O Pacífico

"The Pacific" is Tom Hanks and Steven Spielberg's epic 200 million dollar miniseries from the creators of the brilliant 2001 series "Band Of Brothers'. Much like with Band Of Brothers, The Pacific gives us an unflinching look at the horrors of war, not just the physical but the mental horrors these men must face. As an audience you are pulled through this experience, watching in horror as limbs are torn from bodies and men are burned and mutilated. In a way even more distressing is watching the emotional scars and effects this has on our main characters. This is not a perfect series and does suffer from some major flaws but overall it's an extremely harrowing experience but one that is needed in an age where war is often glorified, this series does anything but that.

Narrative and overall story: The Pacific is based primarily on two memoirs of U.S. Marines, With the Old Breed: At Peleliu and Okinawa by Eugene Sledge and Helmet for My Pillow by Robert Leckie. The miniseries follows both these marines Sledge (played by joe mazzello) and Leckie (James Badge Dale) there is also the addition of marine John Basilone (Jon Seda) but he is a lesser focus. Now unlike Band of Brothers we follow these characters separately as they are part of different divisions, the first few episodes follow Leckie and his experiences, the latter on Sledge. In a way this is both an interesting way of narration but also maybe the biggest flaw of the series.

This spilt narration gives us two very separate journeys which in a way bonds us closer to the characters. The downfall is that Leckie's story is just simply not as interesting as Sledges, from the moment Sledge is introduced to us i felt an instant sympathy and connection with him, here is this shy, awkward eighteen year old desperately longing to fight in the war but unable to do so thanks to a heart mummer, of course his determination gets the best of him and enlists. The character and his overall story is simply miles more compelling than Leckie's thats what makes the first three or four episodes somewhat lackluster. When the sole focus is on Sledge this series reaches its incredible potential and becomes something truly amazing, Sledge and his journey is really the heart and soul of this series.

Acting: With such a depressing and intense subject matter first class acting was expected and the pacific delivers. Every single cast member gives a great performance, its gripping and believable acting at its best. The stars are undoubtedly Joe Mazzello who plays Sledge and Rami Malek who plays Corporal Merriell Shelton or "Snafu", a highly intriguing character who forms a close friendship with Sledge. Both give Emmy worthy performances and in Malek's case i would say Oscar worthy. These are two very complex and incredible performances. Mazzello plays our lead which such an intense and subtle power: his character goes from a naive and passive teenager to hardened killing machine full of rage it is an incredible character arc and Mazzello plays it to perfection. As the series comes to a close we really see what Mazzello can do: Sledge is beginning to lose himself, he has become ruthless and in one single pivotal scene he regains his humanity, his compassion and his redemption. Its a truly powerful scene and one in which Mazzello does not utter one word, his face says everything and its heartbreaking. In fact that is Mazzello main strong point, his ability to convey much more than what is going on just by his eyes and face, there is so much complex emotion behind his eyes it makes for a fascinating watch. Rami Malek gives the most impressive performance of the series playing "Snafu". His character is incredibly creepy and odd, obviously numbed by the horrors of the war, but there is something there that makes the audience warm to him. Malek completely becomes the role, every mannerism, twitch, blink of the eye is perfectly done. lines such as "I like to watch the new guys sweat." are said with such odd intensity its actually mind blowing. I will call this performance perfect which is a very rare thing indeed, if only Malek could win an Oscar because this performance truly deserves the highest acclaim. Malek and Mozzello also have fantastic chemistry, playing off each other perfectly helping to only further this touching friendship.

Direction: remember the opening sequence of "Saving Private Ryan"? well imagine that times 20. I would say this is the most realistic portrayal of what an actual battle must have felt like. The battle scenes are simply epic and wonderfully directed, even if you hate everything else anyone can see the direction is incredible within this series.

Overall: the major flaw of this series if the first 4 episodes they simply don't have the emotional impact of the rest, in fact they border on dull. However as soon as Sledge and Snafu become our main focus this series becomes a true epic. This series will take you on a haunting experience, you will be horrified, you will be moved, you will laugh, you will cry. As long as you stick with it through the first few episodes you will not regret it.

The Pacific miniseries will leave many of you in a state of awe. What a cinematic achievement. The best of the best of what American entertainment has to offer. The scenes and emotions portrayed are so vivid and lifelike that you'll think you've been transported back in time to the pacific theater of war. History has told us how horrid the war against the Japanese was. A war of attrition. This series will take you there and slap you on the wrists and then the face and remind you of the truth. War is utter diabolical hell. And the guys that fought in the pacific during WW2 were tough as nails. Tougher. It's ugly and beautiful at the same time. Enjoy and take a history lesson. You'll thank your lucky stars you did.

I'm guessing most of us watched 'The Pacific' for at least one of the following 3 reasons:

1. We have an interest in history, particularly in WW2.

2. We are fans of movies and television shows (well, the good ones anyway)

3. We had seen - and loved - the previous Hanks/Spielberg co-production 'Band Of Brothers' and expected a mini-series on the same level.

Now from reading some of the reviews here I gather that third reason was the most important one for many viewers - and it's also why 'The Pacific' apparently left quite a few people disappointed. As for me, I wasn't disappointed - I was devastated.

I'm a lucky man; I've never had to suffer through a war. But I had relatives who did, and though they're all long gone now, I'll never forget their stories. War is the most extreme and outrageous experience humans can possibly endure, but there are many different aspects and layers to it, because a war is not a single experience: it's all the experiences of all the individuals who have to suffer through it, and no single film or TV show can cover all of them. 'Band Of Brothers' focused on certain aspects of a war, and it chose a narrative that helped emphasize what the core theme of the series was: the brotherhood of war. It was about people who retain their humanity and form the closest of bonds under the worst, most horrific circumstances.

That inherently human element in 'BoB' was also why we could identify so well with the protagonists, and why we were - and still are - so deeply touched by what they had to go through. It's an outstandingly well made series, and I can't imagine how those experiences by those soldiers could have been portrayed better. Which is why 'The Pacific' doesn't even try. Instead, it goes almost in the opposite direction by choosing to focus on the sheer insanity of war: the relentless horror and despair of people losing their humanity and their struggle to regain it. Of course, just like 'BoB' it's also about the heroic sacrifices of those brave soldiers, but if there is a core theme in 'The Pacific' it's that of trauma: the trauma of having your humanity stripped from you and your personality shattered; the trauma of witnessing the complete disintegration of everything you thought you were and knowing you'll never be whole again.

What we see in 'The Pacific' is Hell, plain and simple. It's scores and scores of anonymous, young Japanese soldiers running senselessly into machine gun fire, wave after wave, until the piles of their bodies are so high they block the sight for the machine gun; it's American soldiers barely older than kids in despair or completely numb from the sheer amount of random death around them; it's vibrant young men turning into barely alive husks whose only remaining focus is to survive - which means they have to kill other barely alive young men who will stop at nothing to kill them in turn; it's kids killing other kids like rats by any means at their disposal: guns, knives, flame-throwers or with their bare hands; it's people living among the rotting corpses of their dead comrades and enemies and completely losing any regard for human life. And the few moments where we witness how those kids get a brief taste of how precious and beautiful life could be make their fate all the more heartbreaking.

Over large stretches, 'The Pacific' is devastating and depressing to watch, and though I found it never less than compelling, it's actually easy to see why many viewers who had hoped for a similarly engaging experience as in 'BoB' were left disappointed. But this is a different story about different people who fought in a different theater of the war and who went through different experiences, and once you stop comparing it to the story of the men in Easy Company from 'BoB', you'll find that, while different, in terms of sheer quality 'The Pacific' is every bit as good and as much of an outstanding achievement as its more popular predecessor.

The realism, the performances, the music and the production values in the series are superb (this was a 200 million production after all), and the attention to historic detail is simply staggering. As for me, witnessing what these men went through left me devastated; yet I am grateful I've watched 'The Pacifc': because in its relentless depiction of the horrors of war it honors the sacrifice these brave young soldiers made in the hope future generations wouldn't have to do the same. I originally rated this series 9 stars out of 10, but upon a recent rewatch and with more knowledge of the war in the Pacific theater, it's clear that this is a 10/10. Outstanding.

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

I'm Australian and it's ANZAC day today where the whole country honours all those who have served our country and others in all theatres of war. I judge The Pacific as a dramatic representation of the war in the Pacific, not a 100% historically accurate documentary.

I'm so glad The Pacific is on, because it highlights part of the war that was so vital to my country. I might not be Australian today if our allied forces hadn't won the battles. Maybe because I grew up with a significant focus on the impacts of the war with the Japanese, I get a lot from the show and when I watch it I feel how awful it was for the marines and all who were there, and how Australia was the closest safe haven for those men and women. Just seeing a brief mention of the starvation, tropical ulcers, how important it was to stop the Japanese airstrip on Guadalcanal, the Japanese mentality, is enough for me to get a lot out of the show. I already know how long it went on for, and that the battles were many and varied.

Think the Burma railway, Changi, Kokoda, and I realise the enormity of what these people went through, they were skeletons in rags if they manged to survive and come out of there. The Japanese bombed Darwin, there were submarines in Sydney Harbour, and just last year, we finally discovered the wreck of a hospital ship that he Japanese torpedoed and sank, just off Brisbane. The college I attended was turned into a US army hospital base in WWII and has miles of underground tunnels. MacArthur's base in Brisbane is still named after him, it's now a shopping centre, MacArthur Central. The anniversary of the battle of the Coral Sea a few years ago in Townsville was huge.

The Pacific is a great show for me. I like it, I appreciate what they're representing in the short time they have to do it in a TV show. Just a quick look at someone who says goodbye to family in a snowy climate and then lands on a tropical island speaks volumes about what they faced to me. If it brings even a small amount of appreciation to others who are not as familiar with this part of WWII, The Pacific has done a great job. I give it a thumbs up.

For another interesting story set around this time, check out the movie Paradise Road.

If you want to see the Pacific version of HBO's critically acclaimed "Band of Brothers", change the channel

"The Pacific" differs from "Band of Brothers" whereas the "The Pacific" focuses on the war itself and "Band of Brothers" focused on the characters. Both miniseries are championed by Hollywood heavy-hitters Tom Hanks and Steven Spielberg who were contributing writers and producers of both miniseries.

Perhaps the greatest distinction between the two mini-series was intentional. It is clear that the soldiers in the Pacific theater fought a different kind of war than those fighting in Europe. "The Pacific" is a gritty if not gory depiction of a war against not just the Japanese, but also the elements. The cast is made-up of some brilliant actors we are sure to see again in future projects. What makes "The Pacific" so good is the intense realism which brings the viewer into the battle from the safety of your couch. If there is hell on earth, you will find it here.

The army they are fighting is alien; both mysterious and ferocious. They are looked at with both awe and disdain and the Americans want to kill them all. However, there is a palpable sense fear among the men that this enemy will never surrender and will fight beyond what they feel is humanly if not morally possible. When one character hears about the Kamikaze's flying their planes into ships, he asks aloud "how can any man do that?" "The Pacific" is fast-paced and each episode leaves the viewer wanting more.

What lacks in the series is the intimacy of knowing the characters. They are kept at a distance almost as if the character doesn't want to let you in. This may be the intent of the writers; just as the soldiers took little interest in knowing each other, maybe we are not meant to know the characters.