Rojo sangre

Pablo Thevenet (Paul Naschy) is a once famous actor now humiliatingly reduced to trying (and failing) to get bit parts in third rate films. That is until he makes a Faustian pack. One actually wonders if Paul Naschy was acting: it all feels like it might have been too close to personal experience. That gives the film a particularly edgy feeling.

Bibi Fernandez has real presence as Beelzebub. It would have been good if she'd had more of a role. Visually the film is let down by the nasty modern aesthetic which makes it feel like a TV movie. Also I think the snuff movie sequence felt a bit off-key and didn't feel fit with the tone of the rest of the film.

Paul Naschy for years was among the top John Belushi look alikes in the world. He of course was also a big horror star in Spain and re-edited versions of his best known werewolf films played on chiller theater TV packages as I, and many other horror fans grew up. Most of the stars of 60's horror films are gone sadly and now that horror films are again very popular they aren't around to enjoy a final film. Christopher Lee of course is alive and well, but has so far "only" been in non horror films during this new interest. Vincent Price was in some films for Tim Burton, but these too were small parts in non genre films. And lets not think too hard back a few years to Bela Lugosi going on working for Ed Wood or those last few lousy Boris Karloff Mexican productions.

So congratulations to Paul Naschy for being in what is a very creative horror film and showing that he's a better actor and still a very cutting edge writer all these years later. This is a slick film, gruesome and creative on many levels. It's a good and or better than anything he's ever been in or made. Though he's playing a character somewhat like himself, a former horror icon, there is little trace of self consciousness in his performance.

Naschy had recently been in two American Horror films, but let's admit that they are two lousy films from two lousy filmmakers. He also had a fun small role in a not so bad Spanish film SCHOOL KILLER a few years ago. But for him in his native land to get this film made,let alone for it to be a good film, it's just well almost unheard of triumph.

There is little nostalgia in my thoughts towards this film. It stands on it's own even if you aren't a Naschy fan, or if you think of him as sort of a camp figure from the past. If you haven't heard of him this would be a great introduction.

Most actors could only wish for a comeback film like this in any genre. Let's hope this isn't the final film for Naschy because he shows he's still got it in him to do cutting edge horror.

Paul Naschy is certainly a big contender for Spain's biggest ever horror star; with a great deal of cult films under his belt, most notably his "Homo Lobo" series. However, since the seventies his fame has dwindled somewhat; but on the evidence of this film, his acting and writing talent certainly hasn't! Rojo Sangre is a strange and wayward film that won't appeal to all tastes; but it's certainly an interesting cult film and the fact that it's a semi-autobiographical film for Paul Naschy makes it all the more interesting. The plot focuses on Pablo Thevenet; a down and out actor with nothing but bad luck. His daughter was murdered and his wife left him, and despite once being a big star; he now can't find any sort of acting work. He gets something of a break when he's offered a job as a 'living statue' at a Stag club, and although he finds the role demeaning; he takes it because the money is good and no other offers are coming his way. His hatred for the modern movie business is overwhelming, however, and it's not long before he begins a murderous tirade against all those that have stopped him from getting work.

The thing I liked most about this film is the way that the plot moves. It's never obvious where the film is going and Naschy's script always allows some surprises. The direction is taken up by Christian Molina, and I'm sure the last name will be familiar to Naschy fans as it's his son! Molina's direction is always assured and he manages several stylish moments. The film is perhaps a little too flashy, but everything in the direction bodes well with the way that the story is presented. The film is bolstered courtesy of an excellent performance by Paul Naschy; perhaps even the best of his career. The fact that the role reflects upon his own career aside, you can't fail but be impressed with Naschy here; he absolutely becomes the central character and you can never doubt him for a second. One of the many subplots of the film features the central character slashing up various people while dressed as historical characters and this provides the film with some of its best moments. The gore is actually quite restrained but it's still nice to see. There's not really a defining point to the film and the ending contains more questions than answers but it does at least bring some closure to the plot. Overall, Rojo Sangre is an excellent swan song for Naschy's career and I'm sure that fans of the great Spanish actor's career will appreciate it.

In "Rojo Sangre", that god of Eurohorror, Paul Naschy, plays a thinly veiled analogue of himself as an actor in the twilight of his career. At one stage he lists some of the movies he has made, and Naschy fans will instantly recognize many films from Naschy's own career. Sadly, as Naschy is here portraying an actor whose career has gone to seed, those titles aren't the only glaring reference to the actor's real life.

Pablo Thevenets is an actor who the world has sidelined due to his age. He is ridiculed by casting directors, all younger than him, who regard him as a relic of a bygone and embarrassing era. When he finally lands a role, it is humiliating, and doesn't even involve acting on stage or screen: rather, he is relegated to dressing as macabre historical figures in front of a restaurant - and generally in the pooring rain while passers-by jeer at him.

This job pays well, but for Thevenets - who has recently lost his daughter to murder and wife to another man - it is a final straw, and it begins to feel a bit like Naschy does "Death Wish", only with the criminals being puffed up showbiz hacks. Before we take Thevenets as a Paul Kersey clone, however, there is also the fact of his new boss, Mr Reficul, and what that name spells when reversed.

This is all, of course, a treat for Naschy fans, for whom "Rojo sangre" is unmissable. If you have never seen a Naschy film, this one might not sell you completely - there are a ton of films from his back catalogue that are required viewing for anyone who is interested, particularly "El Caminante", "Night of the Werewolf", "Inquisicion", "Panic Beats", "Horror Rises from the Tomb", "The People Who Own the Dark", "The Werewolf Woman Versus the Vampire Woman". "Rojo Sangre" is a fans-only must-watch, but is a must-watch, nonetheless.

This is the only recent Paul Naschy film I have viewed (the credit sequence resolves itself in a succession of snapshots showing him made-up for his earlier pictures); to a large extent, it seems to have been enthusiastically received by fans and I liked it quite a bit myself (albeit with some reservations I will get to later). We have here an intriguing premise with the star (as always penning the script himself) ideally cast as a has-been thespian in search of work but clearly out-of-touch with the times; in fact, he is reduced to accepting "humiliating" odd-jobs such as doorman (under the guise of many a notorious historical figure) to a stag club owned by one Reficul (try reading that backwards) or directing snuff movies and, in the very opening scene, hilariously claims to get his sexual kicks nowadays by stuffing a rat enclosed in a condom through his rectum! Eventually, Naschy snaps and goes on a killing spree, targeting people from the industry who had either snubbed him or whom he believes forsake art for commerce; in this respect, Reficul's gift of a cane concealing a Japanese rapier inside comes in mighty handy! Unfortunately, the plot during the latter stages becomes increasingly muddled: Naschy finds out about his boss' identity (his transsexual assistant, then, is really Beelzebub!), with the latter explaining to him that with the signed contract he had given away his soul; cornered by the Police, he is shot and presumably killed; cut to a "Murillo" awards ceremony with the winner emerging to be a candidate whose seat is presently vacant…but then he turns up, at first with his back to the camera, and ultimately revealed to be an aged Naschy under a different name (apparently, he survived and has had a career renaissance in the interim – his talents vindicated at long last – thanks to the Devil's doing)! Typical of today's horror cinema, we get a flat-ugly look which does the film no favors at all – not to mention flashy technique (believing this is enough to give the whole a semblance of style but actually rendering it somewhat amateurish!) and copious gore (including a particularly repellent dismemberment). A mixed bag, then, but Naschy's weathered features, sensitive performance and knowing critique of the profession – plus a decent score – are enough to redress the balance and make the ride worthwhile for seasoned genre fans.