Childstar

Famous 12 year old TV star Taylor Brandon Burns arrives in Toronto with his manager mom Suzanne Burnbaum (Jennifer Jason Leigh) to do a big budget bombastic movie. Rick Shiller (Don McKellar) is the struggling indie filmmaker turned reluctant driver. Taylor is under tremendous pressure struggling to grow up in a grown up world. Suzanne is useless and having a fling with Rick. When Taylor goes missing with struggling actress Natalie, Rick has to go find him.

This actually got interesting. The most interesting is Taylor running away with Natalie. The movie needs to be about that. The other parts should be trimmed back. McKellar should really get out of the way of his own movie. It should not be his movie. It should be about the kid. It's risky to bet the whole project on a child actor but this kid has the skills to pull it off.

The moviemaking within the movie has one great section with Taylor in the fake cockpit. The fake CGI is a big mistake. The movie does not need it and it looks really fake. The only way to save that is to make sure that the audience knows the footage is rudimentary test footage. The main problem with that is the audience is unlikely to be smart enough to get it. All in all, I really like the kid's performance and his struggles.

Disappointing follow-up to McKellar's sublime "Last Night" (one of my favorite films of all time) and "Red Violin", this film is about an obnoxious child actor in the mold of Haley Joel Osment, his equally obnoxious stage mother (Jennifer Jason Leigh), and the hapless indie filmmaker-turned-chauffeur (McKellar) who is assigned to baby-sit them. Minor hilarity ensues from the cross-border (US/Canadian) cultural confrontations and the underage star's affectation of adult nonchalance and knowledge, but not enough to rescue the film, or the viewer. I cannot imagine what possessed the wondrously gifted McKellar to consider such a banal theme. Please regard this as my personal plea to Don McKellar to return to writing and making films of the caliber of "32 Short Films about Glen Gould", "Last Night", and Red Violin".

How much I enjoyed this film surprised me. (I saw it at the Philadelphia Film Festival the day after I saw "Checking Out" with Peter Falk. So—that's saying a lot.)

"Childstar" is a droll send-up of fawning over child stars in our culture, and of being a person low on the film industry totem pole. There is a lot of clever, well-produced stuff in this film. My only negative comment is that too much seems to have been directly lifted from an episode of The Nanny, "When You Pish Upon a Star."

I will go to see any film with Jennifer Jason Leigh. Her arc seems to be like that of Geneviève Bujold before her. Leigh seems to have managed to be in a lower proportion of turkeys than Bujold, so far. Her performance this time worked for me.

Likewise the performance of Don McKellar in his own film was just fine. More power to him!

This movie is pretty funny. It's absurd in many ways, but also very funny. It dosn't do anything that new, but the jokes are all good and the characters make me chuckle (aside from when I want to slap them).

The plot of the movie they are making within the film should be noted, that is, the (fictional) president getting captured by terrorists and his little rascal son taking over and rescuing his dad made me roll on the floor laughing. At least until I realized that someone probably was going to actually make a movie like that, which is BAD.

The characters are all funny, though as I said before, I often wanted to slap them. The bratty child-star is annoying, and the apparent sympathy towards them gets annoying.

Also, the characters act ridiculously. Why would the actress-model actually want a long term relationship with that little idiot....I mean the kid was 12 for crying out loud! This bugged me a lot. Oh, and the artsy director-legal guardian actually putting up with the child-star and his mom.

I loved McKeller's other film "Last Night". Unfortunately, this lame effort is uninspired. We've seen it all before and better. The film doesn't know what it wants to be - is it a comedy, a morality play about fame and the young, is it about parents living through their children, is it about manipulation? The result is a film that doesn't know what it wants to be and in turn, cannot find an audience. Like so many Canadian films, it's just not audience friendly and there is nothing in this film to get anyone but McKeller fans out to watch it. The film just unraveled (badly) and never went anywhere and then needed a long speech at the end to explain a plot we all stop caring about a long way back. The cinematography was excellent but it was wasted in this effort. McKeller can do better and has. Hopefully he can put this failure behind him.