Wimbledon: O Jogo do Amor

"Wimbledon" is another one of those agreeable, English-flavored romantic comedies which in years past would have starred a stammering Hugh Grant. This time the principals are professional tennis players and the setting is Wimbledon. Paul Bettany makes for a good romantic lead in the Grant mold without the latter's sometimes annoying cloying and also is convincing as a tennis player at the tail end of his career. But Kirsten Dunst, the love interest, while giving a very likable performance, does not look her part. She also is not helped by the screenplay, which does not present her as a particularly compelling match. In fact, the character seems more like one that usually would be set up as the rival, missing the elements of the "intended". Further causing the film to come across less than compelling: Every character, save one, is nice, making it nearly conflict-free. Not a waste of time, but nothing memorable, "Wimbledon" is a tension-free, pick-me-up: The movie equivalent of a lightly-flavored carbonated water: effervescent, but lacking any distinct taste.

For me, it is exactly the genre of film about who , after a serious critic against superficiality, mistakes, cliches, you say- I like it.

And the motives are not so rare, from Kirsten Dunst and Paul Bettany, to the motivational story ( not the most inspired, indeed ), to the romance, humor - good crumbs of humor- , to the portraits of family.

I desired see it and it not was a dessapointment. Maybe, good occasion to discover , again, few good actors, the mechanism of marriage, some tennis ( in this domain i am real ignorant , so, the pressumed errors about games are not existent ), competition and forms of oldness and happiness in pure form.

So, I like it. It is the truth.

The sport of tennis serves (no pun intended) as a good background in Strangers on a Train and Pat and Mike. As the focal point of a full feature, it has never produced a solid film. Instead, there would be the occasional lightweight drama like Players (Dean Paul Martin and Ali McGraw) which fizzled back in 1980. Wimbledon, while a marked improvement over the former, does nothing to change the status quo.

Primarily a star vehicle for Kirsten Dunst (Spiderman, Bring It On) and rising star Paul Bettany (Master and Commander, A Beautiful Mind), the storyline is the stereotypic budding romance between Dunst who is the up and coming tennis star, and Bettany, the aging midline star who is trying for one last shot at being champion at Wimbledon. Their romance blossoms much to the consternation of Dunst's father (Sam Neill) who fears distractions for his daughter. There are a few subplots involving Bettany's quarreling parents, his playing partner, and his opportunistic agent (Jon Favreau). It's not too hard to figure who might win/lose or where the romance will lead.

Stars Dunst and Bettany are likable and have a nice chemistry but not much script to work with. There are a few nice lines and situations piecemealed throughout, but the plot is paper thin and the dialogue is unimaginative. This was from the people who brought us Notting Hill and Four Weddings and a Funeral? Ah, look at the credits more closely and Richard Curtis is missing; not even a Hugh Grant cameo is in sight. Sam Neill, Bernard Hill, and Eleanor Bron (Remember her from the original Bedazzled?) are wasted in minor roles. The tennis scenes are somewhat fun with the stars putting their all in the physical matches, but the tennis balls are almost too perfect as the special effects become too obvious.

Bettany is destined for more substantial roles and Dunst won't be hurt by this lightweight comedy/drama. One could only imagine what they could have done with a more lively script and complex characters. Sure it's nice to look at and the stars are a cute couple, but this was a squandered opportunity.

This movie was better of what I expected, it was interesting and entertaining.

I had seen Paul Bettany in " Gangster No. 1 (2000)" and I was surprised that he could do a romantic comedy so well too, he had a good chemistry with the beautiful Kirsten Dunst who is always good in this kind of movies. The plot is interesting and I liked a lot the tennis games scenes. What I didn't like so much were some silly moments involving Peter Colt's brother and manager.

Peter Colt is playing his last tournament at Wimbledon and there he will meet Lizzie a young tennis player with a great future with whom he will begin a romance behind her father's back ..........

I recommend watching it if you like romantic comedy movies.

It's a romantic comedy. Let's face it: it's not going to be winning any Oscars. For its genre though, it was a very enjoyable movie and even a step up since the romance was often, in a way, the B storyline. A fairly unique premise and excellent work from Paul Bettany as usual. Bernard Hill, James McAvoy, Nikolaj Coaster-Waldau and Jon Favreau gave memorable performances also, but Kirsten Dunst left a little something wanting.

The camera work and narration was different and very interesting. I also liked that the "roles" were reversed and it was told more from Peter's point of view

9/10.