Kongekabale

This is an excellent film. Visually stunning and extremely well developed. It explores not only politic corruption, but also the ethos behind journalism and how they can sometimes be manipulated. Its characters are superbly well developed; they emotional arches are well defined and we immediately identify with the main character, who gives an excellent performance. The paralalism between Danish politicians and UK politician are unavoidable, and it definitely gets us all thinking what if this happened in the UK, who'd be who? For once, a Danish film that is not necessarily an endless weeping tragedy. It's a pleasure to watch, easy to follow and complex enough. Realistic and very interesting. It keeps you hooked from beginning to end, and I'm not Danish.

As with most Danish films of the last ten years the visual images are brilliant, the intrigue is impressive and the actors are very good.

But best of all is that the imagery of Kongkabale fits in well with the shady nature of politics suggested by the filmmakers. As a political thriller its right up there with The Contender, City Hall or All the Presidents Men (although you can't really argue against the shadiness in the final one). But Kongakabale reaches the real heights because it doesn't overplay corruption or evil and shows that no matter which side you might play for you will face ethical dilemmas.

The one criticism that one might have about this film is that one or two of the characters are perhaps overtly cynical but then even these few exceptions are definitely needed to take the story home.

This film is simply riveting from beginning to end. Right from the opening scene I found myself enthralled and could simply not take my eyes off the screen.

I remember many years ago seeing " All the president's men " which was about two journalists successful attempts to uncover the truth about the Watergate scandal.

This film is very much in the same genre and at least as good. It is clearly the best film I've seen this decade and I've seen some very good ones.

The main star , Anders W Bertelsen is one of my absolute favourite actors. He was supported some some of Denmarks best actors.

The script was excellent and the way the tension and uncertainty as to what was going to happen and what what going to be uncovered , was masterfully handled.

I found this film very useful for someone like me, who is not in politics, but is interested. It shows how spin distorts reality, but it also tells one that it is always possible to see through the smokescreen. It confirms the saying that goes: you can lie to everybody some of the time, to somebody all the time, but you cannot lie to everybody all the time. This goes not only for the realm of Danemark, but for every other country too. US Republican spin doctors are trying to get away with it (lie to everybody all the time). At some point it is going to stop working. What Kongekabale says is, that this not being a fairy tale, it will not be easy to see though and behind the lies.

I didn't expect a lot from this film... I just knew it was a Danish thriller about some political situation, and that it had gotten mostly positive reviews. Being somewhat unimpressed by Danish cinema, I didn't really give it much of a chance to grab me... yet it managed to do so. For at least the last two-thirds of this film, I was hanging by every single line spoken and every detail on screen. It's unusually well-made, not only for a Danish film. I'm impressed that this is Nikolaj Arcel's first movie as a director; he does a marvelous job. The film contains a very accurate and realistic portrayal of politics in a democratic country. As such, it's actually quite unnerving... the thought that something like what is shown in this film can actually take place. The very last line of the film holds more truth than the combined efforts of plenty of less intelligent writers. The plot is interesting. The pace is very good, you're never really bored. The visuals and cinematography are perfect, not too simple, but not flashy, either. The acting is top-notch in all cases. The dialog is well-written and equally well-delivered. The finale is one of the best pieces of storytelling on film I've seen for a while. Now, despite all these positive things I've written so far, this film does have some rather big flaws. First off, it's plot-driven, yet the story and concept would have done much better with a character-driven film. All characters are used as plot devices; they exist to drive the plot further, to tell the story, rather than to evoke emotions and be active parts of it. The character development is slim... actually, it's rather close to completely non-existent. We don't know or care about these people... and why should we? They are all paper-thin and clichéd. Everyone is completely driven by one thing, and one thing alone. The villain is the worst. Not one redeeming quality to him whatsoever. Not even the least bit credible. Something that hurts the high quality of this film is that we are practically introduced to the bad guys... there's no suspense on that front. So part of the film is just watching the main character discover what we already know. What's left for suspense is the viewers following the evidence being collected. Not saying that it isn't entertaining to watch... but it could most certainly have been better. As it is, the film is a well-done and accurate portrayal of modern-day politics with a very good plot, and in which the execution leaves some to be desired. I recommend it to fans of thrillers, particularly political ones. It lacks in nuance and slightly in suspense, but it is well-done and it has an important message. 8/10