O Melhor Jogo da História

Bill Paxton has taken the true story of the 1913 US golf open and made a film that is about much more than an extra-ordinary game of golf. The film also deals directly with the class tensions of the early twentieth century and touches upon the profound anti-Catholic prejudices of both the British and American establishments. But at heart the film is about that perennial favourite of triumph against the odds.

The acting is exemplary throughout. Stephen Dillane is excellent as usual, but the revelation of the movie is Shia LaBoeuf who delivers a disciplined, dignified and highly sympathetic performance as a working class Franco-Irish kid fighting his way through the prejudices of the New England WASP establishment. For those who are only familiar with his slap-stick performances in "Even Stevens" this demonstration of his maturity is a delightful surprise. And Josh Flitter as the ten year old caddy threatens to steal every scene in which he appears.

A old fashioned movie in the best sense of the word: fine acting, clear directing and a great story that grips to the end - the final scene an affectionate nod to Casablanca is just one of the many pleasures that fill a great movie.

This is not a movie that I would typically watch at 2:30 in the morning, but I got into it and couldn't stop until it was over.

Shia LaBeouf demonstrated that he is not just a young actor here, but could handle more demanding roles. The fact that he has been handed those roles in the last two years is testament to his ability.

It was really his movie. Sure, there were others involved, but they pale in comparison to his role.

This was a time when gold was reserved for the privileged. This victory opened it up to the masses, much the way that Tiger Woods has opened golf to all races.

Like Harry Vardon (Stephen Dillane) said to Lord Northcliffe (Peter Firth): " ...if Mr. Ouimet (Shia LaBeouf) wins tomorrow, it's because he's the best, because of who he is. Not who his father was, not how much money he's got, because of who he bloody is! And I'll thank you to remember that." Go get charged up.

I saw this film on September 1st, 2005 in Indianapolis. I am one of the judges for the Heartland Film Festival that screens films for their Truly Moving Picture Award. A Truly Moving Picture "...explores the human journey by artistically expressing hope and respect for the positive values of life." Heartland gave that award to this film.

This is a story of golf in the early part of the 20th century. At that time, it was the game of upper class and rich "gentlemen", and working people could only participate by being caddies at country clubs. With this backdrop, this based-on-a-true-story unfolds with a young, working class boy who takes on the golf establishment and the greatest golfer in the world, Harry Vardon.

And the story is inspirational. Against all odds, Francis Ouimet (played by Shia LaBeouf of "Holes") gets to compete against the greatest golfers of the U.S. and Great Britain at the 1913 U.S. Open. Francis is ill-prepared, and has a child for a caddy. (The caddy is hilarious and motivational and steals every scene he appears in.) But despite these handicaps, Francis displays courage, spirit, heroism, and humility at this world class event.

And, we learn a lot about the early years of golf; for example, the use of small wooden clubs, the layout of the short holes, the manual scoreboard, the golfers swinging with pipes in their mouths, the terrible conditions of the greens and fairways, and the play not being canceled even in torrential rain.

This film has stunning cinematography and art direction and editing. And with no big movie stars, the story is somehow more believable.

This adds to the inventory of great sports movies in the vein of "Miracle" and "Remember the Titans."

FYI - There is a Truly Moving Pictures web site where there is a listing of past winners going back 70 years.

This movie gives golf a high mark, it was well acted and well directed. Giving you a view of history that some non-sports fans will enjoy. The historic factor alone gives it a high rating, the Brookline golf course was really done well. I am in the northeast and have seen Brookline as a fan, and as someone who loves the game. The movie was well done on all levels. A MUST SEE 5 stars. The acting was superb, Disney has another winner in its bag of Great movies. If for no other reason watch the film to give hope and encouragement to young people whom may not see the hope in their life. I would tell you that the setting, while in the late 1800's and early 1900's is very realistic. The costumes and dialect were right on the mark as well. Above and beyond the call of duty for a golf film. A Must see for fans and non-fans alike.

The Greatest Game Ever Played loses points for having a terrible title. But it is an inspirational "true" story from Walt Disney studios and so every inch of melodrama is squeezed from it accompanied by appropriately "swelling" music. Which is not to say I didn't like the movie. I did enjoy it for what it was.

As a person who golfs it was both interesting and frustrating to see how golf was played in the early part of the century but much more could have been done with the game of golf itself in the film. (I think that non-golfers who don't know the game will find it hard to keep track of who is ahead in the matches which is a problem in the film's editing.) Instead, the story concentrates on two sub plots. The conflict between Shia LaBeouf and his father Elias Koteas. Shia is a natural golfer but his father is totally against it. The other sub plot is the desire to win back the US Open cup for England. This pits world famous champion Stephen Dillane against influential lords who are portrayed as gross, oyster-slurping, upper-class snobs. There is also a small love story aside between Shia and Payton List. A standout in the film is little Josh Flitter who plays Shia's plucky caddy in a comic relief role which I found amusing but other may find annoying.

As for the film-making, the colors of the film are muted which gives it a nice look and since it's a period piece the costumes are interesting. Since golf itself is not very visually exciting the director chose to use Matrix style visuals such as having the camera fly behind the golf ball as it sails to the hole accompanied by a really huge swishing sound. There is one shot as if taken underneath glass looking up at a putt.

If you can forgive the melodramatic musical swells, you can find this film an enjoyable 2 hours and if you have any interest in golf it's one of the few movies about golf. If you are in the mood for an underdog film this one makes par.