Holy Lola

Doctor Pierre Sézac (Jacques Gamblin) and his wife Géraldine (Isabelle Carré) a childless couple leave for Cambodgia to adopt one. When they arrive there, a real obstacle course awaits for them. Countless, various problems surface, wanderings from orphanages to orphanages amount to nothing and the courage and love of the young couple is put to a serious test.

When I was in my first year at university, I remember that one of my courses was entitled reading comprehension and for my exams, the topic of this course was based on a conversation between a man and a woman who talked about this widely talked about society phenomenon that is children adoption in Southern Asia. The two protagonists particularly insisted on the testing process that parents had to go through to get their beloved one. Bertrand Tavernier confirms in images and in this harrowing story, the meandering road the Sézac couple take to satisfy their desire to adopt children. This giant in French cinema who has keep on producing varied great works for more than thirty years is a true auteur whose sincerity and commitment about a prickly topic is never questionable. Such is once again the case here with this film that is based on true facts. The difficulties, the problems which the Sézac couple comes up against may seem numerous and exaggerated. One can't help but think that there are true to life either they are of administrative source or that they involve bribery. Tavernier also pores over the problem of children adoption through the different French couples at the hotel. The adventure the Sézac couple has is their common adventure in which chance and fate can smile or leave them at any time. If one can be destabilized by the didactic even documentary side of the venture, one can't deny its strong heartfelt vibe.

The background is also essential. Tavernier voluntarily chose a gritty tone and found place in his film to shake the viewer's nerves in front of Cambodgia ravaged by misery, war (some sequences showcase some soldiers clearing of mines a part of the country), shameful traffics which constitute a serious break to child adoption.

"Holy Lola" is a momentous work for two reasons: Tavernier added one more worthwhile piece of work to his own Aladdin's cave and also a work destined to the mainstream to make them realize of the hard process of child adoption. All the future parents who contemplate this step should have a look at it. And not only them but all those who are fond of topnotch French cinema.

Holy Lola (20040

Directed by Bertrand Tavernier

Starring Jacques Gamblin(L'Enfer), Isabelle Carré (He Loves Me. He Loves Me Not)

An emotional roller-coaster of the trials and tribulations of a French couples efforts to adopt an orphan baby in Cambodia.

Monsoon season, a husband and wife arrive in Cambodia having completed reams of paperwork back home in order to be able to adopt a baby, they end up at a hotel full of similar couples some of whom have already been there several weeks waiting for their chance.

For two hours or so we follow them around visiting orphanages, small villages and facing a steady stream of bribery and corruption in their attempt to obtain the one thing they feel will make their lives complete.

Heartache, joy, disappointment, frustration, the emotions soar and dive as an opportunity ends in an empty promise. Babies often stolen from their mothers are offered for a price, a phone call from an orphanage will end in bitterness because another (usually American) couple have used large amounts of cash to jump the queue and have taken the child.

Even when they eventually manage to find a beautiful orphan baby girl already rejected by another couple, the endless paperwork and bribes needed to complete even the simplest of tasks leads to arguments and despair. Physically, emotionally and financially drained, you wonder will they ever be able to leave Cambodia with the child of their dreams?

Hand-held camera-work and totally naturalistic acting gives the film an almost documentary feel, the emotional highs and lows are so perfectly played that you could easily believe this is all for real. How real couples can handle this sort of situation, the faith, love and fortitude needed must be incredible.

This is no travelogue, you get the non tourist Cambodia including a visit to a large open garbage tip where hundreds of people from very young children to the very old eke out an existence scrabbling through other peoples waste. You also see the wards in the orphanages of the babies nobody wants, babies with Aids etc.

A very good film but with a couple of minor flaws, you lose a sense of time, I honestly couldn't say how long the search for the baby took? This along with the follow up frustration of sorting out all the paperwork to be able to take the baby back to France, it could have been weeks or even months, I honestly haven't got a clue. The constant dashing from here to there, from hotel to orphanage to village etc leaves you feeling lost and in a sense frustrated as to why, but that does in a sense draw you into the same emotional state as the couple as each trip they make ends in more and more frustration.

All in all, not your typical film but if it does pique your interest, it will grab you and drag you along on a literally dizzying ride. It is tough going but I felt it was more than worth it to for the amazing performances (especially the main couple) and to get a real sense of life in Cambodia.

Cheers Trev.

This is a fine retelling of foreign adoption and I heartily recommend it for people who are considering adoption with, however, a major caveat. If you are a potential adopter, you had better be VERY comfortable in your own skin or, after you see this film, you may decide not to go through with it. For the average film-goer, feel free to give this one a pass.

All of the frustrations and guilt surrounding the process are on display, albeit from a strong French perspective. I was a bit taken back by the quantity of whining of the participants about the "Americans and Canadians" who are so rich that they pervert the process. Maybe true, maybe not, but all of the potential French adopters are portrayed as just average folks who do not have the resources that a North American might. (A lower middle class doctor?) To my eyes, that theme became a disturbing political polemic that took away from the thrust of the movie. For reference, I am usually just to the left of Lenin so this takes some doing.

There are other factual lapses in the movie that begin to get under your skin after a while but the heart really is there. As a foreign adopter myself, there are a lot of moments in this film when I recognized an identical scene in my own life. The emotions flow to the surface throughout.

As a movie going experience, well, this film needs an editor. There are scenes that go on forever; story lines that are dropped; characters who appear and disappear without resolution; more lapses in logic than a bad horror film; etc., etc. The director's determination to include all the film he had in the can creates a movie going experience more akin to the Lifetime network than great cinema. Too bad, really.

Overall, a qualified yes for those in the process now or in the past. The film's emotional center is spot on. For everyone else, look elsewhere.

I found the move to be extremely believable – and thus gripping and fascinating to the last frame. The corruption in Cambodia is almost unbelievable, the agony of adopting a child in that country are hard to imagine. Paul Pot left a miserable, poor, largely primitive and corrupt society behind – well documented in this movie. Little is shown of the country, stressing the fact that people who come there to adopt a child have neither the time – nor the inclination – to see any of it – the aim is to finish the incredible amount of bureaucracy – and get out before someone else demands some "service charge" Both the acting as well as the direction is excellent.

Directing: 8 /Acting: 7 /Story: 8 /Production values: 8 /Suspence - Thriller level: 4 /Action: 0 /Mystery - unknown: 3 /Romance level: 6 /Comedy elements: 4