Diário de um Jornalista Bêbado

Plot Summary Now if your the sort of person that needs a definitive story line and thick plot to enjoy a film then this probably isn't for you. Its more a 'fly on the wall' view of a young journalists struggles in a failing newspaper. Paul Kemp(Depp) is a young man trying to make his way in a new place, making new friends and enemy's along the way.

What I thought of it I wasn't sure what I would think of this film, I new it has some great actors, such as Johnny Depp and Giovanni Ribisi, but the concept of the film was a strange one. I was pleasantly surprised, the director Bruce Robinson has done a great job with this film, which was always going to be a very tough job being adapted from a novel by Hunter S Thompson and technically having next to no strong plot.

The film itself is stunning, the locations are amazing and well shot, and the editing style and shots work brilliantly with the type of film and more importantly with Johnny Depp, who has a massive screen presence in everything he does, including 'The Rum Diary'.

This film has everything I want to see in a good movie, strong characters, great sets and brilliant comedy, along with meaning. It really makes you think about society and life nowadays and how primarily, nothing has changed in the way the world goes round and the sort of corruption and manipulation that still goes on today all around us, as it did back in the fifties, only less obviously.

On a lighter note, this film is hilarious and great to watch more than once, there is something rather satisfying about watch a man drink huge amounts of high octane rum and have to deal with the consequences the next morning, something that makes you happy its not only you.

Summary In all I thought this was a very enjoyable film for anyone to watch and have a good laugh at while loving everything about the characters. The acting is scintillating and exciting.

I highly recommend this film to all, one to watch ..... 7/10 Stars*

The film begins with main character Paul Kemp (Johnny Depp) waking up in a luxurious hotel room in Puerto Rico after a heavy night of drinking. After chomping down a few aspirin, Kemp stumbles into the editors office of the San Juan Star and is given a dead end writing job. After a few chance encounters, Kemp becomes the center of intrigue and corruption while consuming copious amounts of alcohol.

"The Rum Diary" was originally a novella from the twisted mind of Hunter S. Thompson an eccentric journalist and novelist who in addition to smoking, snorting, injecting, drinking every drug, alcohol and carcinogen known to man, managed to change the face of journalism by calling it as he sees it. His writing can repel and enchant with equal measure and has a breakneck spontaneity which is rivaled by its frazzled incoherency.

Incoherency would be the best word to describe this film. The story lacks any kind of focus jumping from a love story, a corrupt land deal, drunken antics, workplace politics and racial tensions. Watching "The Rum Diary" was like talking to a drunk grad student; little flashes of genius may linger but after what seems like four hours you realize you're talking to a drunken idiot and looking for the door.

Thompson's other work adapted to screen shares a similar inconsistency but say what you will about "Fear and Loathing in Las Vegas" at least it was interesting. Director Bruce Robinson seems unsure behind the camera trying desperately to balance themes and while Terry Gilliam threw spaghetti at the wall to see what sticks, Robinson compensates by drawing out its screen time and keeping the camera-work and editing as dull and uninspiring as possible.

The films only saving grace is the inclusion of Giovanni Ribisi as a cirrhosis addled, syphilitic cohort who takes LSD while listening to records of Nazi propaganda. His arguments with the Star's head editor (Richard Jenkins) provide some of the few precious moments of humor.

The epilogue appears while Johnny Depp sails into the horizon explaining that while its the end of the story "...its the beginning of another." I would have liked to have seen the other story. At least by then the sardonic wit of Thompson was finally present.

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A Labor of Love, Johnny Depp's Homage to Offbeat Journalist and sometime Novelist Hunter S. Thompson is Affectionate, Warm, and at the Same Time Desperate.

The Novel was Written Early in Thompson's Career when He first Discovered Alcohol and the need for Journalistic Integrity (that defined the writer's output).

Those Expecting the Hallucinatory Visuals and Bombastic, Outrage of Terry Gilliam's and Johnny Depp's take on the Author's most Popular Work, "Fear and Loathing in Las Vegas"(1998) will most Likely be Disappointed. Critics and Moviegoers Reflected this resulting in Poor Box Office and Scathing Reviews.

The Strength of the Movie are the Words, the Dialog that is filled with Insights and Rhetorical Rage. Almost Every Scene is Riddled with Entertaining Oratorical Observations.

The Look of the Movie can't be Faulted as the Beauty of the Island is Contrasted with the Dehumanizing Poverty.

The Cast is Outstanding with Bravura Performances from Michael Siboli, Giovanni Ribisi, and Richard Jenkins. Amber Heard is the Eye Candy. Aaron Eckhart is the Capitalist Villain, a Role that is Not Very Demanding.

Overall, it is an Offbeat Movie that does not have Wide Appeal. Thompson Himself Struggled for Wide Appeal, while Maintaining His Integrity and Never quite got there, at least Not Until very Late in Life, as He Gained Respect and Admiration as a Cult Figure.

The Wordsmith was Given High Tribute by Depp as He Strove to get the Unpublished Novel in Print and the Movie Made.

It's an Odd Film that most likely will Gain in Reputation in the Coming Years when Expectations aren't so High and Knee-Jerk concerning the Long Awaited Novel and Movie.

"Rum Diary" is a retro movie made in the style of all too many films from the early 1970's; the "heroes" are smug, slacker, inconsiderate slobs, but because they talk the talk of peace and love, we are are supposed to overlook their cruelty to individuals and boorish behavior. The kind of movie where the good guys are people that in the real world, you wouldn't want living next to you, or even sitting next to you on a bus or plane. Even with the great Johnny Depp, and a $5.50 seniors' rate ticket , this movie was almost a total yawn. It was so bad,that the ushers requested that we leave our cell phones on.Or at least I wish.

Johnny Depp's vanity project The Rum Diary - 'vanity project' for that, at the end of the day is all it is - is based on a novel of the same name by Hunter S. Thompson Depp is said to have found among Thompson's belongings after the writer's suicide. The novel, completed in 1960 wasn't published until 1998 and, well, you have to ask yourself why. If the film of the novel is anything to go by I suspect it was simply because it wasn't very good. But as I have never read it, I can't tell you either way.

Mediocre novels have been turned into great films by great scriptwriters and directors. Unfortunately on this offering Bruce Robinson isn't one. Or if he is, he this is one occasion when he hasn't pulled it off. (Robinson made his name with his semi-autobiographical film Withnail & I, and I have to admit that didn't do too much for me either.) Depp has previously dabbled in Thompson's work with Fear And Loathing In Las Vegas. That didn't come off either, which suggests to me Depp has something of a blind spot where Thompson is concerned. And this is Robinson's first film as director in 19 years. That, too, should tell us something, and possibly something not particularly complimentary.

The film itself is oddly old-fashioned, in storyline, cinematography, direction and production. In the hands of another director Thompson's rather slight story might well have been turned to gold. Here it remains base metal. Almost everything about it, from the soundtrack to the dialogue, from the 'plot' to the humour - it has been billed as a comedy - is flat and lifeless and, well, mediocre. This kind of schtick was churned out weekly by journeymen writers and directors until the digital age changed what the punter wanted to see. Depp, it has to be said (and this is a personal view) always has an attractive screen presence even when the film he's starring in is third-rate (and I have seen him in some real clunkers - Blow comes to mind).

Amber Heard has virtually no role and I simply did not buy the romance between her character and Depp's. Michael Rispoli, Giovanni Ribisi, Aaron Eckhart and Richard Jenkins (who was excellent as the penny-counting hit-man's paymaster in Killing Them Softly) turn in workaday performances and do the best of a bad job given what little they had to work with. Situations which, I'm sure, were intended to raise a laugh do nothing of the kind. I really did want to turn off halfway through but held out in case it somehow went from second to third gear. But it didn't.

Sorry, Johnny, perhaps you should get better advice and listen to others rather than your own gut.