O Solitário Jim

Laughing about other people's misery is something many of us like to do. Lonesome Jim gives us ample opportunity to do so. The admirable thing is, that the events and comments that make us laugh out loud here, aren't contrived or even over the top. There are people like that, they talk like that, they put each other down like that and most of all: they get by, just like that. Jim goes out of his way to avoid challenges, and that is nothing uncommon. The movie is painfully honest about average people's lives, and that is what makes this movie not just funny, but also heart-wrenching to see. It *is* funny though, very much so, even. The laughter in the audience was so loud at times I couldn't make out the next sentence. The characters know not to expect too much of life, and they don't. But they get by, just like we do, and with a little love, a little companionship and a little bit of happiness, that is enough.

...a few bright moments to break up the grey times.

It's a fair representation of what so much of the midwest is about: a bit about futility, about a lifeless life, yet still containing a few bright moments. And having hope.

The digital film present a dull grey-red tone to the proceedings...not engaging to the eye but it seemed to fit the mood. The characters, while not sympathetic, were nicely developed. The events, even those seemingly "large" ones, do not develop the magnitude that might be expected. But that's how life usually works.

This is a much better view than the low marks indicate, but it's not great film-making either. It is a good Indie movie, and one that encourages a look at Buscemi's future projects.

You can object to the choice to make this film about a so-called depressive. You can object that Jim doesn't just snap out of it. But of all the things you can say about Lonesome Jim, you can't say it is badly made.

This film is like a meditation: it totally clears the mind of everything else and allows you to focus on what is there in front of you.

The grainy film did not strike me as low quality or cheap. It made the film like watching home movies; there is nothing glamorous about this scene. It was totally in keeping with the theme of muted emotion. The graininess sometimes slows things down so much that the characters appear to be talking through the haze of their dull surroundings, and they are the liveliest things about the situation. It almost transforms film into a cartoon drama by the younger sibling.

Is the main character Jim (Casey Affleck) suffering from depression? Well, alright. But that assessment papers over the interesting sources of the emotion stifling: the relationship between son and parents, and how he has subverted his personality with them; and the relationship he has with the rest of his hometown.

The whole thing is so real – we especially digest meaning during Jim's driving scenes, inevitably at twilight when the post industrial fading rural landscape is at its most evocative, stirring feelings of profound longing and sadness.

(There must be a retrospective of Sensitive Boy flicks somewhere. To my recollection, Ordinary People could be the first in the series, but among the others, and I'm sure there are many, many more than I can think of here, are You Can Count on Me, and Imaginary Heroes. I've also heard that Garden State could be slotted in there, but I haven't seen it.)

This is a brilliant film.

So why not give it 10 out of 10? Because we do not know yet if it will stand the test of time. Already Ordinary People does not pack the same punch as did 20 odd years ago. Also, these films have a relatively small theme. So though while intense and delicate in emotional depiction, their reach is rather narrow and might not possess any universal themes. They are particularly US-centric. Which is fine, but it precludes them from greatness.

Annika (Liv Tyler) doesn't like the photo of a dour Ernest Hemingway that Jim (Casey Affleck) has on his bedroom wall. Jim says it's real life. She says it's depressing, and he replies, "Isn't that the same thing?" It's a funny line, but it's also much more. It describes the heart of this terrific new picture directed by Steve Buscemi. He's made a wonderful "small" film about the sadness and disappointment that is so much a part of life, and about how we each must choose to respond. Do we wallow in despair, or can we find hope, joy, and purpose? In "Lonesome Jim," we meet a range of genuine people who exhibit a range of choices -- sometimes conflicting responses within the same character. The casting is superb, and between Buscemi's measured pace and first-time screenwriter Jim Strouse's unpredictable (and semi-autobiographical) story turns, we get to know and care about these people...even though they each exhibit traits we definitely do not like. That's real life.

If you've ever felt bored, alone, defeated, then you'll love Lonesome Jim. If you're from or have ever visited the Midwest for a significant amount of time, you'll love this movie. The portrayal of Jim, a 28-year-old failure who returns home after an attempt at 'making it' in NY as a writer is completely relateable to anyone. Who hasn't had a big dream, tried and failed? The cinematography is is sad and beautiful all at once; the direction is flawless; Casey Affleck (who I'm usually not the hugest fan of) is perfect in the portrayal. And lets not forget Mary Kay Place. She was amazing. James Strouse wrote such a tragic and heart-wrenching role for her; you ache when Jim says to her "I don't know...sometimes people just shouldn't be parents". This film is filled with great lines like this that just exude pathos. Subtle brilliance is the exact phrase to describe this movie. Thing is, you don't even have to love it in order to appreciate how moving it is. It was a great cast, great director, and Roger Ebert (who I'm usually not a huge fan of either) said it best when he called LJ 'a masterpiece of mood'. That it is, my friends; that it is.