A Intérprete

Sydney Pollak has directed a lot of good films over the last 40 years, and this, though not his finest work, is one. But it's just 'good'. Pollak has a great sense of pacing and character development, and he puts both to work to good effect in this suspenseful high-stakes terrorism drama. Kidman and Penn deliver solid and memorable performances and are joined by an excellent supporting cast. The acting talent, clever though predictable plot, superior production and cinematography, and fearlessly quirky script are what makes this film work, despite a few rather absurd plot points.

Kidman unsurprisingly, dominates the screen with a powerful portrayal of a young South African translator for the UN, who overhears a plot to assassinate the genocidal president of her home country, Motambo. Penn plays a hard-nosed, recently widowed investigator assigned to the case. As the plot escalates, it becomes clear that Kidman herself is also a target and that she has secrets...

There are some problems with believability here. Most glaring is the fact that the intelligence agents and security people investigating Kidman and the plot to kill a genocidal African president in the U.N. are depicted as anything but intelligent. The identity of the perpetrator and the nature of the intended crimes should have been more or less obvious about half-way through the film, and the security team should have had a trap set and armed personnel crawling all over the entire building. It is also unlikely that anybody in Kidman's predicament would have been allowed to continue with unrestricted access to the UN, at virtually any time of day or night, more or less unwatched. And it is even more problematic that somebody with her background should be working at the UN in the first place. The actors' performances and the relationship which develops between the two main characters (which is really at least half the plot) help to gloss over the minor problems and make the film very entertaining and suspenseful. There are also some potentially powerful political messages just below the surface, but I never felt that these messages really emerged, and was left wondering if theyr were simply artistic flourishes or perhaps, posturing.

I heard some good comments about this movie from some colleagues, and I bought the DVD really expecting to see great film. Directed by Sydney Pollack and having Nicole Kidman, Sean Penn and Catherine Keener in the cast, I thought that it would certainly be a great political thriller. Unfortunately I was absolutely wrong.

The confused and flawed screenplay does not develop well the characters, the story is very disappointing and commercial and there are very stupid lines, such as when Silvia asks Keller what he does when he can not sleep, and he answers that he stays awake; or when Dot comes to a stripper in a night-club and asks her to not touch the Prime Minister in a lap dance. What about the secret service leaving the menaced president of a country alone in a room after an attempt against his life? Why would a citizen and her president together alone speak in English instead of in their native dialect or language? The conclusion is simply awful and corny, and the alternative ending with worse than the original one. There is a total lack of chemistry between Nicole Kidman and Sean Penn for the insinuated romance arising between them. Nicole Kidman seems to have fixed the awful plastic surgery of her nose, and is very beautiful again in this flick.

Last but not the least, it is very weird that many favorable reviews are made by users with only one review issued in IMDb, in a type of apparently fake promotion. My vote is six.

Title (Brazil): "A Intérprete" ("The Interpreter")

Director Sidney Pollack has given us some very fine films in the past; THREE DAYS OF THE CONDOR and TOOTSIE come immediately to mind, and he won an Oscar for OUT OF Africa (although it's not high on my personal list of his films). But not even Mr. Pollack can make a great film without having a script to start with. I think that's the lesson of THE INTERPRETER. There are many things that are just not well thought out here, and the whole suffers as a result.

Penn is great as always, Kidman does a lot with her character, but often they're wandering through the scenes in a story that doesn't seem to know where to go next. Actually the fact the movie makes any sense at all is a credit to Pollack's experience and talent. There are some great ideas here, and there's certainly a level of entertainment achieved; even some thought provoking moments. But it's clear the filmmakers weren't working from a well prepared script. 6 out of 10.

Silvia Broome (Nicole Kidman) is an UN interpreter. She overhears two men discussing a mysterious plot in an African language. "The Teacher will never leave this room alive." Allege war criminal Matobo president Edmond Zuwanie is coming to address the UN General Assembly. She becomes convinced that the threat is against Zuwanie and tells the UN security. U.S. Secret Service Tobin Keller (Sean Penn) and Dot Woods (Catherine Keener) are assigned to protect Zuwanie and they investigate Silvia. It turns out that her family suffered under Zuwanie and she is connected with the opposition.

This starts as an interesting thriller with the UN as a backdrop. The political intrigue is somewhat engrossing like a murky 70s thriller. Kidman is cold and Penn is a bit unstable. I wish his character is the protagonist and the audience can unravel the intrigue from the outside. Kidman's character is better with mystery. The movie should keep some distance from her. The audience should keep guessing about her. I do have a few questions about the ending and it drags on a bit too long. It should probably use an alternate ending.

One of Nicole Kidman's Finest Performances. Sean Penn's performance starts off flat with his character grumpy and unappealing, but as film progresses, one learns this was an appropriate approach based on the character's history.

This was a complicated story to bring to film, and Pollack did an adequate job in that regard, but too often the pacing is just a bit too slow and uneven.

Where Sidney shines is in bringing out the best in actors, and for me, this was one of Kidman's best performances in film, making it worth the view alone.

One must hunker down in this film as it is atypically a slow paced and subtle thriller. Some scenes don't connect with what would likely be realistic outcomes of circumstances, so the film loses 2 points for those moments, and another point for some hodgepodge editing.

Well done plot twists, a few moving moments, and Kidman's performance maintain the film's 7 Rating and a 👍 recommendation to view.