Tristão & Isolda

I must say that I didn't even originally plan on going to this movie, but after I was asked by a friend to see it on its opening night, I said that sure, I would go. I figured that it would be alright, nothing more than mediocre at the most, but this movie was amazingly wonderful.

I have heard many people's comments on how they didn't like it because "Myles' accent was completely wrong," "the chemistry between Franco and Myles was horrible," "it didn't even follow the original story," and many other miscellaneous things. While the story line was changed a little from the original story, I believe that it was still good. And come on, how many times does Hollywood actually stick to the original story anyway? I think that the way the story went was much easier for people who were not familiar with the story of Tristan and Isolde to follow.

Further, I thought that Myles did a wonderful job with her accents. I found it very easy to differentiate between the Irish and the English.

And lastly, I found the chemistry between Myles and Franco to be simply wonderful. They really showed me that the characters were truly in love; it was compelling and deep, put together for a very good movie.

I can honestly say that this is one of the best movies I have seen in a while; it was not the watered-down relationship kind of thing that comes from Hollywood most of the time. From the battles to the most intimate of scenes, it stayed simple; not the high-tech kind of thing that you would usually see. There were some parts meant to be funny, some meant to be sad, and the movie averaged out to give you the best of both. I will tell you that in its opening weekend I saw it more than once, something that I would usually never do. It's a movie that gets better and better each time you see it; one where you pick out things each time that you had not seen before.

Simply put, this is a wonderful movie. I loved it, but I would not recommend going if you're just going because you think that James Franco is hott! I know some people who didn't like it, I won't lie, but if you come to the movie with an open mind and know that some things are going to be different, you will absolutely love it, as I did.

I have to admit that I do not remember much about this story from my college Western Civ class, but I enjoyed this director's work in other films, so I took a chance. What a lovely film! The story is well told, paced well, and full of thought provoking moments. I found the leads, particularly Sophie Myles, who plays Isolde, to be mesmerizing in their roles. The supporting cast is also terrific. I know this won't be for everyone, but it's also not strictly a chick flick. There's plenty of war scenes, adventure, action, etc. to keep those action film fans happy, and yet there's a lot of good love stories, and not just between the two leads as you might expect. I recommend this one!

Like "Romeo and Juliet," "Tristan and Isolde" is a tale of forbidden love set in the Middle Ages (although it far predates Shakespeare's work both in setting and in origin). In this case, the two young lovers are separated along national lines, with Tristan a young Briton, and Isolde nothing less than the princess of Ireland. As their two countries do battle against one another, the benighted couple tries desperately to make their love work in a bitterly hostile world.

This is a handsome, well-crafted film, glorious to look at but tedious to sit through. Since we've seen so many of these tales already, it's a little hard for us to work up much passion for this one - even if, as we're told, the fate of an entire kingdom hangs on this relationship. Moreover, there is such a profusion of Angles, Saxons, Irish etc. running around on screen that it is often difficult to distinguish one from the other and to know just who is fighting whom (or who is allied with whom) at any given moment.

James Franco and Sophia Myles make for a fairly bland, conventionally modern young couple, but Rufus Sewell provides a subtle, sympathetic performance as the man who both raises Tristan and marries Isolde.

If Medieval romances are your cup of tea, by all means check out "Tristan and Isolde," but there are far better tales of unrequited love around than this one.

One of the great love stories from the medieval courtly romances, "Tristan and Isolde" has received many different treatments from medieval poets such as Gottfried of Strasbourg to the haunting opera by the nineteenth-century German composer Ricard Wagner. In each of the versions of the story, there are new and different plot details in this tragic love story.

In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.

In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.

There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.

I did not expect to like this film; the reviews were lackluster, and many seemed to think the leads were mediocre at best. I found the performances riveting and highly engaging. While I do not know the actual historical story, I found the storyline highly captivating.

I thought James Franco played Tristan brilliantly - broken hearted but not brooding, he seemed to only come to life during battle before meeting Isolde, and then afterward only in their stolen moments together. Many of the reviews I've read seem to think that he played the role flatly, but I thought the subtlety of expression in his eyes and body language was impressive. Confident as a warrior, but almost innocent in intimacy, I thought he walked the thin line between adult and youth effectively.

Sophia Myles captured the fire, vulnerability and desire of Isolde with fervor - and that's not easy to do. Myles delivered her lines subtly, tinting words with emotional depth -scorn, joy, passion, frustration, disappointment - that was understated and yet passionate. She, too, managed to portray a delicate balance between the innocence of idealistic youth and the realities of a woman who found her self in an unenviable position.

Rufus Sewell was fantastic. As king, he had to walk the thin line between diplomacy and his own frustrations; as a man, he came alive when with Isolde, and so her betrayal was all that more heartbreaking, a scene which he played with focus and power.

I thought the fight scenes were very well done, except for the excess of cut shots, jumping from person to person, which moved the action almost too quickly, occasionally resulting in a jagged flow of action. Overall, however, the battle scenes were very well done.

The costumes were incredible - not period realistic (especially Isolde's wedding gown) but they were beautiful and overall well designed to intimate the period but still have some glitz. The locations shots were awe-inspiring.

I LOVED these characters very shortly after they each came on screen. I rarely feel such a strong connection to characters, especially of period pieces, but each of the leads played their roles with finesse. I deeply cared about these people, seeing hope and joy rise in their eyes, only to see events quickly turn that joy to sorrow, and hope to forceful determination. Their moments of happiness are so brief, their heartbreak so complete that I found myself profoundly moved by their experiences. As deeply invested as I became with these characters, I nearly sobbed at the end of the movie. A 5-hankie tear jerker.

I eagerly await the release of the DVD, and expect to enjoy this film many times over.