Left for Dead

Lets get one thing straight from the get go, this is a Martial Arts action film, so the plot is not all that important, however work should of been done on this aspect of the film, as it is lacking even considering the genre. But that said the action is what people will be most interested in. It is a mixed bag of fighting action. Some sections here and there are well done and its obvious there is a lot of talent in the film, however here come the faults…. The speed of the fights can be slow and lack energy, in part due to the performers and also the director. When a fight is shot in a certain way allowing you to see more of the action akin to Hong Kong style, camera speed is very important as it is easier to see the pace with longer cuts and wider angles. Quite a lot of the fighting falls into the 'pitter patter' form. There is not a lot of contact made and some people seem afraid to hit each other. This is a fight scene, not a toy fight and there is a distinct difference. There are quite a few misses in the fights when air can be seen, this is a kindergarten error, it also takes any viewer away from the sub-reality films create and an illusion is broken. Also two actors playing main parts are just painfully bad at fighting. One of them also looks some what similar to a hamster!

I know this may seem like a harsh review, but its true and I think its important not to sugar coat things to much, so giving the film makers a chance to improve.(well maybe not the hamster comment.

LFD is the most unwittingly hilarious film I have seen for ages.

The painfully long opening scene is a dialogue-free killing spree peppered with pantomime deaths and schoolboy-like 'Aieee!' shrieks of terror.

An inexplicable (bad) fake-American narrator intones low voiced nonsense by way of introduction to 'the streets' (or a Brighton industrial estate to be precise).

Some of the overly-serious hard man facial expressions make Eastenders Mitchell twins look like Pacino in Taxi Driver.

The laughs just keep coming. A scene where two henchmen receive a stern ticking off by the yellow teethed grimacing boss reaches surreal heights of humour. In the background a man is chained to a fence and is being teased by a WWF looky-likey bloke pulling cartoon –character baddie faces and pointing at him threateningly. This goes on all through the overly long scene.

After our hero has been shot, he makes it back home to his flat where he fumbles in his bathroom cabinet, crashing amongst deodorant and other jars. The same shot of a blood stained hand, shaking and crashing (its owner out of shot) around the cabinet is seen twice within a couple of minutes. What was he thinking of ? This is no time for a shower.

Budget Jackie-Chan-meets-Bugsy Malone (without the songs) Worth a watch for the laughs alone.Heading for the so-bad-its-good genre.

This may be the worst movie I've ever seen, but I'm sure there's worse out there, that's why I gave it a two out of ten.

You can't blame the budget for how much this film sucks. The acting is horrible, I've seen movies on a smaller budget with better acting. The fighting sequences are lazy and the story is non existent. The first 20 minutes of this film is fighting, for absolutely no reason. There are a lot of sequences that just don't' make sense visually as you watch it, they are so absurd and badly choreographed most of you could do better yourselves. There is no plot for about 1/2 of the movie. You can't even play the artistic freedom card in this abomination of a film. I like bad movies too... but this one is hard to laugh at, it just angers you cause you know you could do better with $16,000.

Final Thought: Don't watch this for action, don't watch it for acting, don't watch it for creativity, only watch it cause it overall worse than any movie you've ever seen.

It's funny how you sometimes come across films and how the first time you see a film can colour your perception of it forever. My first viewing of Left for Dead was of a screener copy sent to me for possible inclusion into a film festival I was running at the time.

Unfortunately things didn't bode well at first and the disc kept freezing up in my DVD player, but I persisted and I'm really glad I did as Left for Dead is a lot of fun.

This fast paced British martial arts flick (yes, you don't hear that said every day!) unfolds in the fictional city of Hope (ironic name me thinks!), which is ruled over by the iron fist of Kincaid, a mobster with a touch of class, played by Adam Chapman. His minions are highly trained warriors and no one dares to cross him, until one of his own enforcers (Williams) discovers he was set up by the boss and sets out to settle the bad guy's hash. Williams (a convincing Glen Salvage) is assisted by Kelso (a prize fighter with a personal grudge against the mob), and together they take on Kincaid and his not so merry men.

Shot over a period of 18 months in Brighton and Eastborne, (of all places), this Brit-flick demonstrates that it's not just Hong Kong and the US that can pull off action films. However, its main failing is its toilet tissue flimsy plot, which is simply used to string together oodles of ultra-violent fight scenes, some of which are admittedly well executed and exciting to watch. Director, Ross Boyask is to be commended for his handling of these scenes, which really elevate LFD above many similar flicks.

My main problem with the film, and I'm sure it's makers would agree with me, is with its length - at 105 minutes it's 15 minutes too long and needs to be cut down. There are a few scenes which are unnecessary and could easily be dropped, in particular the introductory sequence and the bike 'chase', although admittedly these do look cool.

In summary then, a fun slice of over-the-top martial arts mayhem that keeps you watching (even if your DVD player is struggling!) because of its audacious set pieces and the level of enthusiasm on show. Oh, and yes I did screen it at my film festival in the end!

I've seen my fair share of high and low-budget martial-arts films. Hundreds in fact. Hell, I love them so much that I have written countless reviews and help moderate one of the biggest forums on the net: kung fu fandom. Left for Dead grabbed me from the get-go.

I finished Left for Dead only a few short hours ago and I had to share my thoughts on this UK indie gem. It wasn't what I expected; it turned out a lot better, in fact. I thought this was gonna be another USA type indie film which is usually a Hollywood action film with bad acting and lots of needless, badly performed drama between action scenes. But Modern Life? has surpassed my expectations and that of the industry. I love the fact that they created their own world inside the film, i.e. Hope City, Metro City. The comic book feel does wonders for the film, and they use the freedom of this sub-genre very well.

The pacing is really good too. There is nothing I hate more than drama bogging down a good action film. There are some pretty iffy wife flashbacks of Glenn Salvage, and that was as much as I could take! Believe me, the combined running time of the opening and ending fights far surpass that of most films in the genre.

I'm not sure whether the film was shot in sequence but you'll notice how the fights just keep getting more exciting by the minute! The choreography in the chaotic end fight was a lot better than the rest of the film…or was the best simply kept for last? I can already see myself returning to the end sequences on a regular basis. Of course, good fighting consists of more than having a few good moves, and I think Glenn Salvage and Andy Prior looked a lot more determined at the end, and the action seemed a bit tighter – it works out very well when it comes together. The over-the-top death scenes were a great touch, and fit into this twisted world very well. And who can look down on a film featuring not only guns and fists, but Japanese katanas too? Watch out for the brief fight between Glenn Salvage and a blond swordswoman, very impressive.

Granted a lot of the acting was horrible, but the dialogue was more than just filler. There is a speech Kincaid gives his henchmen Dylon and Taylor for instance, about the Nazis, and it works surprisingly well. Yes, the film has its fair share of rough spots in the dialogue and acting department, but you wouldn't believe how good it looks considering the budget and DV equipment origins.

Some trivia: I saw Andy Prior was reading Bey Logan's (UK author and martial artist) book Hong Kong Action Cinema in Glenn's apartment. Some influences might be Highlander (sword scraping on the roof), The Matrix and Kiss of the Dragon. But mostly the action is so energetic that I could care less about where the ideas came from.

At the very least this film is a guilty pleasure. A lot of its success lies in the fact that it doesn't try to be realistic. The creators' imaginations ran wild and in the end I have to applaud the cast and crew.