As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa

Adam Adamson's film adaptation of C. S. Lewis' first entry in his classic Narnia Series starts off awkwardly like a combination of the "Wizard of Oz" and "Lord of the Rings." The filmmakers spend too much time early on trying to be cute and Disney-fy the product while clumsily presenting scenes composed of live-action actors and not-so-great computer effects. The result, not surprisingly is like an animated film with some flesh-and-blood actors spliced in. However, once you get used to the film stylistically, all is mostly forgiven.

The filmmakers finally find solid ground when they really start to dig deeply into the story and reveal the blending of nature-based neo-paganism with medieval Christian mythology and wrap it up nicely into a children's fairytale. It's when you start to realize the white witch (played effectively by the always somewhat creepy Tilda Swinton) represents the old pre-Abraham polytheism demanding animal and human sacrifice for appeasing the pantheon of gods/goddesses and the lion king, Aslan, represents the Christian view of one self-sacrificing god that you remember the brilliance of Lewis' source material. And while it isn't terribly well executed, the epic "Battle-Beast" style showdown at the end is pretty entertaining from a visual and imaginative standpoint.

Rewatching The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe reminded me why it's such a timeless movie. It still gets me every time, especially the lullaby scene with Mr. Tumnus, played beautifully by James McAvoy, who is one of my favorite actors. Liam Neeson's voice as Aslan is inspiring and adds so much gravitas to the character. But for me, the standout is Tilda Swinton as the White Witch. Her performance is chilling and commanding, making her one of the most memorable parts of the movie.

The production is top-notch. The visuals are stunning, especially considering it was released in 2005, and they mostly hold up well even now. The costumes and set design are fantastic, capturing the magical and otherworldly feel of Narnia. The soundtrack is another highlight, adding emotional depth to key moments and making the experience even more immersive.

Based on the beloved novel by C. S. Lewis, the film does a good job of sticking to the important plot points while making the story accessible to a new generation. Of course, no adaptation is perfect, but this one stands on its own as a great piece of fantasy storytelling. It's not just a movie; it's a journey into a world full of magic, courage, and redemption.

This movie also feels like the perfect pick for the holiday season. It has that warmth and wonder that makes it ideal to watch with family at Christmas. The Lion, The Witch, and The Wardrobe remains a classic, and I can't recommend it enough for anyone who wants to experience a bit of magic.

With an appeal to both adults and children, the British author C. S. Lewis wrote seven books in his Chronicles of Narnia series. The stories are rich in mythology and religious symbolism, drawing upon archetypes from the Norse, Greco-Roman, Persian, medieval chivalric, and Judeo-Christian traditions.

Now comes this wonderful film of the first chronicle, "The Lion, the Witch, and the Wardrobe." The beautiful cinematography and the terrific performances of the children make this film outstanding for family viewing. As integrated with the live actors, the colorful animal characters, especially the Lion (Jesus), reveal brilliant technical film-making as well.

Lewis's books are not overtly allegorical. Rather, the symbols and the messages are subtle. The four children in the story (Peter, Susan, Edmund, and Lucy) were inspired by the actual children evacuated from London during World War II, who spent time in Lewis's home. Lewis wanted his books to be enjoyed by young people who would later in their lives draw the spiritual meanings from the stories. In this area, the film is enormously faithful to the original book and would have made the author extremely proud.

This enjoyable story produced by Walt Disney Pictures is based on C.S Lewis books. It begins during German air raids over London in WWII. The Pevensie four children(Henley,Keynes,Moseley and Poppewell) are sent to live at the country house of eccentric teacher Kike(Jim Broadvent). Meantime they're playing hide and seek, Lucy encounters a strange wardrobe that lead the snowy land of Narnia . There, she finds a sympathetic but coward faun(James McAvoy). Later she returns at home and the others don't believe her at first, but soon are convinced. Then, all of them go throughout the fantastic world with fauns and centaurs and where animals speaking, a beaver( voice by Ray Winstone), fox(voice by Rupert Everett) and furthermore the Father Christmas(James Cosmo). This magic land with perpetual winter is ruled by the nasty White Witch(Tilda Swinton). But the children are the chosen ones, according an ancient prophecy, and they team up with Aslem, the mighty Lion and real king of Narnia , fighting to defeat the evil witch in an epic finale battle.

The pic is a magic story with rip-snorting adventures, exciting fantasy, sensational scenarios and good feeling. Plenty of action and emotion and with an incredible battle scenes similar to ¨Lord of the Rings¨. Provide enough amusement to keep the chat rooms humming until the epic ending comes out. In spite of overlong runtime and the difficult of adapting, the film still managing to keep a quick enough pace for those unfamiliar with the lengthy literary and highly detailed work by C. S. Lewis. This two and a half hour movie stays closer to the original work than any of the former efforts, mostly animated. The film displays a colorful and evocative cinematography by Donald McAlpine. Musical score fitting perfectly to the action-adventure by Harry Gregson-Williams. The motion picture is marvellously directed by Andrew Adamson, he's the director,producer, writer of ¨Shrek¨ trilogy. Rating : Above average and worthwhile seeing . It's a very likable adventure-fantasy and enormously appealing for kids, adolescents and all family.

So says Mrs. Macready to the children, but thankfully they do not listen in the book, or in the movie, which is perhaps most notable for clinging so closely to the original. My kiddos and I have been enjoying the Narnia books over the past several months, and they are big fans of them; so they were naturally drawn to the movie too, which I hadn't seen before. Lucy steals the show in both media, and all of us thought she was the best acted; as the youngest, of course, she guides the others with her imagination, which is validated by "the Professor" before all four siblings take the plunge into the closet. Probably the most striking scene is not Aslan's death, but Lucy's initial encounter with the faun, Tumnus, in which not only the wonder between the two but also the tension and potential menace is given its space. In fact, the Christianizing elements which are often pointed out by Lewis's critics and supporters take a clear back seat in the movie, which instead chooses to go even further than the book in "classicizing" Narnia with figures from Greek mythology, from centaurs, griffons, and satyrs fighting for Peter to the minotaur general and cyclops fighting for the Ice Queen. Both my son and daughter pointed out that virtually the only added scenes were London being bombed, at the very beginning, and the parallel vision of griffons "bombing" the Queen's army with rocks before battle was engaged.