AVALIAÇÃO DA IMDb
7,0/10
16 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.
- Prêmios
- 18 vitórias e 33 indicações no total
Kirron Kher
- Parminder 'Bobby' Prakash
- (as Kiron Kher)
Shenaz Treasury
- Shalini
- (as Shenaz Treasurywala)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
As in when Harry met Sally Bollywood style. And thank God Karan met Rhea because he was sure to have met something more like GONORRHEA or worse with the way he was girl hopping in this film (a trait that was clearly handed down to him by his dad).
Karan of course is played by the hilariously dashing Saif Ali Khan and Rhea is played by that class-act of an actress called Rani Mukherji. They meet aboard a plane heading to the USA from India and instantly sparks fly, but not the kind you're thinking of. They both irritate each other to the extent that they argue over the slightest things and everything becomes a debate or battle of the sexes. While in Amsterdam, in the heat of an argument, Karan kisses Rhea and when they arrive in NYC, she is soon to find out that they are going there to meet the same person, her college best-friend who happens to also be Karan's girlfriend. Karan gets the punishment he rightfully deserves and as years pass by he returns to India one day to find out that his mum, a wedding planner by profession is planning a wedding for none other than Rhea, whom he becomes reacquainted with. He realises during the course of her engagement and marriage that he is in love with her but can do nothing to stop it.
Oh and let me also add that there are cartoons included in between many scenes, hence the title Hum Tum with the cartoon characters on the cover. Hum Tum (You and I or Yours and Mine in Hindi) are Karan's characters from a column he does for India Times newspaper which is a big hit for him and in fact, the film starts off with him giving a speech at a press conference for a book about the cartoon characters which he has just written and is a best-seller. Abhishek Bachchan who appears briefly in the film seems to have carved out a niche for himself with these sort of silly, blink and you'll miss it cameo roles he loves to play (see his roles in Salaam Namaste, and Rakht) nowadays. But then again he's Jr. B so he can pretty much do whatever the heck he wants.
The premise of a philandering husband who deserts his wife and after 17 years he returns and she accepts him back is barbaric to say the least! Did the writer's expect the audience to side with or feel sorry for Karan's dad? That was a weak point within the film. Sob sub-plots like that (and I've seen many in a lot of Hindi films) make Hindustani men look bad.
The producers not only stole from the Hollywood classic When Harry Met Sally, for the cartoon characters, there was a scene in which they not only stole the "flying scene" from Titanic, they also stole the "My heart will go on" melody. Very shameless people, those folks at Yash Raj films! Anywho, I loved the music and backdrop for this film, Rani and Saif not only had great chemistry, they also acted well and in fact did double duty as playback singers for some songs in the film as well (Well done guys! you rock!), I however detracted a few points because the film was unnecessarily long. I detected up to 10 instances where the film could have ended and left to the audience to decide what would have happened next and let me just say that 10 endings is plenty too many!
Karan of course is played by the hilariously dashing Saif Ali Khan and Rhea is played by that class-act of an actress called Rani Mukherji. They meet aboard a plane heading to the USA from India and instantly sparks fly, but not the kind you're thinking of. They both irritate each other to the extent that they argue over the slightest things and everything becomes a debate or battle of the sexes. While in Amsterdam, in the heat of an argument, Karan kisses Rhea and when they arrive in NYC, she is soon to find out that they are going there to meet the same person, her college best-friend who happens to also be Karan's girlfriend. Karan gets the punishment he rightfully deserves and as years pass by he returns to India one day to find out that his mum, a wedding planner by profession is planning a wedding for none other than Rhea, whom he becomes reacquainted with. He realises during the course of her engagement and marriage that he is in love with her but can do nothing to stop it.
Oh and let me also add that there are cartoons included in between many scenes, hence the title Hum Tum with the cartoon characters on the cover. Hum Tum (You and I or Yours and Mine in Hindi) are Karan's characters from a column he does for India Times newspaper which is a big hit for him and in fact, the film starts off with him giving a speech at a press conference for a book about the cartoon characters which he has just written and is a best-seller. Abhishek Bachchan who appears briefly in the film seems to have carved out a niche for himself with these sort of silly, blink and you'll miss it cameo roles he loves to play (see his roles in Salaam Namaste, and Rakht) nowadays. But then again he's Jr. B so he can pretty much do whatever the heck he wants.
The premise of a philandering husband who deserts his wife and after 17 years he returns and she accepts him back is barbaric to say the least! Did the writer's expect the audience to side with or feel sorry for Karan's dad? That was a weak point within the film. Sob sub-plots like that (and I've seen many in a lot of Hindi films) make Hindustani men look bad.
The producers not only stole from the Hollywood classic When Harry Met Sally, for the cartoon characters, there was a scene in which they not only stole the "flying scene" from Titanic, they also stole the "My heart will go on" melody. Very shameless people, those folks at Yash Raj films! Anywho, I loved the music and backdrop for this film, Rani and Saif not only had great chemistry, they also acted well and in fact did double duty as playback singers for some songs in the film as well (Well done guys! you rock!), I however detracted a few points because the film was unnecessarily long. I detected up to 10 instances where the film could have ended and left to the audience to decide what would have happened next and let me just say that 10 endings is plenty too many!
on the surface, everyone's condemning it for its 'inspired' storyline. but then, even Shakespeare picked up stories from the common database. i am not comparing it to his work.. you could point a finger at its not so original storyline, but credit is due where it is due. the movie is refreshing in the treatment it gives the girl-guy thing. it incorporates a cartoon strip = animation smoothly. and, not only does the movie manage to stay restrained almost throughout without following the general "second half" drag, it also deals with more than just the "cover story" or theme.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
The writers have done a remarkably good job with the story. Taking an outline of "When Harry Met Sally" and weaving a whole new story (and mind you, likable) was really tough and they have succeeded. Saif has definitely matured as an actor and improved his comic timing. He, as Karan, is one of the big factors, who has contributed to the likability of this movie. The other factor is the female lead Rhea (played by Rani Mukherji), who adds to the fun as well as the sensitive side of the movie. Rishi Kapoor and Rati Agnihotri's (Arjun and Anju Kapoor of the movie) bit of tit-bit was not at all needed. However, the good part is, the director did a good job containing that sub-plot in its small shell and not interfering the main storyline. The main hindrance to the movie were not the songs (as one would typically expect from a Bollywood/IFI movie) but small snippets of animation. I felt that was really unimportant. A good recommendation on similar lines would be the Korean movie "My Sassy Girl" (Yeopgijeogin Geunyeo). However, unlike "My Sassy Girl" this film is a bit predictable (nothing compares to that huge twist of "My Sassy Girl" that ends the movie) and lacks heavily in subtleness of emotion. If you are new to Bollywood/IFI (Indian Film Industry), this might be a good place to star off with. The same applies to people who wish to introduce someone to Bollywood/IFI. Overall, this film is highly enjoyable. Highly Recommended.
Hum Tum literally means Me and You.
At a book review for the new little cartoon, Hum Tum, journalists ask Karan Kapoor (Saif Ali Khan)if his story is hidden in the story that he wrote. Someone asks him what his story is, and Karan agrees to tell them. He begins where he first met a girl named Riya (Rani Mukherjee) on a New York destined flight. They meet and on a long layaway in Amsterdam, they can agree on one thing. They loathe each other. Riya thinks that she will never see Karan again, but she is wrong. When she is to wed Sameer, she sees Karan again. Karan was the wedding planner's (Rati Agnihotri) son. They still loathe each other, but Karan starts feeling a pull towards her. They have a couple of other quirky meetings that may either end in love or misery for them both.
As the main story is going on, Karan's cartoons take life and basically form a subplot. Hum and Tum are, ironically, each of the cartoon characters' names. Hum is the boy, and Tum is the girl. At first, they aren't friends, and as Karan's story goes on, theirs goes on in a similar way. Will Hum and Tum ever get together and form the celebrated Hum Tum? Or will they also never ever fall in love?
This movie is a very cute, clean romance between two people. It is not one of the regular Bollywood formulas, there is no parental interventions, and it just shows that love may develop over time. The romance that develops between Riya and Karan is strong, that even after viewing the movie, the watcher feels that they have been given something different from regular romantic movies. I recommend this film highly for anyone who even thinks of watching a Bollywood movie. Yes, there are cartoons, but they in no way detract from the movie.
At a book review for the new little cartoon, Hum Tum, journalists ask Karan Kapoor (Saif Ali Khan)if his story is hidden in the story that he wrote. Someone asks him what his story is, and Karan agrees to tell them. He begins where he first met a girl named Riya (Rani Mukherjee) on a New York destined flight. They meet and on a long layaway in Amsterdam, they can agree on one thing. They loathe each other. Riya thinks that she will never see Karan again, but she is wrong. When she is to wed Sameer, she sees Karan again. Karan was the wedding planner's (Rati Agnihotri) son. They still loathe each other, but Karan starts feeling a pull towards her. They have a couple of other quirky meetings that may either end in love or misery for them both.
As the main story is going on, Karan's cartoons take life and basically form a subplot. Hum and Tum are, ironically, each of the cartoon characters' names. Hum is the boy, and Tum is the girl. At first, they aren't friends, and as Karan's story goes on, theirs goes on in a similar way. Will Hum and Tum ever get together and form the celebrated Hum Tum? Or will they also never ever fall in love?
This movie is a very cute, clean romance between two people. It is not one of the regular Bollywood formulas, there is no parental interventions, and it just shows that love may develop over time. The romance that develops between Riya and Karan is strong, that even after viewing the movie, the watcher feels that they have been given something different from regular romantic movies. I recommend this film highly for anyone who even thinks of watching a Bollywood movie. Yes, there are cartoons, but they in no way detract from the movie.
I enjoyed Hum Tum. To no one's surprise, Saif and Rani did a superb job. I don't think anyone has better comic timing than Saif. He's a natural actor. Rani has always worked really hard. Songs were great. I especially liked the Mere Dil Vich Hum Tum track and the title song. Like all other Yash Raj films, this movie has a very fresh feeling. I was rather delighted to see all the guest appearances. I was completely unaware of that. I really am not a fan of Rishi Kapoor. I don't know why, but I find him really irritating. He just doesn't seem that convincing to me. The cartoons got really irritating. It's weird, in the middle of a real-people movie, to all of a sudden start watching cartoon characters. Thankfully, the cartoons died down a bit in the second half. It's also a bit annoying how the film spans over nine years. Every half hour it says "3 years later," "1 year later," "4 years later." Being a Yash Raj film, my expectations for this movie were super-duper high, but I still liked it. It's a fun-filled romantic comedy.
Você sabia?
- CuriosidadesWhen Rishi Kapoor meets Kirron Kher, she says her nickname is Bobby. He says, "Why don't I call you Dimple?" The eponymous female lead in Bobby (1973), was played by Dimple Kapadia.
- Erros de gravaçãoDutch scenery, license plates etc. in Paris scenes (the whole Paris section is actually filmed in Amsterdam).
- Citações
Rhea Prakash: Say it.
Karan Kapoor: What?
Rhea Prakash: What you've never said to me before.
Karan Kapoor: That I love the kids and Tommy more than you?
- Versões alternativasThe brief scene showing Karan and Rhea in bed after spending the night together was deleted from some theatrical prints in India.
- ConexõesFeatured in 50th Filmfare Awards (2005)
- Trilhas sonorasLadki Kyon
Written by Prasoon Joshi
Composed by Jatin Pandit (as Jatin) - Lalit Pandit (as Lalit)
Performed by Shaan and Alka Yagnik
Courtesy of Saregama HMV
Principais escolhas
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- How long is Hum Tum?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Me and You
- Locações de filme
- Amsterdam, Países Baixos(Amsterdam)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 796.641
- Fim de semana de estreia nos EUA e Canadá
- US$ 275.882
- 30 de mai. de 2004
- Faturamento bruto mundial
- US$ 1.878.842
- Tempo de duração
- 2 h 23 min(143 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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