Odoru daisosasen the movie 2: Rainbow Bridge wo fuusa seyo!

'Bayside Shakedown 2' is something of an opposite to its predecessor. Its opening is action-packed and fun, but the meat of the film doesn't hold up quite as well. Once again the film is a successful blend of serious cop drama and comedy with the less serious parts evening out the more serious ones.

Over-all the film just isn't as intriguing as its predecessor. The plot-twist comes a tad too early at which point the viewers stop caring about the badguys who weren't all that interesting. Of the side-plots, the vampire one is my favorite but otherwise the setting of the film didn't impress me as much as the predecessor.

The film is not bad by any measure, however, and is ultimately recommendable. It simply didn't give the same feeling of fulfillment as the first one did.

I've watched Bayside Shakedown 1 a few years back, and enjoyed it thoroughly, so there isn't any reason not to catch the sequel when it's in town.

For those who do not know, this show is set in a small Tokyo police precinct, where cops actually perform routine community policing without arms, and the sexy investigative stuff are always handled by the Metropolitan police. This devision of course gives rise to the exploration of politics within the police force, some of which are not subtly put across in the movie - which provokes thought.

However, the movie doesn't come across as preachy or heavy, as it's always lightened by the (sometimes one dimensioned) characters, the light hearted moments, and camaraderie amongst them.

As always, the movie starts off with its regular catchy theme song interspersed with footage of current going-ons. With murder being the main anchor of investigations, other sub-investigations include the biter, the family of pickpockets and a secret lover of the commander of the precinct. Naturally, all the loose ends will be tied neatly when they all come together at one point in the show.

Amongst the politics discussed here is on women leadership, in the name of equal opportunity - could we be biased and blinded by policy to allow the inept to lead? Even though in my opinion, this is a Japanese movie, and the culture at times may be chauvanistic, it does provide some thought provoking moments during the show, or did the producers/writers cop out at the end of it all? For those who do not understand Japanese, no worries, there are good subtitles, and it doesn't matter if you have watched the first part, or the drama serial - the good looking cast (male and female) should be able to sustain you through this enjoyable flick.

The writer of most of the Bayside/Odoru movies and shows, Kimizuka loves to poke fun at the bumbling police chiefs as they scrape, and bow trying to please their superiors as they jockey for position in their desire to get ahead. In this movie, he goes even further pitting our heroes against a group of embittered men who were fired, and refuse to choose a leader, each acting independently as they carry out their crimes. This leads to Mashita questioning whether this approach gives the gang an advantage over the police's own military style hierarchy where everyone is supposed to follow orders.

Muroi, Aoshima's ally at HQ, makes an early mistake, and is replaced by a woman Okita as the new head of the investigation. In the heat of the moment, Okita implies that the Bayside petty crimes work are not important leaving Aoshima and Sumire outraged. Yukino gets kidnapped, leading our hero/heroine to ignore orders, and swing into action in an effort to save Yukino and the innocent bystanders.

Kimizuka has opened up a can of worms with all these different threads, and so his conclusion might not sit well with many viewers, but this movie probably has the most social commentary of any in the franchise.

I saw this because Zatoichi was standing room only, and I was influenced by the many trailers I'd seen for this where Oda Yuuji (who plays Aoshima) appears. He's rather good-looking, I think! Additionally, the setting is Odaiba, the man-made island in Tokyo connected by the Rainbow Bridge (hence the title), which I'd visited mere days ago.

Some people may have problems with this film due to it's refusal to stick to one genre - really, that's their problem. It covers drama, police mystery, comedy, and holds my attention doing so.

For those worried about following the plot, it's worth knowing that it's not too difficult at all as many of the jokes are visual. However, you may need to be able to switch between formal/informal Japanese to get the whole story. In any case, my monolingual (English language) father had few problems. If he can understand and enjoy it, anyone can! :)

I'm Japanese, and I really enjoyed this film. This is set in Tokyo, and the system works totally differently compared to all others around the world, so I wouldn't expect for any foreign countries to understand the concept of the film. Besides, it's originally in Japanese. What do you expect if the lines sound cheesy? The sense of humor between laguages are impossible to be translated directly and understood at the sametime, so you can't really tell if it's funny or not unless you watch it with real Japanese viewers. So if you're going to watch this film, don't think too much of the lines. Just go with the flow and enjoy what you see! That's how international films should be watched.