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Amar Singh Rathod

  • 1956
SUA AVALIAÇÃO
Paidi Jairaj and Nirupa Roy in Amar Singh Rathod (1956)

Adicionar um enredo no seu idiomaAmar Singh Rathore was a great Rajput warrior who chased an insolent imperial messenger into Agra fort and beheaded him in front of Emperor Jahangir himself;he escaped by jumping down with h... Ler tudoAmar Singh Rathore was a great Rajput warrior who chased an insolent imperial messenger into Agra fort and beheaded him in front of Emperor Jahangir himself;he escaped by jumping down with his horse from the fort's ramparts.This entire scene-the chase,the beheading & the escape-w... Ler tudoAmar Singh Rathore was a great Rajput warrior who chased an insolent imperial messenger into Agra fort and beheaded him in front of Emperor Jahangir himself;he escaped by jumping down with his horse from the fort's ramparts.This entire scene-the chase,the beheading & the escape-was the main highlight of the film.

  • Direção
    • Jaswant Jhaveri
  • Roteirista
    • Girish Pandit
  • Artistas
    • Paidi Jairaj
    • Nirupa Roy
    • Ram Singh
  • Veja as informações de produção no IMDbPro
  • SUA AVALIAÇÃO
    • Direção
      • Jaswant Jhaveri
    • Roteirista
      • Girish Pandit
    • Artistas
      • Paidi Jairaj
      • Nirupa Roy
      • Ram Singh
    • 1Avaliação de usuário
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos7

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    Elenco principal21

    Editar
    Paidi Jairaj
    Paidi Jairaj
    • Amar Singh Rathore
    • (as P. Jairaj)
    Nirupa Roy
    Nirupa Roy
    • Rani Chandrawati
    Ram Singh
    • Jalim Singh
    Ramesh Sinha
    • Salamat Khan
    Sunder
    Sunder
    • Nirbhay Singh
    Al Nasir
    • Shahenshah Shah Jahan
    Murad
    Murad
    • Maharaja Gaj Singh
    Raj Kumar
    • Kunwar Ram Singh
    Pandey
    • Rao Jujhar Singh
    • (as Pande)
    Shree Bhagwan
    • Arjun Singh Gaur
    • (as Shri Bhagawan)
    Ramlal
    R.S. Dube
    Master Bacha
      Dev Chand
      Shyamlal
      Yashodra Katju
      • Jagrani
      • (as Yeshodhara Katju)
      Ratnamala
      Ratnamala
      • Maharani…
      Heera
        • Direção
          • Jaswant Jhaveri
        • Roteirista
          • Girish Pandit
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários1

        Avaliações em destaque

        5nethupuleems

        An average film with few key aspects.

        After being deported from the kingdom by his father Maharaja Gaj Singh for disobeying his orders, Amar Singh Rathore, the great rajput warrior , served the Mughal emperor Shahenshah Shah Jahan faithfully. However, Amar Singh faced numerous challenges when Salamat Khan, a soldier who had misbehaved with Amar's own wife, Rani Chandrawati, attempted to create tension between Amar Singh and Shah Jahan. Will Amar Singh Rathore be able to overcome the obstacles caused by Salamat Khan and maintain his loyalty to the emperor ?

        Paidi Jairaj, as Amar Singh Rathore, was truly brilliant and stole the show as the key performer of the film. This is the first time I've had the opportunity to watch his acting, and I was thoroughly mesmerized. Paidi Jairaj brought Amar Singh Rathore's character to life with ease, expertly portraying his bravery and fearlessness. His dialogue delivery was equally impressive, and he had a strong on-screen chemistry with Nirupa Roy. It's clear that this was a standout performance by Paidi Jairaj. Nirupa Roy, who is often typecast in motherly roles, proved herself capable of playing the heroine's role as Rani Chandrawati. At times, she even resembled Madhubala, which was a pleasant surprise. Despite the film being male-centric and offering limited screen time for the actress, Nirupa Roy did justice to her role and added emotional depth to the narrative. She looked stunning throughout the film. Ramesh Sinha, as Salamat Khan, was another key performer in the film. His performance was on par with Paidi Jairaj's, and his arrival added significant engagement to the second half of the film. One of the rare gems of the 1950s, this film stands out for highlighting both the hero and the villain. Murad shone as Maharaja Gaj Singh, bringing his expertise to bear on the character's strictness. Sunder, as Nirbhay Singh, was somewhat disappointing, failing to deliver a memorable comic performance. It's also great to see Veena on screen, but unfortunately, her talent was wasted on a poorly written character. Minoo Mumtaz and Helen made brief appearances in guest songs, with Helen shining brighter.

        "Amar Singh Rathod" is a biopic based on the story of a great rajput warrior, named Amar Singh Rathore. The film is well-directed, and the casting is perfect. While building the story, the director carefully added commercial elements to make it more engaging. Initially, the first half of the film is quite dull, but as the story progresses, it becomes slowly engaging. The dialogues are decent and match the storyline well.

        The cinematography is a crucial element of the film. In most of the action scenes, the camera angles and shots were diverse and engaging, unlike those of other films from that era. The visual effects were also impressive in a particular scene. The stunts were choreographed with skill, which makes it a pleasure to watch. The dance sequences were well-executed, especially Helen's dance song, which captured my attention. Unfortunately, I was underwhelmed by Minoo Mumtaz's dance appearance this time around.

        The soundtrack by Sanmukh Babu is decent, but it doesn't quite live up to the standard of a commercial album. While Asha Bhosle's song 'Jaan Na Pehchan' is notable, the rest of the songs are average. However, the background score was impressive and stood out as a highlight.

        In conclusion, 'Amar Singh Rathod' is an average film, except for Paidi Jairaj's outstanding performance, thrilling stunts, and impressive cinematography. While it may not be a standout in terms of its overall quality, those who appreciate historical biopics can still find enjoyment in the film.

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