Elas Me Odeiam, Mas Me Querem

Fired from his executive position within a medical research company for reporting unethical behaviour, John Henry Armstrong finds himself hung out to dry, blaming by the CEO for the drop in share value and with his assets frozen. When his ex-girlfriend and her lesbian lover come to him asking for his sperm to get them pregnant in return for $5,000 a time – an offer he eventually accepts. Once the deed is done, Fatima starts bringing him other professional lesbian couples who have failed to have children by any of the more conventional routes. As this becomes his new profession, the corporate witch-hunt for a fall guy continues with him in the spotlight.

I will always try and see a Spike Lee film. Not because he is the world's best director (he is not) nor because his films are always fantastic (they most definitely are not) but because even his poor films provide interest and brain food in a way that so many Hollywood films do not. It is easy to just dismiss him but to do so misses so much of what he does that is good and worth seeing. I certainly cannot defend this film on the grounds of narrative because it is all over the place – Enron, sexual ethics, the failures of the corporate world and political system to "ordinary" people, all this while still having sex scenes and animated sperm and eggs. If you let it, the fragmentation of the narrative will annoy you – it bothered me a little bit and I wished that the film had been shorter with a tighter focus. However, it is still interesting and it engaged my brain; you can imagine the "man gets lesbians pregnant" concept being the next cheap and nasty "comedy" at number one in the box office charts and, although he seems to enjoy the sexual humour of the material, Lee deserves credit for not forgetting that I (and many audiences) like to have my brain stimulated before anything else.

If the opening credits ($3 bill) doesn't give you a clue what it is about, then the film helps with the corporate world setting. The themes are business, money and ethics and the film preaches a lot at points but generally is interesting. There is a lot of slack in the film that should have been removed and for some of it the point was totally lost on me but I was thinking all the time and that is a good thing. Lee's direction is as good as ever and the cinematography is slick. With so much focus on theme instead of story, it is no surprise that the actors aren't that great, but they do all do enough to keep the film working. Mackie is not a great actor but he is effective enough here and it isn't his fault if his character isn't developed that well. Likewise Washington, Barkin, Bellucci, Harrelson etc are all OK but they are more parts within a point rather than characters. Q-Tip is a non-character but is a nice presence in the sort of role that Lee would often play. Although it didn't bother me too much, I did wonder how much damage the portrayal of lesbians did the film – or how fair it was? To my eye they seemed to be either lipstick lesbians that were very sexy, or larger women played for comic effect – only one or two seemed like "normal" people; but with so many other things to niggle me, this was right at the bottom of my list.

Overall, the negative reviews are partly correct because this is a messy film with a narrative that is all over the place. Happily, Spike Lee is always worth watching because the film has interesting themes through it and Lee's anger may be overdone at times but mainly it has the desired effect of being very watchable. Worth seeing for what it does well even if it does a lot wrong.

The worst film Spike Lee has ever made(at least that I've sat through), it was so pretentious at points(I normally never use the word, and I mean it here in the worst way possible), he tried to take on Enron, Bush, Gay relationships, Diabetis, the XFL, and the Watergate Scandal, and as always racism, in one film, and he did it all in the worst most childish, ways, not to mention the unbelievable ending in which the guy gets both the girls( I see what he was going for with that, alternative families and all, but it comes out of nowhere and just ends up looking like every mans wet-dream). Include an awful and pointless Watergate flashback, Animated Sperm with heads of the main character entering eggs of whatever female character he just slept with(who also have the female characters face),and you have got one huge piece of unfocused scatterbrain mush, and normally I like Spike Lee's films, but really, this was pretty awful.

This movie made me think of how its premise was created. Suppose a man wanted to push the fantasy about being sexually desired by women to the extreme. How would he proceed? 1) Must be pursued sexually by many women. Certainly more than 2. Better make it 18. 2) If the women are not normally attracted to men, their attraction to him is theoretically more impressive (by some rationalizations). So make them lesbians. Better make them cute too, there is no prestige in ugly women. 3) To emphasize the premise, have the women actually pay him to have sex with him. Make it be it a lot of money. $10,000. The problem is that this premise seems obvious and silly by itself. To make it less obvious, state that the women are motivated by the desire to get pregnant. You can still slip in the implication that they want sex with him because they didn't choose artificial insemination. I got the impression that this is how the premise for "She Hate Me" was developed. It has many other subplots of interest, but I think it is based on a somewhat obvious and adolescent fantasy.

I'm sure somewhere in "She Hate Me" lies a good story that would make for an entertaining movie. What we have, however, is a convoluted mess that tries too hard to be a social satire.

The premise: Jack Armstrong (Anthony Mackie), a hotshot VP at a pharmaceutical company, suddenly finds himself unemployed and in need of money. When his ex-fiancée-turned-lesbian Fatima Goodrich (Kerry Washington) offers him $10,000 to impregnate her and her lover Alex (the sexy Dania Ramirez), Jack realizes he could be a sexual cash cow. Next thing he knows, he's in high demand from wealthy lesbians who want children.

The problem is that Lee doesn't know what he wants his film to be. Or, what the story should be. He tackles way too many issues and never tackles any of them very well.

The film opens with a novel title sequence that ends with a broadside against President George W. Bush. Fair enough. Lee's bit actually works. The story then turns into some sort of diatribe against corporate greed, against the blatant excesses of the Enrons and WorldComs of corporate America. OK. Then there's also all this stuff about lesbians and impregnating them. And Jack's conscience about whether he's doing the right thing.

But the film then suddenly turns into a defense of Frank Wills, the black security guard who uncovered the Watergate burglary. Lee makes a valid point that while all the players involved in the burglary and subsequent cover-up went on to have lucrative careers as statesmen, authors, speakers and radio personalities, Wills died in obscurity. A tribute to Wills is long overdue. The man was a hero. But what the heck's his story doing in this film? And in a moment that seems completely arbitrary, Lee also throws in Oliver North into the mix of Watergate figures.

For a satire to work, it needs to satirize something. Frankly, I didn't know what exactly Lee was trying to send up. And, after a while, I didn't care. His movie's neither a sex comedy nor stinging social commentary. In fact, at times "She Hates Me" plays more like some sort of unbridled male fantasy. Not only are all the lesbians attractive, but also they want to get impregnated the old-fashioned way. The one lesbian who chooses artificial insemination fails and so has to plead with Jack to have sex with her.

Subtlety has never been Lee's forte. But in films such as "Do the Right Thing" (1989) and "Jungle Fever" (1991), he somehow found a good balance between satire and social comment. Here, he does no such thing. In "She Hate Me," Lee's about as subtle as a sledgehammer.

What's ultimately disappointing about "She Hate Me" is the often-inane writing. When Fatima tells Jack she always was a lesbian, even when she was dating him, and was merely in denial, she adds, "And I don't mean a river in Egypt." That's how lame the dialogue is. It gets even worse, when Lee and co-writer Michael Genet give Brian Dennehy positively laughable dialogue later.

The corrupt business practices of Enron and its ties to the Bush administration deserve to be told. As does a satire, if you must, of white collar crooks who get off relatively easy and wind up having hugely successful lives as a result of their crimes. But this isn't the film that does it.

Lee's clever, talented and certainly socially conscious, but just seems to be tossing in every idea he had into "She Hate Me." Instead of being bitingly satirical about society's lopsided values, this is a mishmash of a film that is never as funny as it wants to be or as provocative as it should be.

I thought this one one of Spike Lee's better movies. It had a message, it had humor, it related to the topics of today's society...acceptance, forgiveness, love, unconditional love, hypocrisy, shame... all that under one movie. And then it gave a little history lesson about the forgotten hero's (whistleblowers) man I can't rave about this movie enough. Forget what critics say ....Passions of Christ... anyway I would suggest everyone see this movie. The ending is a little weird but it's forgivable. I can't wait til it comes out on DVD this is one of those watch over and over again movies. * Side note, the acting is not the greatest but the whole movie somehow supports it. Plus come on it's all done in Spike Lee (camera angles fashion.