O Crime Perfeito

I had not heard of this movie when me and my friend picked it up at Blockbuster. It was between this and Be Kind Rewind and fortunately we chose this movie. Ray Liotta plays a district attourney running for mayor when his DA is raped by a supposed psychotic music store clerk and then murders him. Liotta is taken on a roller coaster of a mystery where you don't know who is telling the truth and if everyone is who they say they are. There are so many twists and turns that it becomes confusing at points but it all adds up to the ending which relieves your confusion. I haven't heard of Jolene Blalock but she is excellent in her role as the supposedly raped(was she or wasn't she?) DA who may have some tricks up her sleeve. The only thing i had a problem with was some of the dialouge. LL Cool J's ramblings about everything smelling like food was a bit strange. Other than that it was awesome

Here's a film that might have been a classic. The story had all the elements. But the direction could have been better and the main actress wasn't up to the material. The supporting actors didn't help either. With a different cast and a different director this might have been great. That being said, it is still worth a look.

Wayne Beach's storytelling tactics are very particular but eventually effective. Characters are chameleon-like and plot is transparent and convoluted at the same time, reminding a bit John Grisham's novels adaptations. The twists capsizing everything over the last twenty minutes turn the conclusion into a big mess but heat is not lacking at all. Plot reversals and action flashes look like a fusion of "The Usual Suspects" and Hollywoood legal thrillers, besides this political/Court story also handles themes of racial confusion and conflicts. Not a stellar cast, but the movie is overall well acted (Ray Liotta has a pulse as usual).

This wore out its welcome about 40 minutes into the movie and after the halfway point, about 10 minutes later, I totally didn't care if our girl here was innocent or guilty. The story just became plodding.

I am so glad it wasn't just me, that the first review I see here - Mermaidbronze - felt the same way I did. I'll put it in simple terms: this film was not as "smart" and "clever" as it thought it was. In fact, it was stupid because it committed the ultimate sin for making a movie - it bored the hell out of its audience, and an audience that includes some "smart people" who can figure things out. A convoluted movie is just that, and not fun to watch no matter what any viewer's IQ might be.

Movies that revolve around the big question "Did he/she kill the person or not" are either extremely interesting and involving or the opposite. I found it un-involving, and when you don't care about the characters, then you don't care who's innocent or guilty and the film loses all effectiveness.

This movie was filmed in 2003 but not released until this year - four years later! Maybe they knew it was a turkey.

SLOW BURN is a film that has much to like, much promise, and a cast of trusty actors to bring it off. The problem with the result is in director/writer Wayne Beach's hands and especially in the editing job on the completed film. It is like watching a 'follow-the-bouncing-ball' film: there are many surprises and subplots and altered identities that keeping a score card of where the story is going is a bit difficult.

Reduced to the bare bones the plot takes place in a 24 hour period during which District Attorney Ford Cole (Ray Liotta) and his Assistant DA Nora (Jolene Blalock) are in a showdown with a significant crime boss Luther Pinks (LL Cool J). Nothing is as it seems, as irritating flashbacks attempt to prove, and in the end the good guys and the bad guys are difficult to appreciate. There are some excellent performances by reliable actors such as Taye Diggs, Mekhi Phifer, Chiwetel Ejiofor, and Bruce McGill, but the plot depends on a significant point of the confused racial identity of Jolene Blalock's character, and though she acts well, the part would have been better served by an actress like Nicole Ari Parker, to name just one.

The problem with this supposedly enigmatic thriller is that the astute viewer will see through the plot far too early. But given the quibbles, it is good to see these actors at work, especially the underused Ray Liotta. Grady Harp