Aviva tem treze anos, é desajeitada e sensível. Sua mãe Joyce é carinhosa e amorosa, assim como seu pai Steve, um cara comum que às vezes tem um temperamento feroz. O filme gira em torno da ... Ler tudoAviva tem treze anos, é desajeitada e sensível. Sua mãe Joyce é carinhosa e amorosa, assim como seu pai Steve, um cara comum que às vezes tem um temperamento feroz. O filme gira em torno da família, amigos e vizinhos de Aviva.Aviva tem treze anos, é desajeitada e sensível. Sua mãe Joyce é carinhosa e amorosa, assim como seu pai Steve, um cara comum que às vezes tem um temperamento feroz. O filme gira em torno da família, amigos e vizinhos de Aviva.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 indicações no total
Avaliações em destaque
Many times Solondz's films are misunderstood. They are often deemed sacrilegious, vulgar, or plainly disgusting. If you are one of these people shame on you, Solondz simply explores and exploits major issues that happen everyday. No other director besides Larry Clark is bold enough to do this. Personally, I think the dialogue in Solondz's films is brilliant and witty. He chooses tasteful casts that depict their characters perfectly. The audience is able to easily relate to the characters or simply hate them. I praise Solondz for his work.
I think this is a great movie for people with daughters. If this movie doesn't make you want to be a better parent then I guess there is no hope after all. Well, I'm finally closing in on 200 words, I could have definitely stopped after saying "people had to laugh because if they didn't they would have to cry."
I've seen a lot of strange films in my life, but this has to be right up there. Compared to this, "Happiness" was a crowd-pleasing knockabout comedy. I have to say that I found "Palindromes" hard going, even boring at times, although there was definitely a slow burn quality and by the end I was pretty much drawn in.
The film plays rather like a cross between Luis Bunuel and a live action "South Park". The multiple-actress technique pioneered in "That Obscure Object of Desire", deadpan style and flat picture quality on the one hand, taboo-breaking humour, song 'n' dance and perverse exploration of moral issues on the other.
I wonder what a conservative audience would make of this film. My guess is that it's aimed squarely at a liberal audience, but it absolutely refuses to pander to liberal prejudice, instead laying into the "pro-choice" position in a manner which can only be described as destruction testing. I get the feeling that Solondz is challenging his own opinions on the issue, as much as ours. Pro-lifers might see the storyline as vindicating their beliefs, but I dare say would be so horrified by other aspects of the film that they wouldn't make it to the end.
This is probably Solondz' bleakest movie to date, despite moments of (very dark) humour. Scientific rationalism is weighed against religious fundamentalism and both are found utterly wanting.
Incidentally there is no rape in this film, despite comments elsewhere, although there are certainly very disturbing scenes.
A brave movie, overall. I'm sure Solondz could take the David Lynch/John Waters route towards the (relative) mainstream with considerable success, but "Palindromes" sees him driving determinedly in the opposite direction, in every respect.
Você sabia?
- CuriosidadesHeather Matarazzo turned down reprising the role of Dawn Wiener in this film.
- Erros de gravaçãoAviva is cradling a baby doll in her hands, then her mother comes in and they talk, and Aviva puts the doll down on the bed. During the conversation the doll's clothes change and the doll's position also changes a few times during the scene.
- Citações
Mark Wiener: People always end up the way they started out. No one ever changes. They think they do but they don't. If you're the depressed type now that's the way you'll always be. If you're the mindless happy type now, that's the way you'll be when you grow up. You might lose some weight, your face may clear up, get a body tan, breast enlargement, a sex change, it makes no difference. Essentially, from in front, from behind. Whether you're 13 or 50, you will always be the same.
'Mark' Aviva Victor: Are you the same?
Mark Wiener: Yeah.
'Mark' Aviva Victor: Are you glad you're the same?
Mark Wiener: It doesn't matter if I'm glad. There's no freewill. I mean, I have no choice but to chose what I choose, to do as I do, to live as I live. Ultimately, we're all just robots programmed abritrarily by nature's genetic code
'Mark' Aviva Victor: Isn't there any hope?
Mark Wiener: For what? We hope or despair because of the way we've been programmed. Genes and randomness, that's all there is and none of it matters.
'Mark' Aviva Victor: Does that mean you're never going get married and have children?
Mark Wiener: I have no anent desire to get married or have kids. But that's beyond my control. Really, it makes no difference. Since the planet's fast running out of natural resources and we won't make it into the next century.
'Mark' Aviva Victor: What if you're wrong? What if there is a God?
Mark Wiener: That makes me feel better.
- Cenas durante ou pós-créditosIn loving memory of Dawn Wiener.
- Trilhas sonorasLullaby
(Aviva's and Henrietta's Theme)
Written by Nathan Larson
Performed by Nina Persson and Nathan Larson
Principais escolhas
- How long is Palindromes?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Palindromes
- Locações de filme
- Kingston, Nova York, EUA(Restaurant & parking lot scene with Bob & Aviva. Superlodge 129 Route 28)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 553.368
- Fim de semana de estreia nos EUA e Canadá
- US$ 57.251
- 17 de abr. de 2005
- Faturamento bruto mundial
- US$ 809.686
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1