely beautiful, with beautiful scenery and cinematography. The score gives a haunting, eerie and intoxicating quality too. While the story is flawed, there is a good atmosphere especially in the more chilling scenes, where they are quite chilling and that's an understatement. Apart from two performances, the acting is quite good. The best performance comes from the very promising child actress Saiorse Ronan, who is just tremendous here. Stanley Tucci is very chillingly effective too, and Mark Wahlberg is surprisingly good. The two performances I wasn't so taken with were Rachel Weisz, who is wasted, and the normally solid Susan Sarandon, who overplays quite badly.

All in all, an okay if inferior adaptation. 6/10 Bethany Cox

I vaunt myself of being an independent thinker and yet I was taken by the atrocious reviews "The Lovely Bones" got. Rogert Ebert called it "deplorable" I didn't go to see it when it first came out. Shame on me! The risks Peter Jackson took, a thoroughly established filmmaker, should be applauded. True, it's not going to be everybody's cup of tea but then, what is? I was taken by surprise, a film of unbearable emotional suspense breaking every imaginable rule. We're far too used to have stories in which everything is neatly tied up by the end, so we can go back home with a fictitious peace of mind. In "The Lovely Bones" we know who the monster is from the time the monstrosity is committed but we're only spectators unable to do anything about it and that frustration may have turn part of the audience and most of the critics away. True the CGI of the "in between" is, sometimes, too much but the film as a whole is a real experience. Saorise Ronan is marvelous, so are Rachel Weitz and Mark Whalberg. Stanley Tucci was deservedly nominated for an Oscar and Susan Sarandon, another risk taker, plays the emotional constipated grandmother with great courage. Look at the exhaustion on her face as she takes care of the family, drained without betraying the arid nature of the character. As the film ended I stayed in silence for the longest time, embedded in the sadness, clinging to the hope and mystified by the massacre the critics perpetrated in this original and highly recommendable film

Such a powerful movie, even after watching it over, it still made me cry. It's hard to imagine such kind of beasts exists between us.

Peter Jackson has done a great job. Hats off to him.

In navigating the torrent of negativity to which this movie has been subjected, one thing to keep in mind is that it's an adaptation of a very widely read and popular book.

The book itself had a rather sunny disposition, which is ironic as it often was somewhat grislier in detail than the movie. That's because events can be described in words in a grisly way but still be part of an optimistic universe when you are reading -- it works. That doesn't quite happen when you actually see things with your eyes, film is much more literal (strange to say) that literature.

Considering the subject matter, the murder of a young girl, it's a bit unfair to go to the movie and expect to see the book come to life on the screen.

The problem in making the movie, as in any adaptation of magical realism concerning dark subjects, is how to capture the magic without having it jar too much with the realism. That was extremely difficult to do here considering how grim the subject is. So when Jackson uses special effects to invoke heaven, people tend to completely flip out, without really offering their own alternative about how that "should" have been done.

All this adds up to a book that perhaps shouldn't have been adapted for the screen at all. That said, I think the movie is quite a fine one, especially because of the magnificent performances of the two leads, Ronan and Tucci. Thanks to the sweet-faced and deeply affecting Ronan, you'll never forget Susie Salmon. The music is also just fantastic, not surprising as Brian Eno did it -- it's very disappointing that the soundtrack is not available, as it's beautiful and haunting.

I'd suggest seeing it and just let yourself decide if it's a worthwhile experience or not. I found it to be a very good try at adapting a book that by its nature is extremely hard to film. Actually the best way to go at it would be to watch the movie, then read the book, then try to figure out for yourself how you would have done it differently. I suspect that you'll gain a new appreciation for Jackson's movie if you do that.