Em 1925, um jogador de futebol profissional empreendedor convence o herói do futebol universitário a jogar para seu time e impedir que a liga fracasse.Em 1925, um jogador de futebol profissional empreendedor convence o herói do futebol universitário a jogar para seu time e impedir que a liga fracasse.Em 1925, um jogador de futebol profissional empreendedor convence o herói do futebol universitário a jogar para seu time e impedir que a liga fracasse.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
- Princeton Reporter
- (as David DeVries)
- Princeton Reporter
- (as Craig Harper)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I was so excited when it was announced that this movie was being shown.
I settled in my seat ready to enjoy another great movie that George Clooney directs and acts in.
All during the film, I thought to myself "Is it just me, or is this movie going nowhere?". I was trying SO hard to like it.
Well, it wasn't just me. I was surprised to see about ¾ of the full house of people I saw it with feel the same way, even the hosting professor.
As discussed after the screening, it had Top-Notch Scenic Design, Sound Track (by Randy Newman), Editing, Acting (Renee Zellweger was fabulous), Directing, Costumes, and Cinematography. It did not have a good story, and that is what made it fail. The script was written in the 1980's by two sports writers. Clooney has been carrying it around with him for over 2 decades. I suspect that the script was pretty much left the script alone from its origin.
The concept of the story is great, but the writing was horrible. Maybe George Clooney thought that the concept and grandeur would "carry" the film? It was disappointing to see George Clooney in a movie that did not compliment him in anyway. He does do comedy well, as he did in "O Brother, Where Art Thou?". How can you act well with terrible material? George's Directing was great.
It's (loosely) about Pro Football in the 20's. The message is that the game was rough, poorly-regulated and messy! (No wonder Baseball was America's game!) College players fared better, with fervent fan support and well-tended fields of play -- but after College, great players packed it up and got real jobs (or switched to baseball, I guess). In this story, George Clooney hopes to boost the fortunes of his floundering Toledo Pro team by recruiting a college superstar (and reported war-hero), played by John Krasinski. Renée Z. is the ace reporter dispatched to get the goods on the football hero's military service record.
The film was reminiscent of the 1988 film '8 Men Out' in doing a great job of recreating the look and feel of that era. However, '8 Men Out' was based upon a real life incident and a fabulous book. 'Leatherheads' was a story one IMDb contributor says George Clooney carried around in his pocket for 20 years. So, I'd agree that the storytelling and comedy bits of the screenplay are lacking a bit. However, George does fine as a Director and Performer -- I don't buy that comedy isn't 'his thing' - he was sparkling in 'Oh Brother Where Art Thou' and 'Intolerable Cruelty' (ahhhhh, but those were Coen Brothers scripts, which showed what George could do with a real creative team behind him). Also, it looked like the cast had a hoot making this thing -- to be honest, if the DVD has lots of bloopers and special features, that alone might induce me to pick it up in 2009.
I quite enjoyed the film, but, then, I like period pieces, especially those about the Jazz Age (8 Men Out, Great Gatsby and the Sting are in my Top-20). Nice soundtrack by Randy Newman here, too. This was witty and pleasant to watch. And PG-13 comedies that are NOT about singles dating morons or kids with three dads, or sperm donors (the Previews at our matinée today) are in very short supply these days.
Might add that Renée was quite charming in the manner of a glamor girl of the Jazz Age, with soft blonde hair and strategic use of red lipstick to produce that perfect 'kissy' smile! Pete Gerety, a veteran character player, chips in with a nice spot as a new Football Commissioner. I recognized Gerety as the smooth-talking oil baron 'Lee Janus' in another Clooney project, Syriana.
7/10 - canuckteach
btw: The NFL really didn't get rolling as a major diversion until NFL Films made it a TV legacy in the late 60's. (In the 50's, it was viewed in crummy black and white with those ugly-duckling 4-poster goalposts).
Set in the 1920's, Jimmy and his football team are in the birth of football. The problem is that they don't win and their sponsors are fed up with their stunts and loosing streaks. So when they drop the football team, Jimmy looks for a job, but fails, but later he comes across college football star, Carter Rutherford. He offers Rutherford to join the team and the sponsors get back into play. Rutherford is also known war hero and reporter, Lexie Littleton is on the case to find out "the truth" that could possible damage Carter's career. But Jimmy is also attracted Lexie and may have to give up the only way to boost the football team's reputation again for Lexie's story.
Would I recommend Leatherheads? I would say that it's worth a matinée, it's a cute movie and has some fun laughs. I loved the scene with Jimmy and Carter who just punch each other in the face and beg not to hit anywhere else because it's their weak spot. Just I think the editing was a little off, some scenes I don't understand why they were not cut in half or were even needed. George Clooney wasn't looking to make a masterpiece, but I think he took this film in the wrong direction and it's not that impressive. It's a decent movie, worth the watch, but it's not something I would buy.
6/10
In terms of capturing the period, it does a great job – or at least it does a great job of continuing the nostalgic idea of the period. It does this with a cool jazz soundtrack, good costumes and the suggestion of the snappy dialogue that the screwball movies are known for. I say suggestion because of the places where the film doesn't have the zing that it needed is in the script. It does have its moments though and it is quite fun at times but mostly it feels like it is just falling short of where it should be. It has a couple of things that don't help this either. Firstly it is too long, maybe not for the plot (it doesn't "drag" per se) but certainly for the light tone. Secondly, the romance aspect of the plot doesn't really work, which is partly down to the casting of Zellweger.
Where Clooney fits the bill as a "too-cute by half" square-jawed matinée star, Zellweger cannot convincingly deliver her lines in a way that works. I think of Jennifer Jason Leigh in Hudsucker Proxy – she did an impression of an actress in a screwball comedy that was pretty good and looking at that shows up how ill-suited Zellweger is. I know people dislike her on principle but I am not one of them, I just thought she was pretty poor here. Krasinski is good in his role even if, to be frank, he didn't do anything that suggested he has more than the range of characterisation that he has already shown on The Office – and that should be of concern to his "people" since he will soon need to breakout of that show as it cannot run forever. The supporting cast has plenty of interesting and recognisable faces who do solid work.
Leatherheads is not a terrible comedy as some have suggested and it should not be criticised for being inconsequential or light. Sadly though it is not frothy, sparky or fun enough to be the film that it was clearly intended to be. OK there are specific issues with aspects of the plot and some (well, one) bit of casting but generally this bigger picture problem is what limits it to be an "OK" film but no better than that.
The movie follows the story of the Duluth Bulldogs, a professional American football team, and its most well-known player, Dodge Connelly. Luck is not always on the Bulldogs' side, as can be interpreted from the outcome of the first game you watch them play, but trickery and cheating is. Dodge becomes infamous for cheating almost every game and leading his team to victory because of it. It was okay then, though. There were no rules to American football early on, and cheating was what made the game interesting. That's one of the main themes of the movie.
After the introduction comes Lexie Littleton (played by Renée Zellweger), a quick-witted reporter for the Chicago Tribune who doesn't like her co-workers too much. After calling them "dimwitted" or something similar for the fortieth time, Lexie is assigned by her boss to a story on Carter "The Bullet" Rutherford (played by John Krasinski), a war hero with a more than embellished story. When she is promised the assistant editor's desk if she brings back some dirt on The Bullet and exposes his fake war story, Lexie sets out on quite the adventure, meeting Dodge and the rest of the Bulldogs along the way.
I know that all of this probably sounds generic to the average moviegoer, but it's actually a quite fresh and fun movie. With any other actor and actress at the forefront at the movie, it may have come off as generic and boring, but Clooney and Zellweger have enough chemistry and enough quirks to make the movie fun. There are also some absolutely classic lines and scenes. It's just a fun movie. Don't expect too much depth, because there really isn't any. This movie is more than enough to quench the thirst of any moviegoer who asks for nothing more than an hour and a half of simple humour and slapstick antics.
The historical accuracy is there. Some scenes are featured in a speakeasy, with a female African-American jazz singer performing. Basically everything you see is typical of the time period. Actually, anyone watching the movie might get a little shock when they hear that coffee is only 10 cents a cup at a diner Dodge stops at early on in the movie. However, on the other hand, some major plot areas are not at all historically accurate, especially relating to the football commissioner, since there was no football commissioner for the NFL until 1941. However, this is perhaps looking too deeply into a fun, casual movie.
The main criticism I have of this movie is that some of the scenes just go on too long, especially the punching scene which was featured in the previews. After they punch each other in the face for the tenth time and finish it off with a bad joke from The Bullet, you already are hoping that one of them will bash the other's skull in by accident or something just so that the scene can end. To offset that, however, there were some very quick and humorous scenes, like the scene in which Dodge first meets Lexie in the hotel and tries to hide his face by reading an issue of a women's magazine.
Overall, Leatherheads is worth it for the entertainment value. The story isn't fantastic, but the acting is enough to make up for it, even if you only pay attention to Dodge's witty exchanges with Lexie. If you don't go in expecting too much, you will leave satisfied, refreshed, and entertained, and that's really all the movie aimed for.
Você sabia?
- CuriosidadesFor this role, John Krasinski had to change his usual hairstyle. This hair change was worked into a story on his television show, The Office - Vida de Escritório (2005).
- Erros de gravaçãoIn the scene where they are leaving the commissioner's office, they get in an elevator and push a button to go to the ground floor. All elevators at that time had operators who controlled elevator movement. Push buttons did not come in to use until the 1950's.
- Citações
Carter Rutherford: Wait. Where were you two?
Jimmy 'Dodge' Connelly: Out.
Lexie Littleton: Nowhere.
Carter Rutherford: Did you *kiss* her?
Lexie Littleton: Now wait a minute.
Carter Rutherford: I want answers!
Jimmy 'Dodge' Connelly: Yeah, I kissed her! On the mouth, twice! And I liked it. A lot!
Carter Rutherford: Oh you did, did you?
Jimmy 'Dodge' Connelly: Yeah!
Lexie Littleton: Thanks.
Jimmy 'Dodge' Connelly: You're welcome.
- Cenas durante ou pós-créditosPhotographs showing the 'fates' of the main characters appear behind the credits.
- Trilhas sonorasTiger Rag
Written by Harry DeCosta (as Harry Da Costa), Henry Ragas (as H.W. Ragas), Nick LaRocca (as D.J. La Rocca), Larry Shields (as L. Shields), Tony Sbarbaro (as A. Sbarbaro), and Edwin B. Edwards (as E.B. Edwards)
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Leatherheads
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 58.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 31.373.938
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.682.595
- 6 de abr. de 2008
- Faturamento bruto mundial
- US$ 41.319.039
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1