Guerreiros da Noite

I saw the movie on its North American premiere (July 14, 2004) at the Fantasia Festival. I was slightly disappointed as I had been expecting a more epic, ensemble cast movie along the lines of Musa the Warrior. Instead, the movie concentrated only a much smaller number of characters. Still, the movie was solid, thoughtful and visually intriguing. There were slightly jarring tone shifts from the dominant thoughtful and realistic tone of confused loyalties, intrigue and blood, versus the lighter, more flamboyant, martial arts sequences. It almost seemed as though the filmmakers couldn't make up their minds about whether the movie was supposed to be a martial arts "flick" or a historical epic. The story touches nicely on the issue about the need for loyalty versus the need to adapt to new situations. Is it really worth your life and those of your friends to be loyal to one's master or does there come a time when one must submit to the winds of change? Is there perhaps greater courage in leaving the old ways for new ones? How does one decide? These questions are raised in this movie, and ironically, there is the suggestion that the answer given, may in fact be the wrong one!

Nice movie. At the begining, i thought it's a medieve detective kind hi-fi movie, but the ending totally surprised me. I guess, the whole movie covers too many subjects, each of them can be the main subject,e.g. avenge, friendship, and dream. But it mixed all of them without focusing on any of them. I think, it'd be a great movie if it's built around the ending from the very begining.

Although I reckon it is not just about revenge. There are a lot of topics, like love and honor to name a few others. Unfortunately they get a bit muddled as a different reviewer has pointed out too by all the flashbacks, which may further the story a bit, but also seem to stop the track of the current developments to say the least.

Having said all that, Korean period pieces are generally at least good in my book. But this never reaches the heights of Musa or Bichunmoo - though I do have to rewatch the latter some day! I have not read the comics/graphic novel this is based on, so I can't talk about differences and similarities. I can say that it is very well made when it comes to action and stunt scenes.

The ending is a bit weird to say the least, but I love that certain things are not spoken out - rather acted out mostly in facial gestures and small glimpses of understanding ... not the best of the bunch, but a solid effort nonetheless for sure.

Amazing scenes. Great colors. As a fan of Asian movies I accept this one as a promise for more great ones. I can't say this is masterpiece because I am not into the Korean cinema - i saw only two or three movies , but hey don't forget Kim Ki Dook movies - so they are more than 3 :-) Anyway - Im not sure that I understand the final. But I got the idea - the friendship has not a time for existence. This is something that may have or may have not. I give 5 of 10, because of the idea, the costumes, the atmosphere. Although there is too much blood - I say bloodbath. The beginning was promising - I thought that it would be a medieval crime movie - because of the mysterious murders , but the point of the movie was not that kind. It is too deep to consider. May be I'm kind a disappointed because of the end: just like the "Spirited Away" - manga movie... But that does not mean the movie is not great.

When I was young, I'd get up early every Saturday morning not to watch cartoons but to turn on the local channel for what was called 'Kung Fu Theatre.' It wasn't as if these films were works of art. It wasn't as if these films all came from China, Japan, Korea, or any country in particular; if the story had to do with fighting – be it swordplay or fisticuffs – and if the fighting didn't resemble much of anything going on in any American gym class, then that was good enough. It wasn't as if they were really even very good. They were just great action flicks with incredibly over-dramatic music where the hero reaped his vengeance over a whole host of bad guys, and then the credits would roll.

"Sword in the Moon" is much like these films of my youth, arguably a bit of a thematic throwback given a welcome twist by muddying the characters up enough that it becomes increasingly difficult to tell the bad guys from the good.

Yun (Cho Jae Hyun) is known throughout the kingdom as 'the human butcher.' He kills quickly and mercilessly on behalf of the Chun Dynasty, the chief bodyguard of an Emperor who spared his life and the life of his men in exchange for his service. However, an equally merciless rebel and his lovely sidekick appear in the countryside and start murdering imperial ministers, and Yun agrees to find these rebels and kill them. His task becomes one of personal discovery when he learns that the two rebels are Choi (a friend from his past) and his former love, Shi Yeong.

Sadly, "Sword" doesn't have much to distinguish itself from other action films. Some stunning cinematography is nearly entirely wasted on shoddy editing with portions of the film put together so loosely its hard to believe that what inevitably made it to the film was what anyone intended. While the atmosphere and story tend to gravitate toward a dark mood, the tone is almost sacrificed to the never-ending parade of flashbacks as each of the main characters is given a healthy story arc. What should've been a quick and easy action film gets weighed down by far too much personal baggage, and the film suffers as a result.

I've read that this film marks Korea's first real foray into the world of art-house action pieces along the likes of "Crouching Tiger, Hidden Dragon." Next time, I'd strongly suggest that the producers stick with a little more 'martial' and a little less 'art.'