O Tempero da Vida

Here are some reasons why I profoundly enjoyed this film: I like movies where you get to know people - people you like, that you remember, that you keep with you. I also like it when the guy in the uniform is NOT the hero, but here it's even better - the guy in the uniform is wrong, but not quite all bad... I like when the Turks don't get all the blame. I like it when the Greeks don't get all the blame. I like spices and stars and complicated smells and honest, complex people and I like dreamers and slowly, carefully told tales about human people.

If they don't seem very good reasons, please consider that the whole is much, much more than the sum of the parts.

And by the way... I am proof you that you don't need to have any Greek ancestors to be moved by this movie.

This movie has become the biggest box office hit in Greece ever with more than one million tickets already sold. So the money spent were well spent. It is about the "Polis" (Constantinoupolis) the City. The polis, namely Istanbul, has its images, sounds, smells and of course its unbelievable cuizine. Greeks and Turks long for it and cannot live away from it. Cought in political turbulence, the Greeks of Istanbul are deported to mainland Greece bringing with them the art of cooking that awakens memories of a past long gone. A will for reconciliation prevails when the deported child returns to Istanbul many years later. It is worth watching for some delightful stage design and beautiful music as well as for turning on ones appetite. Some of the missed opportunities of this film include mediocre acting from some of the characters and the very few takes from Istanbul that should have been more.

Having strong bonds with the story behind this movie I have to say that it is one if not the best Greek movie I have watched in my life. It touches sensitively on subjects that by many can be considered wrong to talk about and presents them in the nicest way without diverting from the history. The political turmoil as well as the relationships of people living in Polis (Istanbul) are highlighted and the key figures although play minor role in the events that happen around them still steal the interest by presenting how simple yet "rich" in taste their life was. Coming from a family that was as well deported (using a modest word here for what really happened) from home lands, the movie touched me in so many ways. I think it deserves a 10/10 and is highly recommended.. not only for the Greeks that can relate to the story but for anyone who can appreciate a good story.

I saw this back at the 2005 Palm Springs International Film Festival and of the 14 films I saw then I ranked this as high as #5. I really enjoyed this film and so did the audience. Actor George Corraface was on hand to introduce the film. There is a beautiful artistic style to this film that immediately is as flavorful as it's title. Wonderful cinematography, staging and set design to this movie. A great story with interesting characters and some tasteful humor thrown in as well. This was Greece's biggest ever domestic box office feature and it's broad appeal transcended well to an American audience. You'll enjoy the entrée, main course and dessert of A Touch of Spice. I rate it an 8.0 of a scale of 10 and would highly recommend it.

I kept putting off seeing this film, because there was so much fuss about it, I was sure I was going to be disappointed. Well, I finally watched it last night and I was pleasantly surprised: This film is actually as good as most people say it is. At first glance it seems to be a film about food (which is not bad - hey, I love food), but turns out to be so much more. The reasons I liked it? Well, read on.

First of all, it is a way above average production for Greek film standards. Music, camera-work, photography, CGI, script,acting, everything is very well done. Some people complain about the CGI used, saying that it looks fake, that it looks more like a painting (mostly the shots of Istanbul), that it looks unrealistic. Well, they are probably right: it does look a bit unrealistic, but I think this is intentional. We see someone's memories and memories tend to be polished and larger than life.

Second, it is probably the only Greek film I've seen that, while dealing with a subject that only Greeks and Turks can really relate to, you don't have to be a Greek to enjoy it. It's easy on the eyes, it's touching, it's well written. And, amazingly, it deals with Greek-Turkish relationships without passing blame: it provides the facts but avoids passing judgment (this is actually very rare, as both Greeks and Turks tend to blame each other when these events are mentioned).

Finally, you end up feeling better (and hungry) after watching this film, which is reason enough to watch it. Highly recommended to everyone, I give this film 10 out of 10.