A Garota do Adeus de Neil Simon
Título original: The Goodbye Girl
AVALIAÇÃO DA IMDb
6,0/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe Goodbye Girl is a contemporary turn on Neil Simon's Academy Award-nominated classic film about a dumped-on divorcee and an aspiring actor who become unwilling roommates.The Goodbye Girl is a contemporary turn on Neil Simon's Academy Award-nominated classic film about a dumped-on divorcee and an aspiring actor who become unwilling roommates.The Goodbye Girl is a contemporary turn on Neil Simon's Academy Award-nominated classic film about a dumped-on divorcee and an aspiring actor who become unwilling roommates.
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Hallie Eisenberg
- Lucy McFadden
- (as Hallie Kate Eisenberg)
Dominic Colón
- Mugger
- (as Dominic Colon)
Wass Stevens
- Mugger
- (as Wass M. Stevens)
Avaliações em destaque
It is almost impossible to watch this movie, without comparing it to the 1970's movie. Jeff Daniels does a servicable job in this role, but to my eyes he seems miscast. He is just not desperate or manic enough in this part. Patricia Heaton is actually an upgrade over Marcia Mason in the female lead.
This is just an odd film to remake. The original was not exactly out of date. They did not make any big changes in this version, except very minor mentions of more current events. If you are bored, the source material this comes from is still pretty good. However if you really enjoy this movie, take the time to rent the 1977 version. I promise you will appreciate it being better.
This is just an odd film to remake. The original was not exactly out of date. They did not make any big changes in this version, except very minor mentions of more current events. If you are bored, the source material this comes from is still pretty good. However if you really enjoy this movie, take the time to rent the 1977 version. I promise you will appreciate it being better.
I loved the original. This remake was just painful. Try though he might Jeff Daniels could not carry off the roll of Elliot with any degree of charm, humor or frenetic energy that Richard Dreyfuss made work so well in the original. Matthew Perry MIGHT have been a better casting choice for Elliot, but it's hard to follow a classic.
And though Patricia Heaton is much easier on the eye than Marsha Mason ever was, she seemed to be phoning in her part as well. Marsha sold the part of a hopeless romantic who'd been dumped one too many times. Patricia seemed to be acting like it was one of her Albertson's commercials.
I really tried to cheer for this remake, but it just didn't hold a candle to the original.
And though Patricia Heaton is much easier on the eye than Marsha Mason ever was, she seemed to be phoning in her part as well. Marsha sold the part of a hopeless romantic who'd been dumped one too many times. Patricia seemed to be acting like it was one of her Albertson's commercials.
I really tried to cheer for this remake, but it just didn't hold a candle to the original.
Here is another example of a movie/show that was perfect or near perfect in its original incarnation, and low and behold, some unoriginal "genius" has to come up with the brilliant idea to ruin it. It's funny, my wife and I just watched the video of the original 2 weeks ago, before we knew this was coming out. It was my wife's first time seeing the movie, and she loved it. 10 minutes into this lifeless remake, and we knew it was a mistake.
First of all, you can NOT build upon or act against Richard Dreyfuss' original performance. Dreyfuss' Garfield was as near perfect a characterization as one could find. he was perfect and masterful. Daniels, while a fine actor, does not hold a candle in this role. The rest of the cast too appears to be sleep-walking through the lines. I'm sorry but, it just doesn't work. Patricia Heaton is obviously talented, and I love her on "Raymond" but she is out of her element here and it does not work. Hailey Eisenberg was cute to a point in the Pepsi commercials, but judging by her performance here, she shoulda hung 'em up afterwards. Blame can probably be placed justly on the directing, which is equally lifeless, and appears to not be capable of capturing the magic of the original.
The only saving grace is, it's on TV, so it's free. Watch if nothing else is on, but otherwise, forget it.
First of all, you can NOT build upon or act against Richard Dreyfuss' original performance. Dreyfuss' Garfield was as near perfect a characterization as one could find. he was perfect and masterful. Daniels, while a fine actor, does not hold a candle in this role. The rest of the cast too appears to be sleep-walking through the lines. I'm sorry but, it just doesn't work. Patricia Heaton is obviously talented, and I love her on "Raymond" but she is out of her element here and it does not work. Hailey Eisenberg was cute to a point in the Pepsi commercials, but judging by her performance here, she shoulda hung 'em up afterwards. Blame can probably be placed justly on the directing, which is equally lifeless, and appears to not be capable of capturing the magic of the original.
The only saving grace is, it's on TV, so it's free. Watch if nothing else is on, but otherwise, forget it.
What got me to watch this movie in the first place was seeing Patricia Heaton in something other than Everybody Loves Raymond and to see Jeff Daniels in something a little more serious than Dumb and Dumber.
I won't give away any of the plot, but I will say that the movie was entertaining. Although the speed at which emotions changed back and forth was a little too quick to be believable. Some people also might be turned off by the overly mature NYC 10 year old daughter who at times seems to be more of a sister then a daughter to Heaton's character.
It was a nice film to end the day with.
I won't give away any of the plot, but I will say that the movie was entertaining. Although the speed at which emotions changed back and forth was a little too quick to be believable. Some people also might be turned off by the overly mature NYC 10 year old daughter who at times seems to be more of a sister then a daughter to Heaton's character.
It was a nice film to end the day with.
I have both the 2004 and 1977 versions on my TiVo, and the former is a scene-for-scene remake of the latter. It's interesting to see the small changes in the scenes from the two movies. Like in the "morning after" breakfast scene where the 1977 Lucy's Bicentennial lunchbox (remember 1976? remember lunch boxes), is replaced in 2004 with today's over-sized book backpack. Also, the 1977 Lucy had a Habitrail (TM) for her hampster -- still available today, but alas, not in the 2004 set. Of course, political correctness is evident in the 2004 version -- the 3 black purse-snatchers in 1977 are replaced by 3 white purse snatchers in 2004. In more evidence of progress, the 2004 rooftop dinner has much more Christmas lights than the 1977 version. Similarly, the Subaru in the 1977 auto show scene gets 39 mpg, while the Toyota in the 2004 auto show gets 60 mpg.
The best thing I can say about the 2004 version is that Patricia Heaton looks better in the role though 10 years older than Marsha Mason at the time of shooting.
The best thing I can say about the 2004 version is that Patricia Heaton looks better in the role though 10 years older than Marsha Mason at the time of shooting.
Você sabia?
- CuriosidadesMarsha Mason, the original Paula, plays the mother of Patricia Heaton, the new Paula, on the TV show The Middle.
- ConexõesReferences Cantando na Chuva (1952)
- Trilhas sonorasLaughter In the Sunshine
Written by Patrick Woodland
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