Madrugada dos Mortos

As a HUGE fan of the original Dawn of the Dead I was very skeptical of this remake. I wasn't expecting an Academy Award winning blockbuster or anything, but I did want to see the remake do the original justice. I was impressed with the filming more than anything. This is an action movie rather than horror. The outdoor scenes are filmed with a grainy, hand-held camera which gave the audience the feeling of being disoriented much the same way the characters would have felt. The movie was not made in the MTV-generation style that the Texas Chainsaw Massacre remake was. Dawn of the Dead stuck to the same mythology of the first without giving it a complete reimagining. I could imagine the two movies co-existing, but in different parts of the world.

One of the key differences that I did like was the idea of the zombies running. This made them come across as more menacing rather than being the slow clunkers that are seen in the original trilogy. The idea of being able to walk right past them was abandoned. I also feel that the movie did a good job of showing how quickly people would turn on one another and watch out for themselves only.

One of my favorite "realisms" of the movie is how the characters are too attached to their loved ones to shot them when they become zombies. I'm certain that many of us would react in the same manner if something like this were to actually happen (yes, I know it's impossible). Also, it was interesting to have so many people make it to the mall instead of only four as in the original. Of course some of these characters fit the generic stereotype of a movie such as this, but I'm not surprised considering modern audiences would need such characters to maintain their interest. This was a movie made for film viewers, not film makers. We have the strong and silent male hero, the quick-thinking blond heroine, the official dumb jerk, the official slut, the young and naive girl who loses everything and needs the group's protection, the angry challenger for group leadership who has a change of heart and becomes heroic, the young trainee who disagrees with the angry challenger yet follows due to a sense of duty, and the stupid follower who gets his comeuppence.

One aspect that was missing from this remake was the original movie's social commentary on the commercialism of people. Ken Foree's character of Peter mentioned this in the original whereas Ving Rhames' Kenneth was more of a silent action hero never having much to say. This was another reason that I saw this as a simple action movie -- though I will say that Rhames has more acting ability than Governor Schwarzenegger, Sly, Seagal and Van Damme combined. Rhames also LOOKS like an action hero rather than today's prettyboy "action heroes" such as Tom Cruise, Ben Affleck, Nicolas Cage and Keanu Reeves -- who all look like they couldn't fight their way out of a cooking class for senior citizens.

All in all this movie was not better than the original and won't be nominated for any Academy Awards, but if you're looking for entertainment and can stomach the blood it's worth checking out. I can't wait to buy it on DVD someday.

Dawn of the Dead was absolutely one of, if not the best, zombie movie ever created. Given the fact this came out in 2004 and is at the level of quality and production is amazing. It looks like it was done just 5-10 years ago. The story was so successful because it was short yet there was so much happening, actual character development and the story ended without being dragged out too much. There was a perfect balance of acting, humor, blood and violence. I really think Zach Snyder absolutely killed this movie and it's one of his best ever. I'd recommend this to anyone who loves zombies or horror.

I gave Dawn of the Dead a rewatch recently for a few reasons.

1) 2020 blows and I can't handle anymore bad news or negativity so I watch a bunch of movies to avoid the news.

2) it's been years since I watched it 3) I'll say it proudly, I'm a Snyder fan. I think he's a brilliant director.

So I decided to buy this movie because it was cheap on Black Friday. A few things really stood out to me during the rewatch. It starts out with a bang to hook you in, and then gives you some unexpected character development in a unique setting. The cast doesn't really have a "star" but it's a solid and diverse crew. It was also really weird to see Phil Dunphy (TY Burrell) from Modern Family playing a cocky jerk, but he played it well. On top of all that, the zombies in this movie are awesome.

I also found it cool that James Gunn wrote the screenplay.

Also, good news for zombie fans, Snyder has another zombie flick coming out in 2021 on Netflix, called Army Of The Dead. Most people believe this is not a sequel to Dawn of the Dead and probably just a stand alone story. Dave Bautista and Omari Hardwick will star in it.

Thanks for reading.

I've been to thousands of movies in my lifetime and own hundreds of videos and DVDs, so I am a fan but not a bona fide film critic. This is my first online review.

My wife and I saw the original Dawn of the Dead 25 years ago at a midnight show and left wired enough to talk each other down till the morning. Perhaps a quarter of a century has inured us to the violence a bit since we just watched it again (rental video) last week prior to yesterday's venture to the local multiplex to see the remake/"reimagining" and were mostly unperturbed by the revisit.

For some reason, I was hooked on the new Dawn months ago from the teaser and, subsequently, the actual trailer. The Sparklehorse song in the former fit perfectly and the suburban shot followed by killer Vivian and closing with the burned projector film of the latter was intriguing in its own way. So I was primed to see the movie, usually a recipe for disaster since preview expectations are rarely fulfilled by the finished product. This time, however, they were.

The cast was uniformly believable and, more important, empathizable (at least with the good guys who got sorted out along the way). Even the playboy jerk had several relevant lines. Polley was a good, strong female lead (with another great rebuttal -- "No, I'm a * nurse" to a query about her medical skills) and Rhames a cheerable, if reluctant, hero. The camaraderie, such as it was, worked, and visceral me-first survival gave way more often to self-sacrifice.

So, what's not to like? The fundamental premise that a classic got remade? Doesn't wash. These are two different movies with the same name and similar premises but very different attitudes. (Better special effects didn't hurt, either, although this new version was oddly less disturbing sans zombies munching on dismembered body parts.) Speedy zombies (except for the "twitchers")? No problem; hey, they're hungry and, as always, persistent. My attention was held for the better part of two hours; the story was interesting; the outcome ambivalent; the characters arisen to the task at hand, becoming coldly rational to the divisions between life and death and zombiedom; the music weirdly appropriate; the black humor welcome respite. No, Dawn of the Dead isn't Citizen Kane nor is it a sacrilegious assault on the horror genre. It's solid filmmaking that's entertaining and thought-provoking. Otherwise, I suspect Romero would never have put his imprimatur on the remake.

How will mankind behave in the end times? Will we turn into raving lunatics and attack one another? Will we try to slavishly hold onto some fabric of our society? Will we kick back and accept what is happening?

`Dawn of the Dead' in some ways tries to answer that question. The movie, a remake of George Romero's classic 1978 sequel to `Night of the Living Dead,' throws a group of people together while society crumbles around them and allows the viewer to watch as humans seek to survive an onslaught of the undead.

The movie opens with the unimaginable happening. Hordes of zombies have overtaken Milwaukee and numerous survivors are both fighting off the monsters and trying to escape the city. One such group includes Ana (Sarah Polley), a nurse who is running scared after losing her husband, Kenneth (Ving Rhames), a tough-as-nails cop, Michael (Jake Weber), who tries to be two-steps ahead of any dangerous situation, and Andre (Mekhi Phifer), whose trying to care of his pregnant wife.

Seeking shelter from the waves of zombie attacks, the group decides to head toward a local mall and hole up there until help arrives. Once inside they join with security guards and use the shopping center as a refuge from the undead while trying to piece together what's left of their lives.

The plot is pretty straightforward, and relies mostly on cliché themes to move the story along. So as a rule, most films such as this tend to be predictable and quite tepid. Luckily, `Dawn of the Dead' has strong personalities to fall back on, making it thankfully every bit a character-driven drama as it is a horror-action piece.

As Ana, Polley convincingly plays a waif turned survivor with just the right amount of emoting. She is strong and vulnerable at the same moment, trying to remain reasonable in unreasonable times. Weber also fits this bill as Michael, a man with a shady past full of regret who tries to fill others with hope while remaining a stark realistic.

Rhames' performance clearly commands the most attention. As Kenneth, he becomes the group's de facto leader and top man of action. He keeps the clearest head when trouble is afoot and leads the group out of one scrape after another. Rhames gives the character a silent strength that provides the film with a much needed human edge.

First time director Zack Snyder moves the film along briskly and effectively, keeping the action scenes tight and the dramatic scenes quiet. There is no heavy-handed sermonizing here that tends to infiltrate most big-budget horror movies -- Snyder wisely lets the images speak for themselves.

The horror itself is shocking and grabs your attention, which is a plus considering most of the recent crop of thrillers. The fact that it is happening to sympathetic characters that we care about is another feather in the movie's cap.

All to often most horror movies are just excuses for numerous poorly developed characters to be killed in awful ways for the enjoyment of the audience. As far as recent zombie movies go, `Dawn of the Dead' thankfully remains closer to `28 Days Later' than `House of the Dead.'

However, despite all the movie's strengths, it still pales in comparison to the original. Romero's `Dawn of the Dead' took the premise of people trapped in mall and used it to make some pointed social commentary about consumerism. The first '`Dawn' had human characters selfishly hoarding material goods for themselves, using the mall not only as a refuge from zombies but also as their own personal palace that provides them with more items than they could ever need.

It's to the detriment of the new film that it never takes the concept to this level. Here, the story seems to take place in a mall because it's a cool place for a horror movie, not because it can draw out anything interesting in the characters themselves. Also, in the original the zombies wanted inside not only to eat the humans but also because they are drawn to the shopping center since is was an important place to them when they were alive.

It's a shame that this time around viewers won't get the chance to see zombies wandering around JC Penney or stumbling up and down escalators, the joke being humans amble about aimlessly themselves like the undead at the mall.

`Dawn of the Dead' is a very bloody and terrifying film but it lacks the superior gory effects from the 1978 movie. That should not stop the squeamish from twitching in their seats due to the horrific content onscreen.

Good acting and smart thinking elevates the proceedings among most other horror offerings, but compared to Romero's original it lacks the observations necessary to make it a classic. The first film remains an intelligent critique on human actions during the apocalypse, while this is just a suspense drama that is dressed to kill.

8 out of 10 stars. Not as good as Romero's original, but still one heck of a shot in the arm to cure the memory from most modern horror misfires.