Pecados Inocentes

This film is about a rich but dysfunctional family trying to hang on to each other, ultimately destroying everyone's happiness.

I saw this film only because Julianne Moore is in it. Moore is a fine actress who starred in a lot of high quality films. I was hoping "Savage Grace" would be as good as her other films, but I was disappointed.

I find the story slow and poorly developed. Mr & Mrs Baekeland's poor relationship is satisfactorily portrayed, but from this point onwards the film goes downhill. Things happen without buildup and are poorly explained. The final ending is simply ridiculous, as the unexpected twist on Tony's mental state feels very contrived and unconvincing.

"Savage Grace" could have been a thought provoking and engaging drama. Instead, it fails to be engaging, and the characters not sympathetic. In my opinion, the story unfolds provocatively just for the sake of being provocative.

Story of Barbara Daly Baekeland, who married the heir to the Bakelite fortune. We watch as the relationship with her husband slides, the relationship with her son (who narrates) goes weird and everything collides in tragedy.

This is a dark little movie. Almost from the first frames the whole world seems wrong and off. The interaction between Barbara and her husband now that they have a son is at best awkward, at worst strained. Its clear from the start that Mom is paying way too much attention to her baby. Its unnerving. Whats also clear up front is that no one is "normal". Everyone is clearly in their own little damaged world (Dad travels, mom is isolated and the kid just tries to cope with all of the weirdness). As a means to an effect, namely making the audience feeling uneasy, it works in spades. As a means of making a film that is something that we can either relate to or want to watch for any reason other than it intrigues our baser instincts its not really the way to go. Forgive me, but I don't know why I was watching this, I mean let me put it simply, these people are nuts. These are rich people who are just strange.

Its doesn't help that the performances seem very mannered. All of the actors are very good but I felt as though I was watching a very very British mannered drama.The characters seem to be more a collection of ticks and manners then anything else. Yes I understand that everyone is wrapped up in themselves; behavior thats so guarded that each act (especially sex)seems to be for some ulterior reason, and that any unmannered act is one of self revelation, but at the same time it kept me distant. I never cared about anyone or anything, I only wanted to see how twisted this all got(And it gets pretty funky).

Is it any good? Yea, he says begrudgingly. The performances are good, especially Juliane Moore, the film is extremely well crafted and as much as I bitch, it does hold your attention in the same way that a bloody car wreck does (you keep watching to see how bad it gets because you know it has nothing to do with you). I wish it was just slightly better than it is, I wish there was some sign of what life was before the baby came along, I mean why did her husband marry her, I have no clue, nor do I know why he bothered to stay married to her as long as he did. I also wish this was about real people, instead of "martians", I mean most of the characters outside of the central ones seem reasonably normal, I cared more about them then the ones the film was about.

Is it worth seeing? I don't know if I would go out of my way to see it. Frankly the chance to see this kind of fell into my lap so I took it, especially since a friend had asked about the film at the instant the chance to see the film arrived. Would I have wanted to pay for it? In the end no, I want to get some thing else from the film then just feeling dirty.

The movie based on the true story of Barbara Brooks is one the most disturbing movies I have ever watched.There are scenes after watching which you may say," OMG,is that possible"?But yet, the movie holds your attention till the very end.The experience although not pleasant is not bad.I don't say it is one of those classic ones which it surely could have been, had it not been that raw.Yet it scores.The reason being some fine acting shows especially by Julianne Moore and brilliant camera work, as well as use of color.The bleak storyline,some disturbingly torrid scenes,unusual theme and touch of reality make the movie alive.If you have rented this,I would suggest you to spend one and half hour with it and a few more with the thoughts of it.Thoughts however might disturb you though.

When I was growing up, my mother could be a little over involved in my life but she's got nothing on Barbara Baekeland (Julianne Moore). SAVAGE GRACE tells Barbara's story and that of her incalculable influence on the direction of her very tight family. Together, Barbara, Brooks (Stephen Dillane) and Tony (Barney Clark as a boy, Eddie Redmayne as an adult), exist in a tiny bubble where they can be seen by and perform for the rest of the world but ultimately exist solely for each other. Rich beyond their own comprehension, the Baekeland's exude an air of arrogance and thrive on the act of acting. And even though, as the years pass on, the friends, acquaintances and passersby will have run far away, the Baekeland's still have us.

The Baekeland's come from money. Well, at least Brooks does. His father was the inventor of Bakelite, a popular plastic. Barbara, a former model and almost famous actress, married into the fortune and it suited her just fine to do nothing but be seen. With no real drama to occupy their time, the Baekeland's must create their own and they become experts in the craft. And like the entirely selfish parents they are, they teach their young son, Tony, everything they know. First time feature filmmaker and brave soul, Tom Kalin, tells their revolting yet tragic story in a manner that neither glorifies nor condemns their demented ways. All the while though, he centers his attention on Tony so that we never forget who the real victim is. This makes it all the more deplorable when Tony abandons reason to embrace his family heritage.

SAVAGE GRACE is not for all. Make no mistake, when I say that the Baekeland's ruin each other and bring about all of their own misfortune, I am not speaking lightly. This is a family that shares baths, beds and lovers. Kalin is mindful of his audience's likely discomfort but also never afraid to show that audience the dirty details. Besides, when all the debauchery becomes too much to handle, one can always look to Moore and bask in her brilliance. Moore is flippant one moment and affected the next. Her performance is so delicately balanced between calculated control and callous chaos that one never knows which way she'll turn and one is always shocked to find out. Both Dillane (who is practically unrecognizable) and Redmayne (who could so easily be related to Moore in reality with his pale, freckled skin) do more than simply hold their own. They complete the trio and it is a delight to watch them play off of each other, albeit a disturbing delight.

Kalin has not only crafted an engaging film but also a bizarre experience. If you can stomach this true story, then you will be treated to a frankness that is not common in American cinema. You will also get to spend time in dark places you may not be accustomed to. However, when you inevitably arrive safely on the other side, you will know the drastic differences in what it means to be fortunate.

Having seen quite a few films produced by Christine Vachon, I recognised a similar aesthetic in this film. Vachon's films often portray unconventional sexuality or other challenging social themes, but in a stylised way that is more accessible to wider audiences than grittier art-house films. This film would make a terrific companion piece to Christophe Honoré's Ma mère, as it tackles similarly challenging themes, though it is based on a true story and is much more digestible for audiences. The parallels between these stories are remarkable.

Julianne Moore is an actress I admire and takes top billing. Her performance was as good as usual, portraying Barbara Daly Baekeland, wife of the Bakelite heir. Eddie Redmayne's portrayal of her homosexual son was for me the stand-out performance. The film is set in various countries - the US, France, Spain and England - and the visuals are excellent. It takes a while to get a handle on where the film wants to take us, but it culminates in a chilling end. Worth seeing for the brave risks it takes and succeeds in delivering.

The Melbourne International Film Festival screening I attended was introduced by the director, Tom Kalin.