Machuca

Our film is shot in Santiago, Chile, and follows two schoolboys shortly before the 1973 military coup. Gonzalo Infante is the son of a wealthy, upper middle class family and goes to a good school. His parents are outraged that children from the poor shanty towns are being introduced to the school and encouraged to mix with their children. Among the shanty town dwellers is the young Pedro Machuca. He and Gonzalo form an increasing bond of friendship as they grow into adolescence. But the gulf between their backgrounds is a powerful one.

The film has been hailed as the most successful Chilean film ever. Made on an apparently tiny budget with help from the UK and Spain, it is anything but small budget in appearance (money from the industrialised European countries goes a long way in Chile!) The story is engaging throughout, and for the Westerner the glimpses into the political history are a window onto a different world.

As there are so many myths surrounding both Allende and Pinochet, I've added a short synopsis that might help as background (and with respect to Chilean scholars – I am no expert in the field – this sort of information can be gleaned from Amnesty International, recently released USA documents and scholarly sources.

Allende was popularly elected to implement an 'anti-imperialist' program of building socialism within a democratic and constitutional framework in November of 1970. Chile at this time was in the depths of an economic crisis and, like many Latin American countries, had had much of its natural wealth and even ability to manage its own affairs taken by foreign investors, legally and illegally. The lifestyle of the wealthy upper classes contrasted to the poverty of people in the shanty towns, but the educated elite held considerable power. Bent on creating economic chaos, opponents of the new government began deliberately to exacerbate these difficult conditions: the political set off a large exodus of capital, a cessation of private investment, and an extensive withdrawal of bank deposits. nationalizations of American and other foreign-owned companies had sharply increased tensions with the United States, which gave the Nixon administration sufficient excuse to orchestrate an international financial blockade, restricting economic credit to Chile. Simultaneously, C.I.A subsidies were flowing to right-wing media, politicians, and organizations, to assist a campaign of domestic destabilization.

Allende committed suicide in the final stages of the CIA-backed military coup led by Pinochet. The United States had ran covert actions in Chile between 1963 and 1973 leading to the ascension of General Pinochet. The US Government's official report of the operations said it epitomized CIA covert actions (worldwide). However brutal the Pinochet government, it was 'good' for US interests. Thus began 17 years of dictatorship which ended March 11, 1990. According to Amnesty International and the United Nations' Human Rights Committee, 250,000 Chileans had been detained for political reasons by the end of 1973. In 1990, having failed in his bid to gain popular ratification for his rule, Pinochet handed over the presidency to the rightfully- elected Patricio Aylwin Azocar. Chile now has a market economy and the political climate has since remained stable, although there is still considerable tension between the military and the government concerning human rights violations of the Pinochet era. Pinochet still retains a considerable group of supporters, both inside and outside the country and the myths and stereotypes he generated still haunt the political future of Latin America. Some still vividly remember the social anarchy (hyperinflation, expropriation, land invasions and violent confrontations) under the socialist policies of Allende. The more important reason, however, is Chile's economic performance. Without the direct and intentional destabilising influence, and with opponents or poor people simply exterminated, the economy improved. In the weeks that followed the coup, thousands of unionists, socialists, students and left-wing activists were raped, tortured, starved and murdered. extermination of thousands of civilians in South America, but the remaining elite were protected and international relations 'normalised'. As Gonzalo's father says in the film: 'Socialism is good for Chile ... it's just not good for us.'

This is an absolutely wonderful film that captures a very interesting period of history told as a coming-of-age tale from the perspective of three pubescent school children. Like "Diaros de Motocicleta", the recent film about a young Ernesto Guevara, this is NOT simply a political diatribe. It does not romanticize the Allende government or the difficulties (riots, shortages, etc.)that the country went through during his turbulent reign. It certainly doesn't paint the Pinochet coup in a very favorable light, but I don't see how you can make the overthrow of a democratically-elected government and the murder, torture, and disappearance of some 3,000 people look like a wonderful thing. The film portrays many Pinochet supporters either as rich and corrupt or as small-minded, reactionary bullies (which is not entirely inaccurate), but it certainly doesn't shy away from the dark side of the Allende revolution( Allende supporters are shown accosting middle-class Chileans in the street, Allende himself appears in actual TV footage of his notorious meeting with Soviet leader Leonid Breshnev). Really though it would be a shame if continuing political differences stop people from seeing this superb film which really transcends politics to capture the spirit of youth and a time that, as terrible as it was, will never be forgotten.

I live in Chile, where the movie happens. I have also followed Andres Wood in his career as a Director and I must say that this is his most mature, rounded and strong piece of work.

The Movie is centered in the social phenomena that happened in the last days before the Coup in 1973. Now the movie is incredibly accurate from the Costume Design, the Cars's License Plates, the expressions, the product brands and graffitis, to the social polarization, violence and killings. As remarkable as the Production is the honesty of the director, who could have easily fall into contaminating his movie with political propaganda, instead he kept delightfully accurate.

Even though for those who knows the history, the devastating feeling is all around, the movie centers in the social experiment led by a priest who was the principal of a high class school, who takes into the school some poor mestizo children.

Machuca is one of this children's who begins a friendship with a white rich children.

The story itself works as a metaphor for the innocence of the people in that time. innocence that was lost over and over.

This movie tells a tale on the eve of the darkest hour in Chileann history, where two boys of different social background become friends.

This is a very powerful film, especially for Chileanns and many Latin Americans that suffer the prejudice of classicism (the racism of Latin America) and their ideals being beaten away from them.

You will notice many resentments and insults on this message board as the film gets more exposure due to the fact that some people still live in the past.

I hope this film brings everybody together and shows that no matter what race, religion, sexual orientation or social class, children do not discriminate, everybody feels the same emotions.

Hate is learned by the actions of role models.

This film reaches back and looks at history in a very intimate and personal way. Its young protagonist is shown, growing up, not quite understanding what is happening around him. His own life is the middle of a crisis, and suddenly he is in the middle of his own country's political storm. Gonzalo is one of the lucky ones, a young man who escaped the horrors while he learned how to become a better human being.

Andres Wood's direction is assured and gentle. He shows his love of his country, its main characters, his own history (there are strong hints at this being at least auto-biographical). His film is beautifully scored and photographed; in addition to having one of the best performances ever by a group of children. The movie moves along quietly, touching us, teaching us, and taking us along in an unforgettable study of humanity at its worst and its best.