AVALIAÇÃO DA IMDb
4,4/10
86 mil
SUA AVALIAÇÃO
Em um mundo futurista, uma bela hematófaga infectada com um vírus, que lhe dá poderes sobre-humanos, precisa proteger um menino que provavelmente possui antígenos para destruir todos os hema... Ler tudoEm um mundo futurista, uma bela hematófaga infectada com um vírus, que lhe dá poderes sobre-humanos, precisa proteger um menino que provavelmente possui antígenos para destruir todos os hematófagos.Em um mundo futurista, uma bela hematófaga infectada com um vírus, que lhe dá poderes sobre-humanos, precisa proteger um menino que provavelmente possui antígenos para destruir todos os hematófagos.
- Prêmios
- 1 vitória e 2 indicações no total
David E. Collier
- BF-1
- (as David Collier)
Ricardo Mamood-Vega
- Violet's Husband
- (as Ricardo Mamood)
Avaliações em destaque
In the future research into a rare blood anomaly has gotten out of control, making it more infectious and deadly than nature ever did. It spreads. The world become split between the uninfected humans and those infected who have developed the traits of the vampires of old. Known as Hemophages, they fight back in a war led by Daxus as head of the new totalitarian world. In the middle of this war is Violet, a Hemophage whose infection lost her child. Violet steals a secret weapon from Daxus to return to her people. However when the weapon turns out to be a human child with a mutation in his blood Violet hesitates. She goes on the run with the child but both sides seem determined to kill her and her ward.
This film got roundly harsh reviews when it came out in cinemas and it maintains an equally low rating on IMDb but, arrogant as I am, I thought it might be a piece of mindless fun. Well, I'm sad to say that my hope proved to have no founding in reality. It isn't that the film is really bad, because it isn't. It is more than it doesn't really follow through on anything or do anything that well and the result is a rather messy and inconsequential film that I really struggled to feel anything strong about whatsoever not a sense of fun, excitement, interesting or even hate.
The plot is the first obstacle to get over as it exists in a world that, as Violet first says, is hard to understand. On the surface it is a typical totalitarian state with disease and war at its core and thus surely would offer some potential for commentary on our modern society (OK maybe not V for Vendetta but perhaps something). Sadly no, nothing like that is to be found and instead the world is one of assumptions and half-baked ideas from other sources. This is a minor problem compared to my main issue with it though. Others have picked holes in the specifics but for me it all falls over because it simply takes itself too seriously. On one hand it is a comic book movie with excessive action and loads of (rather obvious) CGI but on the other we get loads of heavy moments that just clunk their way across the screen.
It could have gone either way and have been better for it. It could have been more fun and a bit less full of itself embracing the comic book style and making the CGI look part of the "unreal" effect rather than leaving them to stand out by looking a bit cheap, like they couldn't match everything else due to budget constraints. Conversely it could have gone more adult, properly explored the maternal theme and developed the characters beyond the one dimensional but then I guess that would have risked the teen action crowd. However by trying to do neither and both at the same time the end result is a bit messy. I could go on but I'll leave others to tell you about the clunky script, roundly flat acting and disjointed story but suffice to say they are correct nothing is really done well here.
Even the action, which surprised me. Some scenes offer excitement but mostly they are all overdone and full of too many baddies and an inability to keep the camera still for longer than a second to let us enjoy what we are seeing or feel close to it. The one scene I did think was well done was the conclusion; not brilliant because it still suffered from excess but the darkness and the 1-on-1 (as opposed to 700-on-1) did at least make me get into it a bit. Jovovich has a good body and is not a "bad" actress here but really she does offer little more than the basics. Any vague attempt she does make to find the person in her character is either misjudged or ignored and all we are left with is the sight of her in tight clothes killing people while looking sexy; perfect for the teenage boy market but those days are a decade or so behind me and I just felt bored. Bright is dull while I can only assume that Fichtner hoped for a franchise and took a role that would potentially give him an expansion potential in later films (yeah William, drop me a line and let me know how that's working out for ya). Chinlund at least has the good taste to furiously ham it up; maybe it is because he is a ham or maybe it was a decision but either way at least he has a bit of fun and his character never gets sucked into being dry and serious like the rest of the film (he's still not great though).
Overall, not as bad as some would have you believe but certainly no earthly good either. The approach is mixed and mostly fails to inspire, excite, engage or even interest. I would have liked to see it try to do something in particular be silly, be clever, be childish, be adult something. Hell, I might even have liked it if it had been such a shambles that it became fun to mock. As it is though it is just totally mediocre, boring, flat and uninspiring. Even teenage boys deserve better.
This film got roundly harsh reviews when it came out in cinemas and it maintains an equally low rating on IMDb but, arrogant as I am, I thought it might be a piece of mindless fun. Well, I'm sad to say that my hope proved to have no founding in reality. It isn't that the film is really bad, because it isn't. It is more than it doesn't really follow through on anything or do anything that well and the result is a rather messy and inconsequential film that I really struggled to feel anything strong about whatsoever not a sense of fun, excitement, interesting or even hate.
The plot is the first obstacle to get over as it exists in a world that, as Violet first says, is hard to understand. On the surface it is a typical totalitarian state with disease and war at its core and thus surely would offer some potential for commentary on our modern society (OK maybe not V for Vendetta but perhaps something). Sadly no, nothing like that is to be found and instead the world is one of assumptions and half-baked ideas from other sources. This is a minor problem compared to my main issue with it though. Others have picked holes in the specifics but for me it all falls over because it simply takes itself too seriously. On one hand it is a comic book movie with excessive action and loads of (rather obvious) CGI but on the other we get loads of heavy moments that just clunk their way across the screen.
It could have gone either way and have been better for it. It could have been more fun and a bit less full of itself embracing the comic book style and making the CGI look part of the "unreal" effect rather than leaving them to stand out by looking a bit cheap, like they couldn't match everything else due to budget constraints. Conversely it could have gone more adult, properly explored the maternal theme and developed the characters beyond the one dimensional but then I guess that would have risked the teen action crowd. However by trying to do neither and both at the same time the end result is a bit messy. I could go on but I'll leave others to tell you about the clunky script, roundly flat acting and disjointed story but suffice to say they are correct nothing is really done well here.
Even the action, which surprised me. Some scenes offer excitement but mostly they are all overdone and full of too many baddies and an inability to keep the camera still for longer than a second to let us enjoy what we are seeing or feel close to it. The one scene I did think was well done was the conclusion; not brilliant because it still suffered from excess but the darkness and the 1-on-1 (as opposed to 700-on-1) did at least make me get into it a bit. Jovovich has a good body and is not a "bad" actress here but really she does offer little more than the basics. Any vague attempt she does make to find the person in her character is either misjudged or ignored and all we are left with is the sight of her in tight clothes killing people while looking sexy; perfect for the teenage boy market but those days are a decade or so behind me and I just felt bored. Bright is dull while I can only assume that Fichtner hoped for a franchise and took a role that would potentially give him an expansion potential in later films (yeah William, drop me a line and let me know how that's working out for ya). Chinlund at least has the good taste to furiously ham it up; maybe it is because he is a ham or maybe it was a decision but either way at least he has a bit of fun and his character never gets sucked into being dry and serious like the rest of the film (he's still not great though).
Overall, not as bad as some would have you believe but certainly no earthly good either. The approach is mixed and mostly fails to inspire, excite, engage or even interest. I would have liked to see it try to do something in particular be silly, be clever, be childish, be adult something. Hell, I might even have liked it if it had been such a shambles that it became fun to mock. As it is though it is just totally mediocre, boring, flat and uninspiring. Even teenage boys deserve better.
It is a little difficult to imagine why this film was released in its current form. It has some potential, the action sequences look a little mundane as we have seen it all before but they are quick and effective. The story is quirky enough to be interesting and some of the backdrops look good.
The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.
It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.
The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.
It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.
Kurt Wimmer who wrote and directed Equilibrium, which imho is a great movie, failed miserably to repeat his former success. The idea's behind the movie had visible potential but unfortunately the execution was extremely poor. Bad acting, a confusing and altogether nonsensical story line, and most of all bad writing really killed this one for me. This movie seemed more like a commercial for CGI than anything else. The CGI however was excellent (except for the last scene, I guess they ran out of money)and probably the most interesting part of the movie. The action which is why I saw the movie suffered from repetition: from the characters, to the setups (Violet is being attacked when she is out-numbered), to the moves, unnecessary sword fighting when they have guns with bullets, unnecessarily repetitive situations (big circle everyone attacks at once and violet wins with ease no challenging battle), and a lack of depth. Kurt really missed the mark, better luck next time.
After having been given repeated warnings about how bad this film is, I went ahead and watched a borrowed copy. About thirty minutes into the film I had reached a decision: I was enjoying it. While certainly not Oscar-winning material, most people apparently were expecting some kind of cinematic masterpiece rather than what they got, an over-the-top comic book-like action set piece with a modicum of plot to tie together the action sequences.
The gunkata sequences, closer to Wimmer's original idea of the form, do not approach the stark and yet orgiastic death-art of Equilibrium, but they're fun all the same. The movie is full of neat, if improbable, gadgetry, from gravity manipulators to disposable paper cell phones. Nick Chinlund chews a satisfactory amount of scenery without stuffing himself down the viewer's throat. Milla Jovovich herself manages to use a two-dimensional role to display probably the most range I've ever seen her give outside of "The Messenger", and she was certainly much more attractive in this movie than in any of the others I've ever watched her in. All these things contribute to what amounted to a popcorn bowl of a film: not something you'd eat for every meal, but a nice snack for a change of pace when you don't want something too substantial.
The problem seems to be that most people can't just shut off their brains and enjoy a romp once in a while. Would this film ever seriously contend for Best Anything? No. But it certainly does not deserve the almost universal slagging it has gotten since its release. Ignore what you've heard, don't expect too much, and you might just find yourself being entertained for an hour and a half.
The gunkata sequences, closer to Wimmer's original idea of the form, do not approach the stark and yet orgiastic death-art of Equilibrium, but they're fun all the same. The movie is full of neat, if improbable, gadgetry, from gravity manipulators to disposable paper cell phones. Nick Chinlund chews a satisfactory amount of scenery without stuffing himself down the viewer's throat. Milla Jovovich herself manages to use a two-dimensional role to display probably the most range I've ever seen her give outside of "The Messenger", and she was certainly much more attractive in this movie than in any of the others I've ever watched her in. All these things contribute to what amounted to a popcorn bowl of a film: not something you'd eat for every meal, but a nice snack for a change of pace when you don't want something too substantial.
The problem seems to be that most people can't just shut off their brains and enjoy a romp once in a while. Would this film ever seriously contend for Best Anything? No. But it certainly does not deserve the almost universal slagging it has gotten since its release. Ignore what you've heard, don't expect too much, and you might just find yourself being entertained for an hour and a half.
Having watched the regular release version I was somewhat confused as to what was going on, though I was able to surmise the base elements of the plot, but when I saw the uncut version with the scenes left in, things made a lot more sense.
The plot seems a bit obscure at first; unless you're sharp, you're not going to be able to follow it. That is all I will say about that.
It's true the acting wasn't magnificent but I really don't know what everyone is complaining about. Plenty of action, yes, and Milla Jovovich looks great. I thought it was a pretty good watch myself, and I am in the minority there. I definitely don't think it's a waste of time, though it is a bit dark. It's now in my DVD collection, in fact.
Rent it, watch the uncut version. Though not my favourite movie of all time, I enjoyed it.
The plot seems a bit obscure at first; unless you're sharp, you're not going to be able to follow it. That is all I will say about that.
It's true the acting wasn't magnificent but I really don't know what everyone is complaining about. Plenty of action, yes, and Milla Jovovich looks great. I thought it was a pretty good watch myself, and I am in the minority there. I definitely don't think it's a waste of time, though it is a bit dark. It's now in my DVD collection, in fact.
Rent it, watch the uncut version. Though not my favourite movie of all time, I enjoyed it.
Você sabia?
- CuriosidadesMilla Jovovich has disowned the film, as she was disappointed on how it was handled by Sony, when the studio executives forced Kurt Wimmer to remove over 30 minutes of footage from the original cut. Kurt Wimmer has also disowned the final cut of the film, for not representing his original vision.
- Erros de gravaçãoWhen Six is hanging over the well, he knocks off his left shoe to check the depth of the well. After he is rescued, he and Violet walk through a door and he has his left shoe on.
- Cenas durante ou pós-créditosThe opening credits appear in a montage of "Ultraviolet" comic book covers.
The Screen Gems logo appears as a corner-box image on most of the covers, with each cover having a different style logo.
- Versões alternativasThere is an 'Unrated Extended Cut' available on DVD, this version runs to around 94 minutes and drastically improves the comprehensibility of the story. The major addition is of some voice-over exposition from Violet which mentions the affects of 'hemophagia' and more of her own personal story. There are also some alterations to combat scenes which were presumably edited for content.
- ConexõesFeatured in UV Protection: The Making of 'Ultraviolet' (2006)
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Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.535.812
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.064.880
- 5 de mar. de 2006
- Faturamento bruto mundial
- US$ 31.070.211
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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