As Loucuras de Dick e Jane

This is the story of Dick, an ambitious marketing executive which is promoted to the top just on the day his corporation implodes due to some embezzlement scheme. The first 15 minutes (Dick's ascent) are really very, very funny - that's Jim Carrey at his best.

The movie's best part is when you see Dick and his wife falling all the way to level where survival is really a struggle - this is actually very moving. Their ensuing blotched criminal career is on the other hand not so funny as you might expect -- you have the feeling that this is a very good serious movie trying to be funny just to meet the public's expectations.

Jim Carrey has come a long way since his early days on In Living Color. He became a hit actor in the likes of Ace Ventura: Pet Detective (a personal childhood favourite), The Mask and Dumb and Dumber. He tried hard for an Oscar nom, but always contended with winning Golden Globes. And for years now, he has basically been bouncing around dramas, comedies, and dramedies. So now, he has tackled a remake (of a comedy no less), and the results as per the last few years, are mixed at best.

Carrey is Dick, an employee at Globodyne (read: Enron) who is promoted just in time to help sail the company into oblivion on television. He tells his wife Jane (Tea Leoni) to leave her job only hours before hand, and upon returning stunning home, realizes that he may be in a bit of trouble. As the months go on, the pair's assets slowly begin to dwindle, and hope for continued survival begins to evaporate. So with nothing left to do, they turn to life of petty crime and hope for the best.

It is not an original concept at all, but Carrey and Leoni do a valiant job keeping this boat floating. While the film does have a few hilarious moments, the rest of it is bogged down by mere snicker-filled sequences or just scenes that are totally unfunny. It's not like these two actors are having any trouble being funny, it's that the material is not funny. Judd Apatow did wonders with The 40-Year-Old Virgin, but he fumbles here pretty hard with his writing partner Nicholas Stoller, who does not have nearly enough credits to his name. A parody on what happened at Enron was inevitable, but this just seems lackluster and barely thought out. Subplots are brought in, but barely resolved, and the key storyline just feels very weak by the end. It's not terrible, it just feels a tad bit incomplete.

The sorry thing about the entire film is the fact that much of it just feels like an extended montage with little payoff. It is only ninety minutes long, so it feels like a lot was trimmed down or cut right out. But the film suffers as a result. If it was longer, it undoubtedly could have had more potential for more funny moments, and as a whole, feel more complete.

While Carrey and Leoni do their best, it's Leoni who gives a stronger performance. Yes, Carrey is right at home with his zany character, and totally overshadows Leoni in every single aspect. But he just lacks that integral element of human comedy here, that made him so famous in the first place. It's unfortunate, and makes me wonder if the old Carrey will ever return, or if we'll have to contend with semi-funny Carrey for the rest of his career. Leoni is much better, and feels more in tune with what she's doing.

Even more unfortunate is the wasted supporting cast does very little. Alec Baldwin as the sleazy CEO Jack McCallister is sparingly unfunny, as is Richard Jenkins as the right hand man Frank Bascombe, who spends most of the movie drunk and not doing anything (besides setting up for the finale). The rest of the cast has little to no screen time, or are simply silly supporting characters that just feel like excess waste in the entire scheme of things.

For all of it's faults, the film is a worth while watch. As said, I did laugh at some of it. A bit of work on the screenplay would have benefited everyone here. Just do not go in expecting a comedy classic with Jim Carrey. If so, you will be sadly disappointed.

6.5/10.

Jim Carrey is hard to beat in a role like this. He looks like the all American yuppie - tall, clean shaven, well dressed, and in control of his life - and his comedic delivery has been refined into a polished riff. All is believable when he lets loose because you know this is a guy who has a great sense of humor and he can get you to laugh until you lose your breath without grossing you out or making you groan at absurd silliness. Even while prancing or jabbing the air or contorting his face, Carrey is - hands down - the sexiest comedian on screen today. Tea Leoni is a good match for him because she too can be sexy while doing pratfalls or ending up with mud on her face. This is a dream coupling that should be repeated in more light comedies the way William Powell & Myrna Loy were paired in The Thin Man series.

I found this remake head and shoulders above the original because it had far more energy and there was more 'sympatico' in the match of personalities of Dick & Jane. The new version also has a much more important message about corporate shenanigans and its grave impact on modern society. The film moves at a quick pace and was too short for me, but that's only because I didn't want to leave these characters. They became that fun couple you always invite to your get-togethers because they are the life of every party.

"Fun with Dick and Jane" reflects, in many ways, what's wrong with our society. We watch in disbelief as more and more CEOs are hauled up to jail and how these unscrupulous people leave their once valued employees to fend for themselves, as best they can.

Dan Perisot directs this remake of the 1977 Jane Fonda-George Segal vehicle and brings it up to date. He counts with two actors that are popular to present this new installment in a funny way, Jim Carrey and Tea Leoni in the main roles.

Poor Dick finds out in the worst way the job he held has just disappeared and must face reality. Dick and Jane must deal with their sudden status as they see their electricity cut, their housekeeper deserts them and Dick suffers the indignity of having to compete with other unemployed, former colleagues, for jobs that aren't half as glamorous as the vice-presidency he almost had.

What's a desperate man to do? Well, being a resourceful man, he must do what he has to. Jane and Dick start a path into taking the law into their own hands.

In a way, Mr. Carrey, one of the producers, mixes a serious problem with his kind of comedy. Jim Carrey is one of the best comedians working in movies today, but he also has an enormous talent for doing some serious dramatic work, as he has already proved. He is a dynamo in the film and turns the situation Dick is facing into fun, in his own way.

Tea Leoni, is equally suited to play Jane, the travel agent who suddenly sees all those comforts she was used to, disappear, and must adapt to her new circumstances. Ms. Leoni and Mr. Carrey do some funny things together, making the film look much better than what could have been. The supporting players, mainly Alec Baldwin and Richard Jenkins make good contributions to the film.

"Fun with Dick and Jane" is a typical example of those holiday themed films the studios love to unload at the end of the year.

I think the reason why this film wasn't so well-received was because of its serious theme as people expected it to be an out-and-out comedy. However, I think it touches on some very relevant issues, especially today when the economy is at a recession where people are losing their jobs, their houses and slowly everything they own. But coming, back to the comedy element, there's plenty of that and a lot to laugh about so I still don't understand all the negativity towards this fun movie. For me the funniest sequence was the swollen mouth sequence. Carrey and Leoni are awesome together. They make a great comedic pair on screen. Richard Jenkins is terrific too and Alec Baldwin isn't bad either. I haven't watched the original version but I saw an interview of Jim Carrey where he mentions that the movie is more relevant today than it was in 1977. I couldn't agree more.