Constantine

It's a Hollywood mystery why 2005's Constantine wasn't more popular and didn't at least get a sequel. There was a TV show a decade later but that only got a single series and considering some of the dross which get several series, I'm looking at you, Hemlock Grove, that's got to be a shame.

So we have a bankable star, a strong supporting cast, a well written script, an existing lore and decent enough special effects ( for 2005 ). Oh yeah, there's also something about the eternal struggle between good and evil. So what's not to like? I guess it's a little too dark for some and the concept that humans are only the playthings of God and the other guy might be a tough bullet to chew for those who take religion seriously.

Now streaming on Netflix.

Despite what people say this film is actually quite good. Sure it had some flaws and the story kind of dragged on but the effects were very good and the acting (which is pretty amazing) didn't suck. Keanu wasn't as bad as he usually is and Rachel Weisz does a very good job with what I think is a well written part. The must annoying actor in the film is in my opinion not Keanu but Tilda Swinton. The actor who I felt brought most passion and enthusiasm to his role was Peter Stormare who obviously enjoyed playing Satan and the scenes with him are admittedly some of the most interesting in the film and even though he is only on screen for something like 5 - 10 minutes he should almost be credited as a main character thats how good he is.

Now story wise the film had some issues but they weren't as serious as many people claim they are. As I stated previously the film does drag a little and it does take a long time for the film to actually reveal its point but its the little things that are really interesting. The exorcism scene is very well done and the effects are generally very well made. Effects doesn't make a film, however, and in spite of the issues the film actually succeeds in telling the story it wants to and the ending is indeed a climax.

I haven't read the comics so I didn't really have any expectations when I saw the film. I have heard that the avid fans of the comic books complained that Keanu Reeves doesn't fit the role. That might be true but to me he really didn't seem that bad. He still has a very clear well defined body language which I feel makes up for his monotonous voice (at least to some degree). I went in to the cinema and saw the film with an open mind which is what I advise future viewers to do and not rely too heavily on what the critics say.

All in all an excellent film

8/10

Funny enough watching another really original film brought me here. I was telling someone about it and they said oh you have to watch Constantine, The prophecy, and Devil's Advocate.

Loved The Harbinger and now love all Four of these! This movie has a great ambience and darkness without being a pure jump scare movie. I love the overall mood.

I've seen enough devil movies to know that a lot of them are not very original but these 4 are.

Won't give spoilers, but love the endings to all of them. The Harbinger and The Prophecy have a native American element which I thought was cool, but these two Constantine and Devil's Advocate still have master storytelling and a much higher production value than The Harbinger. Devils Advocate is slightly ahead of Constantine for me. But Thumbs up on Constantine and fun watch!

In my view an underrated and over-criticized movie - Constantine got nice visuals, an interesting story and some good acting. No masterpiece and not Mr. Reeves best movie but a solid piece of horror if you like to watch movies with demons and exorcism and some good ol' action. Thumbs up.

John Constantine (Keanu Reeves) can see things, you know. Demons, angels, stuff like that. Oddly enough, though, people believe he can - mostly because he moonlights as an exorcist, trapping demons - who shall not stay in his plane! - in mirrors and smashing them to teeny bits. World weary and constantly sucking on a coffin nail, Constantine is beleaguered and burned out, a noir detective for the afterlife, if you will. But he's alive; he's just cursed with the gift of seeing demons and angels. And he's a suicide, having been clinically dead for two minutes once upon a time, a time during which he literally saw Hell.

Cop Angela Dodson (Rachel Weisz) just lost her sister, a patient who jumped off the top of a mental hospital; Angela thinks her sister also Saw Something, and so she goes to John for help. Did Isabel know something? Where is she now? Can Angela see, too? Well, she can, actually, because Isabel was her twin sister, and as we all know twins share everything. So, using Angela, Constantine learns that the Bad Guys (demons), who are supposed to stay in Hell, have been crossing over to the plane of the living, presumably to raise hell. But Constnatine knows there's something else afoot, something only witchcraft, voodoo, and other otherworldly things can uncover.

If there was ever a role that the adult Reeves was born to play (besides that of Neo), it's that of John Constantine. Constantine wanders hither and yon, doing good deeds and helping with crimes involving the occult, and so forth, all with a resigned and - pardon another pun - rather soulless attitude. Constantine knows he's doomed to a lifetime of doing this, partly because he tried to kill himself and partly because he has The Gift. It's this kind of dispassionate nihilism that plays perfectly to Reeves' own dull, emotionless acting range. He's perfect for the role, based on a comic book called Hellblazer.

Weisz is pretty good - believable, at least - as the clumsily named Angela, but the real standout among the supporting cast is Peter Stormare as Satan himself. Incredibly creepy; he looks like a kindergarten teacher but behaves like a pedophile. The hair on the back of your neck will rise when Stormare enters the picture about three-fourths through.

Two other things the movie has going for it are a rather simplistic plot and some fantastic special effects (for example, a demon made up of bugs). Movies based on comic books tend to overburden themselves and the viewer with far too many plot twists. It's not tough - you have a good guy, you have a bad guy, and the first must defeat the second. Throw in some ethical and moral conflicts, give the good guy a power of sorts, and you're off and running. Constantine does this pretty well.

The atmosphere of the film is riveting as well, with effects special and otherwise transporting the viewer to Right There, whether it's a voodoo bar, Hell, or the mean streets of the city.

If you watch the movie with the idea that it's a filmed comic book, you shouldn't be dissatisfied with the result. John Constantine lives in a world in which he sees unspeakable evil on a daily basis, and he himself has literally been to Hell and back on more than one occasion. His lot is to suffer for his sin; can he find redemption in a cutie named Angela?