AVALIAÇÃO DA IMDb
8,1/10
37 mil
SUA AVALIAÇÃO
O conto catártico de uma jovem que não pode ver, ouvir ou falar e o professor que jogar um raio de luz em seu mundo escuro.O conto catártico de uma jovem que não pode ver, ouvir ou falar e o professor que jogar um raio de luz em seu mundo escuro.O conto catártico de uma jovem que não pode ver, ouvir ou falar e o professor que jogar um raio de luz em seu mundo escuro.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 57 vitórias e 9 indicações no total
Dhritiman Chatterjee
- Paul McNally
- (as Dhritiman Chaterji)
Sillo Mahava
- Mrs. Gomes
- (as Silloo Mahava)
Chippy Gangjee
- Principal Fernandes
- (as Chippy Ganjee)
Kenneth Desai
- Dr. Mehta
- (as Kenny Desai)
Bomie E. Dotiwala
- Mr. Brugger
- (as Bomi Dotiwala)
Avaliações em destaque
For a long time I would watch Hindi / Tamil movies only when ironing. You don't care if you miss some parts - there is always gratuitous mandatory dances, fights and incidental humor.
Black stands out among the Hindi movies. The brilliant acting, dramatic tension, breathtaking views of the mansions in Simla and the story-telling technique blended to create a great experience. Agreed Amitab is a great actor. But Rani Mukerjee mounts a respectable challenge to him. Supporting actors were great too.
If Hindi movies are half as good as this, I would watch more.
I had a bonanza holiday break watching Black, Paheli and Mangal Pande. Looks like there is some real light at the end of the tunnel, after all! I am now a declared fan of Rani Mukerjee.
Black stands out among the Hindi movies. The brilliant acting, dramatic tension, breathtaking views of the mansions in Simla and the story-telling technique blended to create a great experience. Agreed Amitab is a great actor. But Rani Mukerjee mounts a respectable challenge to him. Supporting actors were great too.
If Hindi movies are half as good as this, I would watch more.
I had a bonanza holiday break watching Black, Paheli and Mangal Pande. Looks like there is some real light at the end of the tunnel, after all! I am now a declared fan of Rani Mukerjee.
Sanjay Leeela Bhansali's Black is definitely a good film. It is brilliantly scripted, made and executed, and it is also profound and complex. Many have called it a pretentious show, and indeed, that's something very obvious and annoying. I'm sure Bhansali from the very outset had planned to get many awards, five-star reviews, and "the-best-filmmaker-in-the-country" titles, but that said, nobody can completely begrudge him since this movie is as impressive and well-invested as it is ostentatious, and it deserves the hype. Let's start with saying that technically and visually Black is a treat. It boasts of fantastic sets and wonderful costumes, and the cinematography is incredibly good. All these, along with the superb background score, create a beautifully dark film. Having said that, this may be the exact reason why many viewers found it hard to relate to, and that's something I can easily understand, particularly after having seen his best feature to date, Khamoshi: The Musical, in which everything was kept simple. Here there's no simplicity: everything is lavish, big, grandiose - and that's why it's often labelled pretentious. The film is emotional yet unsentimental, which is good, but then, one of its main flaws is the fact that more than once it resorts to emotional manipulation, trying to forcibly wring tears.
Well, one thing is sure and it is that you can always expect good acting in a SLB film, particularly when it has an Amitabh Bachchan. Bachchan's performance is out of this world. His character goes through many phases, and each time you feel he's sinking into it more and more, so much that no words can be found to describe it. Seeing an actor of his calibre still being there, and playing a part with such passion, intensity, emotion, anger and hunger, makes one believe that the sky is the limit. Along with Yuva, Hum Tum and Veer-Zaara, Black is a film that constructs Rani Mukherjee's transformation from an average performer to a mature actress. She plays the character brilliantly. The scene which had her crying on the phone to her mom, is one of her career-best acts. It's cruel that she is cast opposite Bachchan, as she can't take the whole credit to herself, and well, frankly speaking, in my view her role is not as powerful as his, as it is a technical part that requires extensive training rather than soul. It's still a memorable performance, and in her case, if the sky is the limit, Black was probably the sky. Without taking anything from Mukherjee, I was more impressed and amazed by the far more superior performance of Ayesha Kapur, who played the young Michelle to perfection. Kapur is simply flawless in this role.
Sanjay Leela Bhansali is a crafted filmmaker who knows his work and his goals very well. In spite of its flaws, Black remains artistic and it is overall a moving movie experience. The words hope, love, dedication and success always come to the mind while watching it. It might not be original, it may be extremely manipulative at points, but the effort that was put into it by the entire cast and crew is evident and appreciable. Black is definitely better than most of the films made in the Hindi film industry. Though for me too it is a mixed bag, I admit that the first time I saw it, I kept thinking of it after the show had ended and for quite some time. This is an achievement few films can achieve (for me), and here's why my high rating.
Well, one thing is sure and it is that you can always expect good acting in a SLB film, particularly when it has an Amitabh Bachchan. Bachchan's performance is out of this world. His character goes through many phases, and each time you feel he's sinking into it more and more, so much that no words can be found to describe it. Seeing an actor of his calibre still being there, and playing a part with such passion, intensity, emotion, anger and hunger, makes one believe that the sky is the limit. Along with Yuva, Hum Tum and Veer-Zaara, Black is a film that constructs Rani Mukherjee's transformation from an average performer to a mature actress. She plays the character brilliantly. The scene which had her crying on the phone to her mom, is one of her career-best acts. It's cruel that she is cast opposite Bachchan, as she can't take the whole credit to herself, and well, frankly speaking, in my view her role is not as powerful as his, as it is a technical part that requires extensive training rather than soul. It's still a memorable performance, and in her case, if the sky is the limit, Black was probably the sky. Without taking anything from Mukherjee, I was more impressed and amazed by the far more superior performance of Ayesha Kapur, who played the young Michelle to perfection. Kapur is simply flawless in this role.
Sanjay Leela Bhansali is a crafted filmmaker who knows his work and his goals very well. In spite of its flaws, Black remains artistic and it is overall a moving movie experience. The words hope, love, dedication and success always come to the mind while watching it. It might not be original, it may be extremely manipulative at points, but the effort that was put into it by the entire cast and crew is evident and appreciable. Black is definitely better than most of the films made in the Hindi film industry. Though for me too it is a mixed bag, I admit that the first time I saw it, I kept thinking of it after the show had ended and for quite some time. This is an achievement few films can achieve (for me), and here's why my high rating.
Here's very briefly what the movie is about:
It is the story of Helen Keller & Anne Mansfield Sullivan, suitably modified though, to nicely fit into the Bollywood mould.
That however should not take anything away from the three main highlights of the film:
Sanjay Leela Bhansali's Direction, Rani Mukherjee's execution of a difficult role, & Mr. Amitabh Bachchan!!!
Bhansali is best at stories highlighting human struggle. And with this adaptation he comes up trumps once again. He also proves that if you have a great story & just one great actor in a meaty role, you have a hit on your hands. Strange how the so called moguls of Hindi cinema cannot see that!
Rani Mukherjee's performance as the Indian Helen Keller (Michelle) is very commendable. It is just her misfortune that she was pitted against Amitabh Bachchan in the BEST Role (Devraj Sahay) of his life!!!
Mr. Bachchan tends to dwarf everyone. To all those who doubt that he is the GREATEST Actor this country has produced, go watch Black. You will return transformed for life! From the moment he comes on screen, he mesmerizes you. And he holds you till the last frame of the movie. He gives you goose bumps with his performance. And to think that the effort doesn't even show...
Now if only other film makers would give him roles worthy of his calibre as an actor, we could well have our first Best Actor Oscar ever. No kidding. Go see the film!
And Oh! I almost forgot. The little girl who plays the young Michelle is the best child actor this author ever seen! And that includes the Macaulay Culkins & Haley Joel Osments of the world!
Trust me! Go see the film!
It is the story of Helen Keller & Anne Mansfield Sullivan, suitably modified though, to nicely fit into the Bollywood mould.
That however should not take anything away from the three main highlights of the film:
Sanjay Leela Bhansali's Direction, Rani Mukherjee's execution of a difficult role, & Mr. Amitabh Bachchan!!!
Bhansali is best at stories highlighting human struggle. And with this adaptation he comes up trumps once again. He also proves that if you have a great story & just one great actor in a meaty role, you have a hit on your hands. Strange how the so called moguls of Hindi cinema cannot see that!
Rani Mukherjee's performance as the Indian Helen Keller (Michelle) is very commendable. It is just her misfortune that she was pitted against Amitabh Bachchan in the BEST Role (Devraj Sahay) of his life!!!
Mr. Bachchan tends to dwarf everyone. To all those who doubt that he is the GREATEST Actor this country has produced, go watch Black. You will return transformed for life! From the moment he comes on screen, he mesmerizes you. And he holds you till the last frame of the movie. He gives you goose bumps with his performance. And to think that the effort doesn't even show...
Now if only other film makers would give him roles worthy of his calibre as an actor, we could well have our first Best Actor Oscar ever. No kidding. Go see the film!
And Oh! I almost forgot. The little girl who plays the young Michelle is the best child actor this author ever seen! And that includes the Macaulay Culkins & Haley Joel Osments of the world!
Trust me! Go see the film!
10Andrew_P
When the credits started rolling on this movie, my wife and I looked at each other and both spontaneously said "That was one of the best movies I have ever seen". Sure, it was inspired by "The Miracle Worker", with Anne Bancroft and Patty Duke, bit visually it knocks it for six.
Awesome awesome cinematography. Let me say that again. Awesome awesome cinematography. Nearly EVERY shot is a wonder!
Amitabh Bhachchan's acting is his best ever (at least for western audiences), and beats most recent performances from Hollywood.
I don't consider this film a remake, but even if you do, you still need to see it.
Awesome awesome cinematography. Let me say that again. Awesome awesome cinematography. Nearly EVERY shot is a wonder!
Amitabh Bhachchan's acting is his best ever (at least for western audiences), and beats most recent performances from Hollywood.
I don't consider this film a remake, but even if you do, you still need to see it.
Who cares if it's like Miracle Worker....it's still such a beautiful movie. And believe me, it's different and if you stupid, idiotic people can't remember, the movie was made in Helen Keller's honor and they spent a whole day at her institution. And the only it has in common to Miracle Worker is a Deaf and blind girl. The description of the blackness she sees and how in the end she helps Amitabh learn to remember is original.
Black Shows darkness in a frightening, confusing, frustrating place, a whirlwind of emotion and anger. Michelle lives in a time where little can be done for her. Anger rots inside her for the frustration she feels for not seeing her sister's face or hear her mother's voice. She's a prisoner. She feels excluded. For hours upon hours she tries to scream but nothing comes out...just distorted noises that she can't even hear. Black is a living hell...until she meets Amitabh bachan's character....her brings light into Michelle's terrifying world.
Rani Mukerji is fantastic and she is NOT annoying because you dumb haters just don't see the depth. And she was't just acting like she thought a deaf, mute,and blind person would. They actually spent a day at the institution. Though it strays from the typical musical/love story/gangster-beats-up-hero-but-he-doesn't-care-hes-bloody and/or is dying Indian movie( i think those movies are bull crap), its beautiful! Give it a chance! You'll really learn something!
Black Shows darkness in a frightening, confusing, frustrating place, a whirlwind of emotion and anger. Michelle lives in a time where little can be done for her. Anger rots inside her for the frustration she feels for not seeing her sister's face or hear her mother's voice. She's a prisoner. She feels excluded. For hours upon hours she tries to scream but nothing comes out...just distorted noises that she can't even hear. Black is a living hell...until she meets Amitabh bachan's character....her brings light into Michelle's terrifying world.
Rani Mukerji is fantastic and she is NOT annoying because you dumb haters just don't see the depth. And she was't just acting like she thought a deaf, mute,and blind person would. They actually spent a day at the institution. Though it strays from the typical musical/love story/gangster-beats-up-hero-but-he-doesn't-care-hes-bloody and/or is dying Indian movie( i think those movies are bull crap), its beautiful! Give it a chance! You'll really learn something!
Você sabia?
- CuriosidadesUnusually for a work by Bhansali, there are no songs featured in this film. So the background score became of paramount importance to the composer, Monty. To create more of an uplifting aura for the deaf-blind-mute character of Michelle McNally, he used pianos and strings, but kept the voices in the chorus at a low octave. For Debraj Sehai's character, a fighting spirit needed to be vocalized, so Monty used a little-known Middle Eastern instrument called a duduk.
- Citações
Debraj Sahai: Life is an ice-cream. Enjoy it before it melts.
- ConexõesReferenced in Koffee with Karan: Shahrukh Khan, Kajol & Rani (2007)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Black?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Black
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 180.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 754.819
- Fim de semana de estreia nos EUA e Canadá
- US$ 125.343
- 6 de fev. de 2005
- Faturamento bruto mundial
- US$ 1.266.341
- Tempo de duração
- 2 h 2 min(122 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente