A Casa dos Pássaros Mortos

I just watched the film at the Toronto international film festival (during the midnight madness screening), and I didn't know what to think going into the film.

So the plot goes like this. A bunch of civil war renegade/criminals rob some confederates for gold, and then venture to a hideout place (huge abandoned mansion) that was recommended by someone. But something is wrong with this place... something very wrong.

The movie is similar to the lines of an Evil Dead style horror film. People go into a house, something is wrong with the house. Many conventional elements happen within the film as well, and some interesting ideas come as well. There were some jumps, but unfortunately there could have been more, and it could have been more suspenseful with a bigger payoff.

The problem that I found with the film, was the character development. there was some substance with each character, but they didn't expand on much of it. They didn't expand too much of about the monster / villain the film either. It was kind of a let down. Defiently compared to another low budget horror film, that I just saw at the festival (Creep).

With such a low budget, the special effects were great. The film has a decent look to it and the music was fantastic. Overall, I had a good time, but if it was in a normal theater, it would be a huge let down. 6 out of 10.

With a film that deserved to play in theaters, horror fans will now have the pleasure of seeing what is truly a surprising film. Packed with great performances, a great hook, fantastic special effects, and a twist ending that will surely please the most jaded film buff, Dead Birds deserves a place in your DVD collection. Taking a well worn premise, Dead Birds fashions it as a period piece and deliberately builds slowly to maximize tension and frights. While not a monster fest, the director wisely and selectively trots out his beasts for the most dramatic impact. Henry Thomas gives an astounding performance and makes you question why we do not see more of him. Overall, an intriguing experience all the way to the final frames.

In the wonderfully bloodthirsty opening to Dead Birds, a gang of ruthless criminals hold up a bank, killing everyone inside and getting away with a fortune in Confederate gold. They travel to a deserted farmhouse, where they intend to spend the night, before travelling to Mexico to share their ill-gotten gains.

But, in the tradition of many a horror film, this particular house is home to some hideous demons, unleashed by the owner in a black-magic ritual gone wrong.

Director Alex Turner is content to take his time building the tension and setting the mood, and this is perhaps his undoing; by the time he is ready to unleash the demons and let the horror truly begin, the audience has had to sit through far too much chatter from the thieves and watch their aimless wandering around the spooky old house. A few effective shocks (using pretty good CGI FX) are thrown in to liven up the proceedings, but it just isn't enough – even a few more gory moments do little to improve matters.

After a promising start, I thought I had discovered a real treat. Alas, it turned out to be nothing more than a so-so affair.

I can't argue about this film for one reason. it only cost me One quid to buy. Now with one pound, you can end up buying films such as " the swamp thing" or the one with the giant tomatoes or any early Nicolas Cage film. However, Dead birds is not all that bad. Don't let the title put you off or the DVD case. Sure the title and cover art is cheap but the film itself is very polished.

The film is based in the American civil war era and I rather enjoyed that as there not to many films that focus on that era. The opening is dramatic but after the first ten minutes, the film's pace slows right down. You end up having to watch a bunch of outlaws wondering around a deserted house for half an hour with very little dialogue and character development. This can put many people off but during this part, The director creates a brilliant, spooky atmosphere that is helped with great music . The camera work doesn't contribute to the atmosphere as it lacks any creativity . But visual, the film looks great.

The huge drawback is that there wasn't to many scares. You watch these men ( and woman ) wonder around the house to only be let down by cheap jump out scares. the effects are mediocre at best. The acting is great all around but it all goes to waste. You watch them do nothing for the whole of the film until the last 15 minutes. The back story of house is told in about, 45 seconds which happens in a flashback.

I can't help but feel that this film could of been so much better. The atmosphere was spot on and the acting was good but the film doesn't really do any justice. It weren't the worst film ever but either was it the best. Would i watch again? most likely not. For me it was a just a miss.

Dead Birds is directed by Alex Turner and written by Simon Barrett. It stars Henry Thomas, Nicki Aycox, Isaiah Washington, Patrick Fugit, Michael Shannon, Mark Boone Junior, Harris Mann and Muse Watson. Music is scored by Peter Lopez and cinematography by Steve Yedlin.

1863 and it's the back end of the American Civil War, a group of Confederate deserters rob their own army's gold being delivered to the bank of Fairhope. Leaving a bloody trail in their wake, the group set off for Mexico but must stop for rest and recuperation at a deserted farm mansion over looking a long dead plantation. With a storm moving in and tempers among the thieves running high, it soon becomes evident that something otherworldly resides at the house and the surrounding area.

Dead Birds is a little cracker, a straight to video horror film that to my mind puts to shame some of the big budgeted piles of crap that get released to the multiplexes on a seemingly weekly basis. Of course, horror is very subjective, where along with comedy it forms a pair of genres guaranteed to produce films that will never ever please everyone. Falling into the haunted house sub-genre of horror, Dead Birds, in spite of its unique Civil War period setting, has been lambasted by many a horror fan for not being fresh, that it's a collage of other horror movies. There's some truth to that, but we could level that charge at 98% of horror movies anyway! But Dead Birds (crap title btw) does have a cult fan base, a fan base I'm very much proud to be part of.

Alex Turner, for his first feature length debut, has crafted a haunted house picture that positively pulses with dread, with its slow deliberate pacing and hushed conversational tones, the atmosphere crackles with unease. The opening credits are jet black and rise from the earth like spectral portents of death. Then after the fireworks of the robbery, things settle into a sort of ethereal rhythm. The gang make their way to their doom through a murky landscape until they reach what they don't know is their final destination; the plantation, a place that just reeks of death and disharmony.

The cornfield is long dead and home to a strange creature, the battered old scarecrow looks ripe for a fright and a dead bird on the floor is ominous. The house itself is a two story wooden type not used often in tales of this type. It looks moody, as does the servants quarters, there's also a creepy barn with its hayloft and a water well of course. These are genre staples for sure, but Turner gathers all the clichés and gives them a new lease of life in a new period setting. The secret is in the lighting, Turner and Yedlin (Brick/Looper) light from down low, giving off a wonderful eerie effect as the gang trudge around this place of misery. It may sound like an oxy-moronic statement, but this is one beautifully shot horror film.

Then there's the shocks, the boo-jump moments (sadly revealed in the trailer for those unfortunate to not see the film first), these are not frequent so as to make the film reliant on them, they are used sparingly and only to advance the plot as the plantation's history literally comes to life. The cast are on fine form (Thomas and Washington standing out), working well with a dynamic infused with greed, mistrust, jealousy and racism. Lopez's musical score blends foreboding rumbles with spine chilling shards of noise, while Turner slots in some oblique angles to further enhance the feeling of hopeless disorientation. It may cover familiar ground, that of a bunch of folk in a spooky house being bumped off one by one, with suspicions aroused, but Dead Birds is very much its own animal. Hee, literally. 8/10