AVALIAÇÃO DA IMDb
6,9/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaRenowned journalist Pierre has to interview the most famous Dutch actress, Katja Schuurman, against his wishes.Renowned journalist Pierre has to interview the most famous Dutch actress, Katja Schuurman, against his wishes.Renowned journalist Pierre has to interview the most famous Dutch actress, Katja Schuurman, against his wishes.
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Avaliações em destaque
Political columnist and former war correspondent Pierre Peters (Pierre Bokma) is frustrated to be interviewing movie star Katja (real-life Dutch star Katja Schuurman) in an puff piece for the entertainment section. Her most notable assets are the two up front. She notices his attitude right away. They get personal as both bring out dark secrets from each other.
This is essentially a two person play. Sometimes their interactions feel fascinating but other times, it feels repetitive. Somehow they need breaks and gear changes. Maybe she should start as a sweet helpful character and he could fake caring about the article. Their fake cordial interactions can break down leading some explosive revelations. This has some moments and an interesting overall idea.
This is essentially a two person play. Sometimes their interactions feel fascinating but other times, it feels repetitive. Somehow they need breaks and gear changes. Maybe she should start as a sweet helpful character and he could fake caring about the article. Their fake cordial interactions can break down leading some explosive revelations. This has some moments and an interesting overall idea.
Theo van Gogh did it again, and Theodor Holman earns every bit of respect on writing one of the best dialogue-movies I've seen in years. Pierre Bokma proves once again to be a great actor, and Katja Schuurman proves she's more than just a pretty face. Her role as a spoiled actress is greatly ironic, 'cause most narrow-minded viewers have only looked at her in this respect for over a decade. By playing this role with such finesse, she maybe proves to be exactly the opposite.
If you don't like Theo van Gogh as a person, please don't take that as an excuse to bomb his movies. "Interview" shows his (and Holman's) talent. The way Pierre and Katja don't want to be in the same room with each other, but can't leave each other at the same time; the way this is combined in "Interview" made me proud of Dutch cinema. Just like "Karakter" did, and just like "Van God Los" did (among others...).
If you don't like Theo van Gogh as a person, please don't take that as an excuse to bomb his movies. "Interview" shows his (and Holman's) talent. The way Pierre and Katja don't want to be in the same room with each other, but can't leave each other at the same time; the way this is combined in "Interview" made me proud of Dutch cinema. Just like "Karakter" did, and just like "Van God Los" did (among others...).
This films has Theo van Gogh written all over it. A big, fat and pretentious pile of crap. Katja Schuurman and Pierre Bokma are quite good but seem to lack any clue of where the script with its clichés is supposed to take them. The end is insultingly bad and gives the impression of a tight deadline. Despite seeing some of his other films and tv appearances, I gave Theo van Gogh the benefit of a doubt but he blew it completely. Some clever references, some great shots, and even an occasional joke aside, this film has left me completely untouched. OK, maybe left with a bit of rage for spending money to see it.
For a film with so little action, and so few people, it has a tremendous dialogue and great drama between Pierre and Katja - sometimes a little overdone, but generally the tension is so strong you can't take your eyes from it.
As good as it is, it has its flaws too. Sometimes the journalist really slips off his professional stance which he now and then tries to uphold. I think a real journalist would not do that - as all pros, journalists tend to keep professional, even when doing a job they don't like, or even more so in an unpopular work situation. As a pro and seasoned vet, Pierre should have kept to his professional attitude more.
Likewise, the dialogue goes off the map and then takes its time to get back on track. This is in a way a little tiresome, but also quite intriguing and one of the reasons the film came out so good. A beauty mark so to speak.
This was my first van Gogh film, and I'll be sure to see more of him whenever I can.
As good as it is, it has its flaws too. Sometimes the journalist really slips off his professional stance which he now and then tries to uphold. I think a real journalist would not do that - as all pros, journalists tend to keep professional, even when doing a job they don't like, or even more so in an unpopular work situation. As a pro and seasoned vet, Pierre should have kept to his professional attitude more.
Likewise, the dialogue goes off the map and then takes its time to get back on track. This is in a way a little tiresome, but also quite intriguing and one of the reasons the film came out so good. A beauty mark so to speak.
This was my first van Gogh film, and I'll be sure to see more of him whenever I can.
At first, I was not interested in this movie. Mainly because I don't particularly like Van Gogh and Katja Schuurmans. His movies were 'too arty farty' for my taste and I detest his manners (or lack of them). And I regarded Katja as a nice piece of ass who wasn't a real actress. How wrong could I be...
I decided to rent the DVD after reading reviews and I was pleasantly surprised. I don't know if it was the intention of Van Gogh to hold up a mirror in front of people like me, but that's the effect the movie had on me.
The same way I didn't regard Katja as a proper actress, the character of Pierre Bokma didn't take her seriously either. In return, Katja had an attitude towards people (like Bokma) because they don't take her seriously as an actress. In a way, this is reflected in the choice of the cast. Katja is a soapy and Bokma is a classic play actor. I found it quite refreshing to see Katja act very well. Even playing that she played a role (towards Bokma) came out very good. She really has a talent and actually can act. I was both delighted and ashamed of myself that I had judged Katja only because she played in a soap and looks gorgeous... I still don't like movies like Costa! but I'm not the target audience for those kind of movies. Interview is very well written, well played and if you like to see a great little gem of a movie, go see this.
I decided to rent the DVD after reading reviews and I was pleasantly surprised. I don't know if it was the intention of Van Gogh to hold up a mirror in front of people like me, but that's the effect the movie had on me.
The same way I didn't regard Katja as a proper actress, the character of Pierre Bokma didn't take her seriously either. In return, Katja had an attitude towards people (like Bokma) because they don't take her seriously as an actress. In a way, this is reflected in the choice of the cast. Katja is a soapy and Bokma is a classic play actor. I found it quite refreshing to see Katja act very well. Even playing that she played a role (towards Bokma) came out very good. She really has a talent and actually can act. I was both delighted and ashamed of myself that I had judged Katja only because she played in a soap and looks gorgeous... I still don't like movies like Costa! but I'm not the target audience for those kind of movies. Interview is very well written, well played and if you like to see a great little gem of a movie, go see this.
Você sabia?
- CuriosidadesThis movie is shot in five nights in Katja Schuurman's own apartment in Amsterdam.
- ConexõesFeatured in Jinek: Episode #2.4 (2014)
- Trilhas sonorasSee All Her Faces
Written by Jim Stratton and Alexander Ryan
Performed by Dusty Springfield
Mercury 5860092
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Detalhes
- Data de lançamento
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- Idioma
- Também conhecido como
- Intervju
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Bilheteria
- Faturamento bruto mundial
- US$ 24.824
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
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