Haibane Renmei

Sick of stereotypical anime? No need for big robots, big chests, lots of yelling and immature humor? Check out Haibane Renmei. In my opinion, it's in a class by itself.

HR begins with a young girl 'hatching' from a cocoon, unable to remember her name, her life, or anything else. She is greeted by 5 other females (looking to be between 10 and 25) who have wings and a halo. She is given a name, based on her dream in the cocoon (Rakka, which means "falling), as are the others. Soon she grows wings and is given a halo as well. The winged creatures are called "Haibane."

The first 5 or so episodes are intentionally slow going, as we are given a view of Rakka's adjustment to life as a Haibane. However, as slow going as they are, the episodes are very engaging. By episode 6, Rakka suffers a major loss, as she spends the rest of the series dealing with the loss and trying to answer the question: What are the Haibane?

This series was created by the same person who created Serial Experiments: Lain. Rakka even looks a little like Lain. However, HR is a bit more straight-forward than Lain. It is an especally quiet series, the use of classical and baroque music add to the feel of the show. We're told a little about the Haibane, the rules they must follow, and the world they live in.

The animation is intentionally not very flashy, however it is detailed and quite immaculate. We get the feeling that the Haibane live in a quaint little town which hasn't changed much over the years. The show is much the same in its feel of timelessness. It could take place now, 100 years ago, or even 100 years from now.

In short, this is a show to show off to non-anime fans who have stereotyped all of it as either Pokemon or porn. Hopefully, this is the beginning of a trend...

What I see in the show, is the great, great, GREAT animation and artwork of Yoshitoshi ABe. its not to show off what anime really is to people surrounded by Pokémon or dragonballZ...but to show off how well ABe can build characters and towns and an entire world with so many differences that it would astound the minds of "hit" movie watchers.

Its not mass marketed for everyone. I would relate it to movies like SLC punk, Eternal Sunshine of the Spotless Mind, Chungking Express, and Requiem for a Dream. They all try and challenge you to see the deep meanings behind the screen.

Music. Music can make or break a movie, and if it makes it, it either builds it up, or points it in a direction you didn't see before. The music in Haibane Renmei made it and it built up big time. The music gives it a deep RPG feeling, without the tedious and repetitive battles.

final opinion: not everyone will want to watch it, but having it in your collection is the anime version of having a 1830's bottle of wine in your wine cellar.

The best-kept secret in the world of Japanese animation is Tomokazu Tokoro's Haibane Renmei, a thought provoking and very moving 13-part 2002 TV series that is part fantasy, part coming-of-age story, and part religious allegory. Haibane is a creation of Yoshitoshi ABe who designed the characters for Serial Experiments Lain and inspired the science fiction series NieA_7. The story is very simple, yet it is full of understated poetry and rich meaning that can be enjoyed by people of all ages (but may be too dark for children under the age of ten).

The story is inspired by Haruki Murakami's novel Hard-Boiled Wonderland and the End of the World in which a man suddenly appears without memory of a previous life in a strange village surrounded by a high wall and ends up working in the library, replacing another who simply disappears. Set in a village called Glie, angel-like people with wings and halos called Haibane or "charcoal feathers" live alongside humans in the town, also surrounded by impenetrable walls. The laws are made by a council called the Haibane Renmie who decreed that the Haibane cannot own anything new, cannot go outside the wall and are forbidden to even touch it. Only the Toga, mysterious masked men who provide for and protect the Haibane, can leave the town.

The Haibane live in an abandoned building called Old Home and have no memory of a previous life, only a vague recollection of a dream they had inside the cocoon in which they were hatched fully-grown. Others live in the Waste Factory and are said to be "rowdy". Every so often, without warning, one of the Haibane disappears beyond the wall to an uncertain destination. This is the "day of flight" that is the fate of all Haibane except those that are "sin-bound" and must remain in darkness. As the series begins, a girl dreams of falling and, when she emerges from her giant cocoon, is named "Rakka" for falling. The early episodes deal with Rakka's arrival and adjustment to life as a Haibane.

Rakka's best friend is Reki who takes care of the younger children and is very protective of Rakka, caring for her when her wings emerge. Reki's name means "stones" because in her dream she was walking on a path of stones. Rakka goes with each of the Haibane to their jobs to see where she would best fit in. Other characters include Nemu who works at the library, Kuu, a boyish-looking girl who is the youngest of the group, Kana, also a tomboy, and Hikari who works at a bakery. Halfway through the series, Rakka must deal with an unexpected loss of a member of the group who has taken flight. Rakka's wings begin to turn black and both she and Reki are haunted by incomplete memories of their cocoon dreams and recollections of committing harm to others.

As the plot slowly unravels, both Reki and Rakka must overcome their feelings of inadequacy before they can move on and the atmosphere often becomes heavy and foreboding. Timeless questions are raised and left for us to ponder, yet the story has the simplicity of a children's book with a sense of mystery and awe about our place in the universe. Is this an allegory of our own after-life or is it about our waking life where no one knows for certain where they have come from and where they are going? Although the story line about sin and salvation strike a more conventional note, to the credit of the authors, they have emphasized personal responsibility and the need for us to take charge of our own lives. Haibane Renmie has just the right combination of magic and realism, and the visuals are beautiful to experience. With a lovely musical score, characters you can identify with, and a story that builds to a moving conclusion, Haibane Renmie is the best animated film I have seen.

Haibane Renmei I usually don't like TV-series. I also don't really like anime, except for the films of Miyazaki. But Haibane Renmei is hard to classify as a standard anime. There's no flying limbs, nor any immature humor and attempts at getting you to look up girls skirts. Men who look like women and have stupid hair are also wonderfully absent. I might seem a bit biased here, but this is my impression of anime, and I've seen quite a bit randomly or through friends. On the surface Haibane Renmei seems like a fairly simple drama. This is because it's the impression the series tries to give us. On the first couple of episodes, there is an underlying uncertainty and darkness. As the series progresses in its 13 episode span, it becomes deeper and more thought provoking. It never spells out things clearly to the audience, and never answers all our questions. It remains wonderfully subtle, and after I finished watching it I thought about the series and its themes for several days.

The series is set in a small town surrounded by high walls. In the city, together with human people live angelic like creatures called the Haibane, who are not allowed to leave the city. As the series starts, we see the birth of a new Haibane, Rakka, who is named after the dream she had while being born. Like all Haibane, she cannot remember her past or where she comes from. The series spends most its time exploring her living with her new Haibane friends. We are also introduced to them as the series starts. One problem with series is that they have very shallow characters, but not Haibane Renmei. The characters here feel painfully real and sincere. The series also explores several of the supporting characters, giving them all an amount of depth. This is also connected to the wonderful character design, and immediately as we see the visually we can assume what kind of characters they are. But the designs are not overdone, and they all reveal in time a certain amount of layers and depth.

The animation isn't as high quality as some other popular anime, however, the backgrounds look beautiful and show great detail and artistry. The music also needs mention, using wonderful strings and soft acoustic guitars, as well as some beautiful piano work. Haibane Renmei spends a surprising amount of time layering and building its themes and symbolism. It takes situations that are common to us, but puts it into a slightly supernatural setting. And although all the main characters have wings and halos, they always seem extremely grounded and realistic. The series go through several moods and emotions, but always make it heartfelt. When the characters are happy, we feel happy, and when they are sad, we feel sad. But it avoids becoming melodramatic nor over the top. Some of the series saddest parts will truly sting your heart, unless you're made of stone.

For a series that takes such a serious tone, Haibane Renmei gracefully avoids such series greatest clichés. The symbolism is subtle and layered, but never seems overdone. There are truly intense moments, but the series also takes several moments to sit back and let the audience reflect, showing wonderful imagery of the landscape with beautiful music in the background. The themes are universal, but I'll not list them, in fear of spoiling the series for people who hasn't seen it. Make sure not to read too much about the story and what happens, and rather let the series unfold without knowing what might happen.

Haibane Renmei is probably one of the finest audio-visual experiences I've had. Not many have seen it, which is sad, as it's so universal and could be enjoyed by so many people. I would recommend it to anyone, it could even work for ten year old kids and older. Although it's layered, it's never overtly complicated. Although it never answers many of our questions, it still isn't surreal and hard to penetrate. If you haven't seen it yet, I recommend you go out and get it as soon as possible.

While skimming through the series again, I just realized what makes Haibane Renmei such a great work.

Haibane Renmei doesn't tell you the answer. It lets you question, ponder and contemplate about it.

"Starting an important question in life and letting it maintain in you."

... that is why Haibane Renmei is a great work. There is no meaning nor need for an answer. The answer would only become a mere piece of knowledge if you simply tell someone. It is something you should go through all the experiences and realize for yourself. Having the question and keeping it will be the starting point which evokes you to find the 'real' answer.

* p.s. * There is a type of a question -somewhat a strange oxymoron-isque question- Buddhists throw at someone when the question of 'truth' is sought after. The way to go through this question is just to keep questioning it in the head ALL the time, even when you're asleep. Suddenly, all the dots will be connected and the answer will just pop up in the blink of an eye, like 'ah, that's so obvious...!' The basis theory behind it is on the assumption that you already know everything, it's just that you haven't 'realized' it yet. Haibane Renmei makes you do that.