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IMDbPro

Vozes do Além

Título original: White Noise
  • 2005
  • 14
  • 1 h 41 min
AVALIAÇÃO DA IMDb
5,5/10
52 mil
SUA AVALIAÇÃO
Vozes do Além (2005)
Home Video Trailer from Universal Studios Home Entertainment
Reproduzir trailer0:31
1 vídeo
99+ fotos
Supernatural HorrorDramaHorrorMysteryThriller

O desejo de um arquiteto de falar com sua esposa além da morte torna-se uma obsessão com repercussões sobrenaturais.O desejo de um arquiteto de falar com sua esposa além da morte torna-se uma obsessão com repercussões sobrenaturais.O desejo de um arquiteto de falar com sua esposa além da morte torna-se uma obsessão com repercussões sobrenaturais.

  • Direção
    • Geoffrey Sax
  • Roteirista
    • Niall Johnson
  • Artistas
    • Michael Keaton
    • Deborah Kara Unger
    • Ian McNeice
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    52 mil
    SUA AVALIAÇÃO
    • Direção
      • Geoffrey Sax
    • Roteirista
      • Niall Johnson
    • Artistas
      • Michael Keaton
      • Deborah Kara Unger
      • Ian McNeice
    • 416Avaliações de usuários
    • 175Avaliações da crítica
    • 30Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 2 indicações no total

    Vídeos1

    White Noise
    Trailer 0:31
    White Noise

    Fotos142

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    Editar
    Michael Keaton
    Michael Keaton
    • Jonathan Rivers
    Deborah Kara Unger
    Deborah Kara Unger
    • Sarah Tate
    Ian McNeice
    Ian McNeice
    • Raymond Price
    Chandra West
    Chandra West
    • Anna Rivers
    Sarah Strange
    Sarah Strange
    • Jane
    Nicholas Elia
    Nicholas Elia
    • Mike Rivers
    Mike Dopud
    Mike Dopud
    • Detective Smits
    Marsha Regis
    Marsha Regis
    • Police Woman
    Brad Sihvon
    • Minister
    Mitchell Kosterman
    Mitchell Kosterman
    • Work Man
    L. Harvey Gold
    L. Harvey Gold
    • Business Man
    Amber Rothwell
    Amber Rothwell
    • Susie Tomlinson
    Suzanne Ristic
    • Mary Freeman
    Keegan Connor Tracy
    Keegan Connor Tracy
    • Mirabelle
    Miranda Frigon
    Miranda Frigon
    • Car Crash Woman
    Aaron Douglas
    Aaron Douglas
    • Young Father
    Anthony Harrison
    Anthony Harrison
    • Doctor
    Bruce Dawson
    Bruce Dawson
    • Mark
    • Direção
      • Geoffrey Sax
    • Roteirista
      • Niall Johnson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários416

    5,551.8K
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    Avaliações em destaque

    6Danny-Rodriguez

    I wouldn't exactly call it cinematic pleasure.....but I sorta liked it!

    Michael Keaton gives a good performance as architect Jonathan Rivers. I found the movie good and thrilling at times but it somehow lost its phase in the end. But then again that's also the case with many films like Timecop and Hard Cash.

    Storywise the movie was quite good. The idea of a device which can record our personalities after death is quite interesting. A quote by Thomas Edison made in 1928, which is used in the beginning of the movie, states: "Nobody knows whether our personalities pass on to another existence or sphere, but if we can evolve an instrument so delicate as to be manipulated by our personality as it survives in the next life such an instrument ought to record something." The concept of E.V.P.; (Electronic Voice Phenomenon) is elaborated on through the entire movie and it leaves us still thinking.

    The directing and the way it's written holds up pretty good up until about 2/3 in the movie. The characters and Michael's acting as a father is quite good and not flawed in any way. The story flows in a good and convincing way. But it's in the end where it starts to get a little hectic. There's a twist to the story which sorta destroys the original set up and it becomes a tad....well dull and inconsistent to be perfectly blunt.

    But all in all this is an enjoyable film. Just don't expect to be blown away.
    8TheMovieMark

    Are some voices better off not being heard?

    Interesting. Intense. Somewhat original. All words to describe a conversation with Johnny Betts. But they also apply to Michael Keaton's White Noise. What we have here is a ghost story that tackles the subject of electronic voice phenomenon, or, as the cool kids like to call it - EVP.

    For those of you who, unlike Johnny Betts, aren't master ghost hunters, EVP is the alleged communication by spirits through the white noise of staticky radio stations, television stations, and other electronic devices. People truly believe in it, and if you do a quick search on the Internet then you can find plenty of websites with audio files they say prove the existence of EVP. Detractors will brush this off with explanations of the "chaos theory" and cross modulation. I'll let you do your own research if you're interested in the subject.

    If you're looking for a factual exploration of EVP's possible legitimacy, then you won't find it in White Noise. This is a movie that takes a subject popular with ghost hunters and glorifies it. It reminds me a little of The Mothman Prophecies, which was a fictionalized account of what was supposed to be a "true story." I have no problem with that. That's what movies are all about.

    Michael Keaton crawls out from underneath whatever rock he's been under, does his best "Bruce Willis in The Sixth Sense" impersonation, and dives into the world of receiving messages from the dead. Folks, you can nitpick the logic to death if you want, and trust me, most critics are. "Why would he just put his successful life on hold and spend all his time trying to receive messages from his wife through a bunch of radio and TV static?" Dunno. The tragic death of a spouse can do weird things to people. Plus, you know, IT'S A MOVIE! And in the movie, he actually does receive messages from the dead. I guess he figured he'd try it; it worked, so he got more involved. Lighten up. It's called fiction.

    "Yeah, well, if his wife wanted to contact him, then why wouldn't she send him clearer messages? Why does it have to be through static?" BECAUSE THAT'S WHAT EVP IS ALL ABOUT! Take it up with the proponents of EVP, not the movie. I totally agree that one of the things that makes so many people skeptical about EVP is that the messages are never complex. If I heard an EVP that said, "Tell Johnny Betts that the afterlife rules, and he should keep the Movie Mark going strong," then I'd probably be convinced. But what we get is a lot of one syllable words and sounds strung together. That's not the movie's fault. Deal with it and move on.

    As some of you know, I'm a huge fan of the thriller/horror genre. Admittedly, White Noise isn't one of the best of all time in the genre, but that's OK. It didn't convince me to run home, record a static TV channel for hours, and then play it back to see if Uncle Jack was sending me a message from the great beyond. Like an apology for that little streaking stunt that completely ruined my 16th birthday party. However, what the movie did do is entertain me. The mystery is deliberately paced, it kept my interest, and it provided some creepy moments along the way.

    Things start to get pretty intense near the end of the movie, and some people might not be happy with the finale. But keep in mind that trying to communicate with the dead is a bit of a dark subject. Some people, as the movie depicts, think that if they can contact their dead relatives then they'll have hope, they'll know all is right in the afterlife. They want some sort of message for closure. But I'm just curious, what if that message is, "Burning. Hell. I screwed up." ??? I'm guessing that'd be a bit of a kick in the pants.

    But getting back to the movie... if there's good in the afterlife, there has to be evil as well, right? In the movie, contacting the dead initially seems harmless enough. But why would you think only the good would respond if you create that human/afterlife portal? What would happen if evil decided to communicate as well? White Noise has a viewpoint on that subject, and you can't expect everything to be cute and cuddly.

    Now if you'll excuse me, I'm gonna take a closer listen to this static coming from the radio. Let's see. Sounds like Uncle Jack! I can just make it out... "Johnny. Reviews. Not funny. Quit. Now." Um, yeah, just as I thought - nothing but a little cross modulation! THE GIST White Noise is an interesting take on the ghost story, using the subject of EVP as its backdrop. It isn't what I'd call scary, but it's got its share of creepy moments and effective jump scenes. If you're looking for a docu-drama on the scientific accuracy of EVP then you might be disappointed, but if you're in the mood for a few chills to start the year then White Noise just might suit you.

    Rating: 4 (out of 5)
    6idelhenke

    Such a shame that it doesn't do what it says on the tin.

    White Noise comes across as a horror movie that tries to do something original before they are forced into doing a remake of an Asian film. It will still draw comparison with Hideo Nakata's Ring trilogy because of the static TV's but that is unfair due to the subject. The subject being Electronic Voice Phenomenon (EVP), which is a paranormal occurrence where the dead contact the living through static, recorded on the TV or a sound recording device. Original enough to make a movie about plus scary things jumping out of a static TV is relevant to the subject. Yay Hollywood. The apparent decent plot and the not-too-shabby cast headed by Michael Keaton actually had me very eager to see this, such a shame then that the movie actually doesn't do what it says on the tin.

    The first half of the movie is a decent drama about the loss of a mans wife and his obsession with contacting her from beyond the grave whilst his work and the relationship with his son suffers. The second half however seems to just draw from the basic scary movie template and disappointingly swerves away from the dead contacting the living and into Keaton running around like a psychic detective in a race against time trying to save people from dark forces.

    The movie opens in generic perfect home situation. Keaton plays Jonathan Rivers the successful architect who is married to his wife Anna the successful author, even his sons mother (the divorcée) has a good relationship with Mr. & Mrs. Rivers. Apart from the radio skipping to static a few times (an unused plot device?) things seem pretty rosy. Until "I love you" gets mouthed from the wife leaving the driveway taking the kid to school. Automatic dead meat. When will they learn? The police assume she slipped from the motorway, bashed her head on a rock then got taken away by the tide but Jonathan doesn't accept her death and doesn't give up hope. However, on his first day back from work since his wife went missing he is followed by a stranger whom he confronts. The stranger turns out to be some sort of expert in a phenomenon known as EVP and he says not only is Anna dead but she has been contacting him from the other side. Jonathan dismisses it until she leaves a message on his answering machine. Yeah, it is that simple. Cue Jonathan getting obsessed about finding out what her message is, mishaps happening and Jonathan getting even more obsessed over something completely different. Drawing in another believer in EVP they investigate into messages the recording equipment seems to be getting from the future.

    The ending leaves the movie ridden with plot holes, which has frankly become expected of movies like this from the past few years. It could have been so much more. Perhaps the director was wary of making this film 'The Sixth Sense from the other point of view' but then again the CGI scary ghosts wouldn't work in a more subtle setting like that. The plot turns into some non-sensical slush whilst the score let's the film down. The acting wasn't the strongest either but if you want to be scared every 20 minutes by the volume being cheaply cranked up and CGI ghouls flying out of static then go spend your hard earned cash on this.

    6/10 Robb Idle
    7darkdementress

    Creepy

    Legitimately creepy and unsettling without trying to hard or relying on female nudity to try and sell a lame story like most horror movies! I was on a marathon of horror movies and watched final destination, the gift, it lurks below, and this and this movie was the best by far. It made sense, it was logical, it was creepy, decent acting and based on reality but with amped up supernatural stuff and no nudity! Recommended :)
    5Brooks24

    Scary but a Little Disappointing

    There was little closure; what happened to the three, evil ghosts? It had little dialog, and thus, it did not bring out Keaton's great acting talent. However, it was scary, and the music was impeccably timed. It reminded me of the movie, Frequency. When are they going to give Keaton some better roles? Quicksand and, now, this? If you want to see Keaton in some other films, watch Night Shift (funny), Clean and Sober (tragic), and The Paper (crazy). If you want to see some better written, new scary movies, watch Signs and What Lies Beneath. However, if you just want to go to the movies to be scared, the film is worth the money; it does keep you on the edge of your seat.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The EVP recording from the trailer ("I will see you no more") that is attributed to a woman named Ruth Baxter, who died in 1987, is supposedly a recording from Point Lookout, a "haunted" lighthouse in Maryland, made by an EVP researcher named Sarah Estep. The lighthouse was used as a hospital during the Civil War, and some interpretations of the recording believe it to say, "I was seeing the war", or "I was seeing the water". While the recording is said to be authentic by the AAEVP, the Ruth Baxter story is fictional.
    • Erros de gravação
      Though the story is set in Washington, the filmmakers make no attempt to conceal British Columbia licence plates.
    • Citações

      Raymond Price: [after John hears a ghost cursing at them] There are some very bad people out there. They can't all be Anna.

    • Cenas durante ou pós-créditos
      The opening of the film starts with: "Nobody knows whether our personalities pass on to another existence or sphere, but if we can evolve an instrument so delicate to be manipulated by our personality as it survives in the next life such an instrument ought to record something..." Thomas Edison 1928 E.V.P.; (Electronic Voice Phenomenon) The recording of voices and images of the dead, using de-tuned receiving apparatus. Identified in 1939, and now the subject of increasing scientific research worldwide, to finally evidence communication with the deceased.
    • Conexões
      Featured in WatchMojo: Top 10 Movies That Will Make You Paranoid (2015)
    • Trilhas sonoras
      Burn Away
      Written and Performed by Ray O'Donnell, Liam Carty and Fran Carlyon

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    • How long is White Noise?
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    Detalhes

    Editar
    • Data de lançamento
      • 18 de fevereiro de 2005 (Brasil)
    • Países de origem
      • Reino Unido
      • Canadá
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official site (Russia)
      • UIP (France)
    • Idioma
      • Inglês
    • Também conhecido como
      • White Noise
    • Locações de filme
      • Vancouver, Colúmbia Britânica, Canadá
    • Empresas de produção
      • Brightlight Pictures
      • Universal Pictures
      • Gold Circle Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 10.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 56.386.759
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 24.113.565
      • 9 de jan. de 2005
    • Faturamento bruto mundial
      • US$ 91.196.419
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 41 minutos
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
      • SDDS
    • Proporção
      • 2.35 : 1

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