Falsária

I almost knew nothing about the movie before I saw it (including that it was an adaption of an Oscar Wilde play), so I had no expectations at all. But I must say that I was pleasantly surprised!

It had a very good script with some fine dialogs. (Although I think the German synchronization didn't work out that well -I would like to see it again, in English). But let me tell you more what I thought about the movie:

The movie creates a superb atmosphere with it's grandiose costumes, the great scenery and really good cinematography. The story is quite simple and a bit predictable! But the actors are fun to watch at, especially Scarlett Johansson and Helen Hunt. They both really act well and look unbelievable!

I can only recommend this movie...

Interesting movie! Probably to the contrary of many other viewers, I went to see this partly because I was intrigued by one of the supporting cast - Mark Umbers, a young British actor who plays Mr Robert Windermere. However, I was pleasantly surprised by all the cast. Tom Wilkinson is, as ever, a joy to watch - it's certainly impressive how he can persuasively portray both fantastically nice characters such as Tuppy, and also villains like Lord Queensberry in "Wilde". Helen Hunt was surprisingly beautiful as Mrs Erlynne, and a mention should go out to Stephen Campbell-Moore too. The locations were superb, the 30s vibe worked gratifyingly well, and in general I feel it did the Wilde original justice beautifully. Definitely recommendable.

I must say I was very impressed with this little flick. I had minimal expectations upon entering our little preview screening.

Shot in a very safe & traditional manor, it features sets which pay incredible attention to detail. The characters, although slightly over-emphasized at times (which fitted the cinematic style), were believable and enough conflict was generated to keep you wandering how people were going to respond to the presented situations. And keep you just a little bit squeamish from time to time.

Quite amazing at certain parts... which worked fabulously in our setting, as our ages spanned from 18 to 90 years old, and everyone had a giggle from time to time.

If your a DOP or photography enthusiast, it also contains one of the most impressive focus pulls I've seen in a while, which certainly bought a smile to my face. :-) Also, the costumes are exquisite.

Well worth watching on a Sunday afternoon over a bottle of red.

I thought I would treat myself to two Scarlett Johansson films this morning and I am glad that I did. As lovely as she was in Lost in Translation, she was dazzling in A Good Woman.

This film requires that you invest your full attention or you will miss most of the really great gems:

"I like America. Name me another society that's gone from barbarism to decadence without bothering to create a civilization in between."

"You're so fond of gossip you don't give the truth a chance to put its pants on."

"Every man is born truthful and every man dies a liar."

"Crying is the refuge of plain women. Pretty women go shopping."

Oh, there were so many many more. That was what was so great about this film - aside from staring at Scarlett, of course. I have always liked Helen Hunt, and she played magnificently here. I remember her fondly from "Mad About You." The only other movie I have seen her in was "As Good as it Gets," but I will be looking for "Bobby" to see her again.

I won't go into the details of the story as that would spoil it for you, suffice it to say that it makes for a very interesting background to this film about love and morals. It is sweet, funny, tender, and imminently fun.

I almost didn't bother to see this, but I'm pleased that I did.

As noted by other comment writers, the strength of this film is the two fine performances of Helen Hunt and Tom Wilkinson, especially Wilkinson in the role of Tuppy.

The film suffers the usual foibles of a stage adaptation, with some scenes seeming very contrived, as the characters linger at bars and exchange witticisms. On the other hand the writer and director have made a serious effort to address this problem and succeed in parts, (Lady Windermere and Lord Darlington's stroll through the fish sellers is a memorable example).

I am not familiar with the original play and especially towards the end was quite swept along by the narrative tension, which again was a very pleasant surprise.

So in conclusion, a clever little story, some fine performances and a stack of Wilde's incisive aphorisms on the vagaries of the human condition. What's not too like? It deserves to be widely seen, so get out and see it before it's too late!