Diário de um Jornalista Bêbado

"Rum Diary" is a retro movie made in the style of all too many films from the early 1970's; the "heroes" are smug, slacker, inconsiderate slobs, but because they talk the talk of peace and love, we are are supposed to overlook their cruelty to individuals and boorish behavior. The kind of movie where the good guys are people that in the real world, you wouldn't want living next to you, or even sitting next to you on a bus or plane. Even with the great Johnny Depp, and a $5.50 seniors' rate ticket , this movie was almost a total yawn. It was so bad,that the ushers requested that we leave our cell phones on.Or at least I wish.

I have read the book and this movie holds true to the voice that Thompson writes with - this is what makes the movie works. Depp's role, unsurprisingly, mimics his portrayal of Hunter in Fear and Loathing (only with less drugs, not counting alcohol).

The movie can, realistically, be summed up in one "revelation" Depp's character has with a rather unusual counterpart. Throughout the film we see examples of the opulent lifestyle of few and downtrodden livings of the many.

What Depp confides with his "friend", allows us to use what we have learned up to that point in the movie and chew on for the remainder of the movie, is this - the banks hold the wealth while leaving us (and the starving children) to stare at empty brass plates hanging on their front doors. Whether you agree with it or not, this is not a stretch to compare with the "occupy" movement settling into America and around Europe today.

This movie is good. Much like the original book, this movie doesn't try to entertain the viewer; it allows the viewer to sit back and follow along as one man experiences a lifetime of ups and downs in a matter of weeks. And be prepared to go out for a drink afterward, you'll need it.

I adored the novel, The Rum Diary and as an aid worker I related to many of the character's struggles. Although the film does stray quite a bit from the book itself, I think it's a perfect homage to Hunter S Thompson. The language still reeks of his Gonzo fury writing and manages to transport the audience into a drunken rant, as well as secretly educating them on the struggles of a free press. It had me laughing out loud on more than one occasion, as well as the packed out cinema that I viewed it with.

I rated this movie a 9 and the last film I rated that high was The Shining. I personally think this film was perfect. The leading actress/actors were perfect and the supporting cast phenomenal, especially Giovanni Ribisi. The only problem with this film in my opinion is that if you are not a fan of the gibbering, artistically nervous tone of most of Thompson's work, this film may be too heavy for you. Although it's easier to follow that Fear and Loathing (which scrupulously stuck to the dialogue from the novel Fear and loathing), many would find the dialogue bizarre.

Personally I loved every minute of this film and think it's already truly underrated.

Rum Diary (2011)

If you're looking for the craziness of later Hunter S. Thompson, you'll find shreds of it here. In a way this is a more cogent movie than say "Fear and Loathing…" but it's also a bit prosaic beneath the wilder stuff that peppers the surface. Johnny Depp stars and runs the show in his usual strong if uninspired way as a new, hard-drinking reporter with a failing English language newspaper in Puerto Rico.

There is a true surface here that's pretty amazing--the cars, the low down rot of the apartments, the racism between the rich white Americans and the indigenous Puerto Ricans. The depth you might expect and want here is slim, however, even though all the pieces are in play for a great drama--a charming troubled writer in a land filled with prejudice and violence and great natural beauty. It pushes the clichés too hard, and it's generally agreed (even by Thompson) that the material is weak and "rambling." The movie doesn't rearrange it enough to make it work.

You can in a way watch this for those surfaces, if you don't need too much more. There are several secondary characters who do their best to be a bit insane, including Giovanni Ribisi as a drugged out waif of a reporter, something like what Thompson himself might have become later in life. (See of course the Depp in the imperfect 1998 "Fear and Loathing in Las Vegas" for a sense of the famous freewheeling selfish addled sometimes brilliant Thompson.)

The director here also adapted Thompson's book and if he gets the credit for the nice ambiance of the film he also gets the burden of how clunky, choppy, and sometimes slow it is, even with such exciting material. It's not a horror, it's watchable, but you'll flag here and there. Even the end, without giving a thing away, is a bit deflating.

A perfect film. They hit all the marks with a sledgehammer. The acting was phenomenal, the locations were gorgeous, and the writing and direction of Bruce Robinson was well worth the wait. You don't need to be a fan of Hunter S. Thompson to enjoy or understand this film. But fans of his should rejoice! Admittedly the voice brought to life in this story through writer/director Bruce Robinson was sublime and fresh. Combined with the passion and love brought to screen with Johnny Depp's acting in this role - as well as the rest of the cast - I certainly imagine Hunter raising a glass to the entire cast and crew with a big smirk on his beautiful, weathered face. He would be proud. Do not miss this movie or let some vacant review keep you from it. It's the best film I have seen in a very long time!