AVALIAÇÃO DA IMDb
6,1/10
7,1 mil
SUA AVALIAÇÃO
A verdadeira história de um homem que se fez passar por o realizador Stanley Kubrick durante a produção do último filme, apesar de saber muito pouco sobre o seu trabalho e não se parecer nad... Ler tudoA verdadeira história de um homem que se fez passar por o realizador Stanley Kubrick durante a produção do último filme, apesar de saber muito pouco sobre o seu trabalho e não se parecer nada com ele.A verdadeira história de um homem que se fez passar por o realizador Stanley Kubrick durante a produção do último filme, apesar de saber muito pouco sobre o seu trabalho e não se parecer nada com ele.
- Prêmios
- 2 indicações no total
Avaliações em destaque
Allow me to preface this whole review by saying that the more familiar you are with the works of Stanley Kubrick, the more enjoyable this film will be for you.
If you are only slightly familiar with Kubrick, and are not interested in seeing a John Malkevich playing an impressively nuanced, yet unprogressing character (after seeing, one has to admit it was quite the feat), then your $10 is probably better spent elsewhere. However, if you are like me and get a kick out any work that can thread in a Kubrick allusion without making any excuses, this film might be right up your alley.
Within this film there is no great commentary, no grand message, and no prevailing plot. What it does contain is one compelling character, one twisted journey, and whole host of inside jokes which, if you are in on the bit, make this film worth every penny of the ticket price. A confidence man, Alan (Malkevich), grifts his way through every episode of this linear yet non-Aristelean film by pretending to be the reclusive film director, Stanley Kubrick. Every episode is structured around an allusion (which Alan never seems to get because it appears as though he has never actually seen a Kubrick movie) to one of Kubrick's greatest scenes.
I believe giving too much more else will ruin the ride for those that care to take it. And, oh my, what a weirdly wonderful ride it is.
If you are only slightly familiar with Kubrick, and are not interested in seeing a John Malkevich playing an impressively nuanced, yet unprogressing character (after seeing, one has to admit it was quite the feat), then your $10 is probably better spent elsewhere. However, if you are like me and get a kick out any work that can thread in a Kubrick allusion without making any excuses, this film might be right up your alley.
Within this film there is no great commentary, no grand message, and no prevailing plot. What it does contain is one compelling character, one twisted journey, and whole host of inside jokes which, if you are in on the bit, make this film worth every penny of the ticket price. A confidence man, Alan (Malkevich), grifts his way through every episode of this linear yet non-Aristelean film by pretending to be the reclusive film director, Stanley Kubrick. Every episode is structured around an allusion (which Alan never seems to get because it appears as though he has never actually seen a Kubrick movie) to one of Kubrick's greatest scenes.
I believe giving too much more else will ruin the ride for those that care to take it. And, oh my, what a weirdly wonderful ride it is.
Congrats to Tony Frewin who scripted this movie. Am I right in thinking the characterisation of Conway is based partially on a guy called Gary Ness who Malkovitch resembles? Presumably Tony didn't get the opportunity to interview Conway and wasn't able to write a precise portrayal of his character. It doesn't matter. Malkovitch is totally convincing in the role. The fact that Malkovitch and Kubrick look nothing like each other just adds to the deliciousness of the surreal situation. The manner in which the audience sees how Conway conned his victims was effective and convincing and often very funny. The special London vibe from that period came through strongly. The story is perfect for film adaptation and adds to the discussion of the power of celebrity in modern life. Its a great story for a scriptwriter to take on.
It's definitely a Kubrick-ish movie and that's hardly surprising as many of the Kubrick film family were involved. There's a particularly good scene where Conways Kubrick trick fails which is very satisfying and will please many a fan.
It's rare that I laugh out loud in the cinema but I was giggling away like a hyena. I also loved seeing well known and loved British character actors in cameo roles. Lets hope the team do more.Kubrick fans will be pleased.
It's definitely a Kubrick-ish movie and that's hardly surprising as many of the Kubrick film family were involved. There's a particularly good scene where Conways Kubrick trick fails which is very satisfying and will please many a fan.
It's rare that I laugh out loud in the cinema but I was giggling away like a hyena. I also loved seeing well known and loved British character actors in cameo roles. Lets hope the team do more.Kubrick fans will be pleased.
I have to say, after years of seeing Malkovich receive critical acclaim for acting roles in which he seemed to do little more than portray himself, I had pretty much written him off as another one of those American actors whose sole talent lay in having a charismatic persona. I gained renewed respect for him when I saw the priceless, "Being John Malkovich" - which, although not a film to challenge the former accusation, certainly showed that he had a sense of humour about himself and his established "persona". But with "Colour me Kubrick", he deserves full credit - both for allowing himself to appear absolutely ridiculous on film, and for a performance in which he truly transforms himself (multiple times) to portray the grotesque, yet strangely endearing character of Alan Conway. It's a fantastic performance that renews my belief in his skill as an actor. The film itself is cleverly written and well-executed, with excellent performances by all supporting characters. If it weren't for the many, hilarious sub-plots, involving Conway/Kubrick's hapless victims (all of whom, in some way, deserve what they get), the main plot - which is indeed a rather thin premise on which to base an entire film - would have grown tiresome quickly. As it is, the film probably couldn't have stood to be five minutes longer, and ended rather weakly. However, for what it was, it was very entertaining. As a small footnote: very surprising is the - totally uncharacteristic, and as a consequence, quite enjoyable - soundtrack work by Bryan Adams, usually known for his cheezy, lighter-waving, nausea-inducing rock-ballads. Since when does he make music like this?
Something of a labour of love, Colour Me Kubrick is a short biopic of con-man Alan Conway who successfully posed as Stanley Kubrick during the director's lifetime. Played by John Malkovich at his most enduringly camp, Conway charms the socks, money and underpants from a string of wealthy suckers and gay young men. A master of his game, he gets people to write large cheques to cover fictitious donations to charity dinners as readily as conning twenty quid off a rock band to buy them (and him) fags and alcohol.
Wildly exuberant and certainly colourful, the film is well directed and acted. Its main shortcoming are two fold. The plot, such as it is, comprises a series of extended sketches until Conway's eventual apprehension, which lends an air of repetitiveness. Secondly, although Malkovich's intensely colourful campness is a remarkable achievement, he stage centres in practically every scene and if you cannot fall completely in love with it, the effeminate preening eventually can look dated and rather irritating.
Colour Me Kubrick is a traditional camp comedy with lots of cross-references for film fans. If you enjoy the first five minutes you will love it, otherwise it may have you climbing the walls.
Wildly exuberant and certainly colourful, the film is well directed and acted. Its main shortcoming are two fold. The plot, such as it is, comprises a series of extended sketches until Conway's eventual apprehension, which lends an air of repetitiveness. Secondly, although Malkovich's intensely colourful campness is a remarkable achievement, he stage centres in practically every scene and if you cannot fall completely in love with it, the effeminate preening eventually can look dated and rather irritating.
Colour Me Kubrick is a traditional camp comedy with lots of cross-references for film fans. If you enjoy the first five minutes you will love it, otherwise it may have you climbing the walls.
A very smart movie, which deals with several very interesting subjects. John Malkovitch is really incredible in his role.
The movie points out the craziness of A. Conway. It especially points out the vanity of the "victims", so much so that sometimes, you feel rather sympathetic towards the con himself. Each of his victims finds in his/her meeting with "Stanley Kubrick" something that makes him/her feel good about themselves or something that will profit him/her. Very often, the only thing he gets out of all this is a lot of drink and money.
The different references to actual Kubrick films are rather intelligent.
Honestly, the first scene is really a kick.
A film that is to be seen by any Kubrick fan.
The movie points out the craziness of A. Conway. It especially points out the vanity of the "victims", so much so that sometimes, you feel rather sympathetic towards the con himself. Each of his victims finds in his/her meeting with "Stanley Kubrick" something that makes him/her feel good about themselves or something that will profit him/her. Very often, the only thing he gets out of all this is a lot of drink and money.
The different references to actual Kubrick films are rather intelligent.
Honestly, the first scene is really a kick.
A film that is to be seen by any Kubrick fan.
Você sabia?
- CuriosidadesJim Davidson met Alan Conway who pretended to be Stanley Kubrick. He even bought him dinner at a hotel in Devon, and was impressed that it took "lots" of takes to get the opening scene of Nascido para Matar (1987) right.
- Citações
Alan Conway: I'm only trying to escape myself. That's why I have to pretend to be someone else.
- Cenas durante ou pós-créditosEpilogue: "Alan Conway escaped prosecution. He returned to his flat in Harrow, where he died of a heart attack in December 1998. Stanley Kubrick died three months later."
- ConexõesFeatured in Comme au cinéma: Episode dated 13 December 2005 (2005)
- Trilhas sonorasI'm Not The Man You Think I Am
Performed by Bryan Adams
Written by Bryan Adams and Gretchen Peters
© Badams Music Limited (ASCAP) Admin. By Sony/ATV Tunes LLC
2004 Badman Ltd
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Color Me Kubrick?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Color Me Kubrick
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 71.190
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.201
- 25 de mar. de 2007
- Faturamento bruto mundial
- US$ 497.009
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente