Zeburâman

I watched Zebraman at the IFFR in Rotterdam, and it was a coaster ride from beginning to end. I've seen a view movies by Miike Takashi, and they all had elements of gore and typical Japanese-over-the-top-violence. Not this one though!!! From the first second up it's totaly wicked. It has all the elements you've already seen in this sort of action-figure-based movies, but in the hands of Miike it turns into movie magic. In a nutshell: Goodbye Hollywood! Sadako rock's! America doesn't!

The story about a failed teacher/familyman, daydreaming about his alter-ego Zebraman who after construction of his ducktaped superhero outfit gets more then he could ever hoped for, will keep you on the edge for the entire length of the movie.

Those of you familiar with Miike's previous work do not need to dispare: It wouldn't be Miike if there wasn't any blood, body fluids or slurry involved, but I can't tell you anything without spoiling, so: GO SEE!

Takashi Miike never disappoints. His latest film to the Toronto Film Festival is ZEBRAMAN, a story about a father (Shinichi) who no longer has a family, or a life. His wife is having an affair, his daughter is a slut (no wonder, she's cute as hell), and his son is bullied at the school where he teaches. Even the other students think he is a geek. Shinichi spends all of his free time fantasizing about a show he watched as a kid called Zebraman, that was cancelled after only a few episodes due to low ratings. He even goes as far as to make his own Zebraman costume, and that's when the fun truly begins.

As the Earth is invaded by aliens (what did you expect) Shinichi is called into action as Zebraman and he transforms from mild mannered teacher to Earth's last hope. Think PowerRangers but with odd and hilarious dialogue ("Don't stand ... behind me."). But first he spends some much needed time in front of a mirror practicing his shouts ("Black and White Ecstacy!"), costume spliting poses, and signature attacks like the "Zebra Double Back Kick". I admit I was sold as soon as he beat the crap out of a guy wearing a giant crab mask on his head. I laughed the hardest at the introduction of ZebraNurse, though.

This is a different kind of film than what you'd expect from Miike. The characters are warm and lovable, and no one gets injured (with the exception of an easily re-grown arm, "Thanks ... ZebraNurse!"). Which shows the kind of range this cult director has. My only regret was that Takashi Miike wasn't present to witness a world class response to this outrageously funny film. (9/10)

I saw Zebraman for the first, but surely NOT the last time today. I had read that it was a "spoof of the super hero genre", but I strongly disagree; Zebraman IS a true superhero, and this film is not a spoof of any kind. Sure, there is very mild slapstick, but it works perfectly well. The heart of the film is tender and hopeful, and at the end I was left in that rare state in which I could deny no possibilities. I was laughing and crying at once, knowing no boundary between the two. I love this film. The message is a simple one, but given the age in which we live, vitally important: BELIEVE IN YOURSELF. I will offer no details regarding the plot or the technical innovation of the work; I only hope that this wonderful film will be seen by all, with a truly open heart. Thank you Takashi Miike...

This is an odd little movie. Some nebbishy teacher sews a recreation of a suit from a short-lived superhero show, and find himself dealing with aliens. The movie doesn't make a lot of sense, unless it's all this guy's fantasy, and the movie doesn't really play much with that possibility, instead just letting it all unspool. I like some sort of rationale for what happens in a film, but the audience is expected to just accept that all of this happens for no good reason at all. The silliness of the aliens and a few other things give it the quality of a kid's movie, but even kids movies generally make some attempt to explain stuff.

There are some cool things in this movie. The dead-on recreations of a cheesy Japanese TV show, the relationship between the low-key teacher and the disabled child, the final amusing superhero battle, but I was never fully invested in the story, perhaps because it lacked rationality or perhaps because it was just kind of slow moving and a bit muddled.

Neither as weird or as good as Miike's Happiness of the Katakuris, Zebraman is acceptable but not much more.

Well, you probably know by now whether you like Takashi Miike or not, so that's probably the first thing to consider. If you do, Zebraman is sure to please, being a very fun yet dark spoof of superhero films with high production values and the ever-wonderful Sho Aikawa.

There's nothing in Zebraman that would class as particularly shocking or offensive, if you've only seen ICHI THE KILLER or VISITOR Q before and that's your only objection to Miike, but the mix of dark, deadpan humour and absurd silliness probably aren't going to win any new converts. It's a very Japanese film in style and tone, and though still doubtless low budget by Hollywood standards, has impressive special effects and a good feeling of quality. Except when it doesn't want to :)

If you're an undecided, Zebraman may well be one of the best Miike films to sample to help make that decision :)