Ladrão que Engana Ladrão

I think the reviews here are a little unfair to the impact of the movie. As far as I go, it's that rare heartwarming movie that stays with you even after the end of the credits. What I liked about the story was the infusion of wit and cheek in the simplicity and goodwill of the plot. Wendell Baker is a greatly likable scamp who has his heart in more than one right place. The attention to racial sensitivity, for example, affirms Baker's charm, from his mercenary yet political business of selling fake ids to immigrant Mexicans to joking with his black inmates about 'aryans and crips ruling together', which had me laughing because of the ease with which he does or says those things. I'm probably ruining those moments by making them explicit because it's precisely the subtlety and matter-of-factness with which these things are woven into his crazy character that make him work for me. The gender angle, on the other hand,, was pretty screwed, because who cares for old women? Another thing I liked was that the movie ends on a note of reasonable success, not the sort of incredible feat that one is asked to admire in movies like the pursuit of happiness. All this, and Luke Wilson looking so cute is why I'd rate the movie above average.

I just saw The Wendell Baker Story at what is its third screening, at the Virginia Film Festival in Charlottesville.

Although, as stated in the prior comment, this movie will be no cult nor mainstream classic, it is highly entertaining. For a comedy, it is considerably light: the humor is mostly situational.

I personally found Wendell Baker's greatest success in the developing of the secondary characters as foils. The movie does not have opening credits, instead only introducing the title. As such, I was pleasantly surprised to see many high profile actors in roles fitting well within the film. In the post-screening interview, Luke Wilson discussed how this choice for no opening credits was as an "album cover" and that, with the focus directly on the introduction of an Austin Texas feel.

The acting in the film is generally good. Highlights for me were the performances of Grant James and Kris Kristofferson. I was, unfortunately, disappointed in Eva Mendes' delivery of her character. I feel the 'girlfriend who 'the guy' loses' cliché could have been as fresh as the other foil supporting characters.

The film has many beautiful shots on location in Texas, although the editing at times is choppy (granted the film is still not finished). The music is absolutely wonderful: the folky rock feel contributing in subtle persistence to the southwestern feel of the film.

I enjoyed this film. It was not profound... do not go to this movie to see another Royal Tenenbaums. The film is a comedy, but it is neither dark nor slapstick. It very much reminds me of Sideways in that both take advantage of a specific local color create a more personal and more relaxed movie. As such, while not often was I laughing, the ever-present humor kept me entertained.

This is a nice movie that packs some laughs & entertainment as well as an inspiring message. Luke Wilson plays the protagonist Wendell, a seemingly clueless dreamer whose "capitalist ventures" always land him in hot water.

This movie carries a great message about what it takes to succeed as a human being. In particular, the line in the title of my review (spoken by Kris Kristofferson) applies to Wendell. If you like movies about people who stay fresh & optimistic despite life's hard knocks, this is a good one to watch. Other films that delve into the same theme are "Little Miss Sunshine", "Chocolat", "The Marc Pease Experience" and the classic film "Zorba the Greek".

"The Wendell Baker Story" features a lot of veteran actors whom you may not recognize at first, such as Harry Dean Stanton (who played the leading role in "Paris Texas" and also a memorable role in "Alien"), Seymour Cassel (who got an Oscar nomination for his role in the 1968 film "Faces") and my favourite of the lot: Kris Kristofferson (one of the best musician-turned-actors I've ever seen).

Unfortunately, some powerful scenes featuring these actors were cut from the final version of this film. I suppose it was to give the movie more of a snappy comedic appeal instead of carrying a heavier vibe. But you can still see these scenes in the deleted material on the DVD.

The film, as it was released, balances itself squarely between comedy and heart. In other words, it's not a laugh-a-minute riot, nor is it a film that makes you stop & ponder your place in the universe ...though it could have gone either way. I suppose you can take it at your own pace. Me, I would've liked it to be at least a half hour longer & feature more of the dramatic scenes that were cut.

The music is a real treat and lends a nice, rustic Texas vibe to the whole show. Peppered throughout the film are songs by Bob Dylan, Waylon Jennings, Johnny Cash, Hank Williams, etc. Oddly enough I don't think there was anything by Kris Kristofferson. But his excellent performance on screen is enough to satisfy any fan.

The Wendell Baker Story will never be listed as movie classic. It will not score at acting awards, and it does have a profound message. That said, it manages to entertain, make us laugh and smile, and provide through enjoyment without insulting our intelligence, and without resorting to endless car chases, fire crashes, or silly special effects.

What we have here is old-fashioned movie entertainment – solid acting, an engaging story, and all of the basics done solidly: costuming, direction, lighting, editing, and, especially, music.

Both Luke and Owen Wilson are more than competent in their respective roles as a light-weight con man and a conspiring old home administrator/head nurse. Indeed, I saw a little more acting talent here than in Owen Wilson's other recent attempts, such as Behind Enemy Lines.

While Owen and Luke's name may be at the head of the credits (along with their brother Andrew, who is the film's Director), the best performances come from Harry Dean Stanton and Seymour Cassell, who play playful, but sincere and believable residents of the old age home where Luke Wilson's character works, and which Owen Wilson's character runs. Alas, the same cannot be said for the legend Kris Kristofferson, whose roll comes off as predictable and trite, with the same artificial "I am wise and serene" facial expression done far too many times.

The story is easy enough. Wendell Baker (Luke Wilson) spends his time scheming his next (read first) fortune, planning all kinds of shady and illegal schemes. Baker and his friend (played by Jacob Vargas) get caught providing fake Texas identifications to illegal immigrant farm workers. He ends up in a federal jail in Texas, where he gets along well and does not seem to miss his girlfriend, played by Eva Mendes.

Baker is eventually paroled, and ordered to work at a "retirement hotel." While little happens at the retirement place, Baker does not learn of an ongoing to scheme to ship seniors to Oklahoma, so that the administrators can collect their pension checks and sell their medicines on the black market. OK, so it is not Shakespeare. It is light, it moves at a good pace, and Wendell becomes more and more liked by the audience.

If one looks, there are messages to be had. We are reminded that senior citizens have passions and sex drives, that the people pouring across the border from Mexico largely just want to work and get by, and that all of us deserve a second chance. Bets of all, we learn this by being happily entertained by a fun, easy-going movie.

As played by Luke Wilson, Wendell Baker is the kind of character authors like to refer to as a "lovable rogue" - a smooth-talking scam artist with a tongue as nimble as the pen of a scribe (to borrow a phrase from scripture, if I may be so bold). The trouble is that a good-hearted guy can run afoul of the law for only so long before he risks losing the woman he loves (Eva Mendes) and before he is finally forced into taking a long, hard look at his life. Thus, once he's paroled from prison, Wendell decides to go straight by taking a job at a retirement home (he's been duped into believing that this is a first step on the road to a career in hotel management) run by a sadistic administrator (Owen Wilson) and his toadying staff. There's a little of the feel of "One Flew Over the Cuckoo's Nest," as the con man leads the put-upon inmates of the "asylum" in a well-coordinated rebellion against their oppressors.

The chief attraction of "The Wendell Baker Story" is the opportunity it affords us of seeing the Wilson brothers appearing together in the same movie - and what a treat it turns out to be. Luke has written a script filled with the kind of dry, wry wit that has been the hallmark of both of their performances over the years, and their scenes together crackle with understated cynicism and humor (Luke co-directed the feature with yet another brother, Andrew, making this a family affair in the fullest sense of the term). The movie is also blessed with an amazing team of supporting players, including Harry Dean Stanton and Seymour Cassel as spry oldsters who find a supportive helpmate in Wendell Baker; Kris Kristofferson as a mysterious, stoic resident who is harboring a carefully guarded secret about his past; Will Ferrell as the grocery store owner who is Wendell's chief rival for his now ex-girlfriend's affections; and Eddie Griffin who serves as chief henchman for the home's scalawag of a director.

Their performances and the laidback tone of the humor compensate for the occasional dry spots and the fact that the movie itself doesn't really add up to all that much when all is said and done.